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You've selected:
spring with its new beginning
Sheetmusic to print
9 sheet music found
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1
Chinese Spring
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1255160 By Max Potseluiev. By Max P…
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Piano Solo - Level 3 - Digital Download SKU: A0.1255160 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potseluiev #848725. Published by Max Potseluiev (A0.1255160). Chinese Spring is a delicate and soft composition that embodies the essence of a blossoming season in China. With its light and airy demeanor, this piece captures the beauty and grace of springtime in a unique blend of influences, featuring a soft syncopated rhythm reminiscent of a quasi-jazz waltz.The composition transports the listener to a tranquil Chinese garden, where cherry blossoms gently sway in the breeze and fragrant flowers fill the air. The melody dances playfully, painting a vivid picture of nature awakening from its winter slumber. The syncopated rhythm adds a touch of liveliness and whimsy, infusing the piece with a sense of joy and spontaneity.Chinese Spring invites the listener to embrace the serenity of the season, as well as the vibrant energy that comes with the blooming of nature. The soft and gentle nature of the composition creates a calming atmosphere, allowing the listener to immerse themselves in the beauty of the moment.As the piece unfolds, it incorporates elements of quasi-jazz waltz, infusing the traditional Chinese-inspired melodies with a subtle modern twist. The rhythmic interplay between the melody and the syncopated accompaniment creates a lively and captivating atmosphere, evoking a sense of celebration and the spirit of springtime festivities.The composition, with its light and soft character, pays homage to the rich cultural heritage of China while embracing a contemporary musical sensibility. It captures the essence of a season of renewal and growth, encapsulating the beauty and optimism that comes with the arrival of spring.Chinese Spring serves as a musical tribute to the harmonious blend of tradition and innovation, inviting the listener to experience the enchantment of a new beginning and the timeless beauty of a season filled with promise.
$4.99
4.61 €
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Piano solo
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Max Potseluiev
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Chinese Spring
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Max Potseluiev
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SheetMusicPlus
A WINTER'S LAMENT FOR STRING ORCHESTRA
Violin
Violin Solo - Level 3 - Digital Download SKU: A0.837262 Composed by Garth M. Willia…
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Violin Solo - Level 3 - Digital Download SKU: A0.837262 Composed by Garth M. Williams. 20th Century,Celtic,Folk,Irish,Standards. 7 pages. Garth M. Williams (Socan) #3093633. Published by Garth M. Williams (Socan) (A0.837262). A Winter's Lament was written during our western Canada winter of 2015. Â Although British Columbia boasts that it has a very favourable climate with little snow, it also tends, at times, to be very grey and wet during the winter months. Â With that in mind, I wrote this fiddles ballad which records, in the opening, my thoughts about the bright, warm, spring and fall months which we have just left. Â The middle section however, tends to be somewhat melancholic surrounded by the greyness of our winter, but it, in turn, is followed by a recipe of what lies ahead when winter actually departs; spring with its new beginning. Â This is an exceptional piece for fiddler's around the world.
$20.95
19.35 €
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Violin
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Garth M
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spring with its new beginning
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A WINTER'S LAMENT FOR STRING ORCHESTRA
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Garth M. Williams
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SheetMusicPlus
Spring Fever
Bassoon, Piano (duet)
Bassoon & piano - Digital Download SKU: IZ.BCMS181 Composed by Cindi Hsu. Score. 25…
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Bassoon & piano - Digital Download SKU: IZ.BCMS181 Composed by Cindi Hsu. Score. 25 pages. Imagine Music - Digital #BCMS181. Published by Imagine Music - Digital (IZ.BCMS181). 9 x 12 in inches.Winner of the 2018 Bassoon Chamber Music Composition CompetitionRequired work for the 2019 Meg Quigley Vivaldi CompetitionSpring Fever was composed in the spring of 2017, following my recent move from the hustle and bustle of New York City to a quiet community near Denver, Colorado. The coming of spring was announced with an abundance of beautiful wild flowers blooming in the yard of my new Colorado home and the neighboring open fields, providing wonderful inspiration for my composition.The beginning of the 1st movement, Pastoral, captures the aura created by the gentle sunlight of a quiet spring afternoon, as it shines through the window and brightens my studio with a warm glow. The calm is suddenly interrupted with a spirited Vivace section that depicts the sound and energy of the neighborhood children at play, and their ensuing laughter and delight! In the end, the peaceful and tranquil opening passage is recapitulated to reflect the warm spring day.The 2nd movement,Fever, begins with an energetic pattern established by the solo bassoon, with driving rhythmic and melodic lines that are carried throughout the entire movement between both the bassoon and piano. The colorful harmonies and syncopated rhythms are somewhat bluesy and suggestive of ragtime.Abrupt changes in dynamics and registers in both instruments serve to create textures and develop thematic ideas, while keeping the syncopated motion driving relentlessly forward. The music relaxes momentarily in a fleeting cantabile section, like briefly catching one's breath, only to have the bassoon abruptly and emphatically restating the opening Fever theme and bringing the movement to its driven conclusion.
$18.00
16.63 €
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Bassoon, Piano (duet)
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Cindi Hsu
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Spring Fever
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Imagine Music - Digital
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SheetMusicPlus
Solitudine nell'estate sorgente
Easy Piano
Piano Solo - Level 1 - Digital Download SKU: A0.1267162 By Aldo Roberto Pessolano. …
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Piano Solo - Level 1 - Digital Download SKU: A0.1267162 By Aldo Roberto Pessolano. By Aldo Roberto Pessolano. 21st Century,Classical,Contemporary,New Age,Pop. Score. 3 pages. Aldo Roberto Pessolano #859801. Published by Aldo Roberto Pessolano (A0.1267162). The title Solitudine nell'estate sorgente means Solitude in the Spring Summer. This is a beginner-level piano piece, ideal for all students who wish to express emotions through music. This evocative piece transports the listener on an introspective journey, capturing the stillness and peace of a summer morning. The gentle, melancholy notes paint a lonely landscape, with a gentle breeze caressing the trees. As the melody evolves, a sense of hope and rebirth emerges. The simple rhythms and accessible chord progressions make this piece ideal for beginning pianists who want to practice musical expression. With its meditative atmosphere, Solitude in the Spring Summer is the perfect piece for a quiet morning at the piano.
$1.99
1.84 €
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Easy Piano
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Aldo Roberto Pessolano
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Solitudine nell'estate sorgente
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Aldo Roberto Pessolano
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SheetMusicPlus
Balta ainava
Piano solo
Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris…
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Piano - intermediate - Digital Download (White Scenery (Winter)). Composed by Peteris Vasks (1946-). This edition: single sheet. Downloadable. Duration 7 minutes. Schott Music - Digital #Q12485. Published by Schott Music - Digital
Peteris Vasks occupies a special position in the circle of Baltic composers. He is not only the most significant and popular composer ever to come out of Latvia. he always speaks to his listeners with a fervent intensity that seems to point to something higher. This higher aspect is without a doubt something that stands above the world of humanity but is also present within each person: divine nature.<br> <br> "I am deeply rooted in nature, in the nature of the North. It influences all of my music. The nature we know is also quite various. we have four very distinct seasons. The winter is very long, the summer very short and therefore all the more beautiful and longed for. The seasons in between are quite dramatic."<br> <br> The first of Peteris Vasks's Seasons pieces was not written with the intention of forming a complete cycle. For his friend, Talivaldis Deksnis, he composed in 1980 Balta ainava - White Landscape (Winter), in 1981 Rudens muzika - Autumn Music, and in 1995 the Pavasara muzika - Spring Music. In 2008, Zala ainava - Green Landscape (Summer) came into being, the piece which completed the cycle.<br> <br> In 2009, as a kind of "encore", Vasks wrote Vasaras vakara muzika - Music for a Summer Evening based on old sketches. this, of all the pieces, is the one most anchored in tradition. Only the two newest pieces - both of which have to do with summer - have a fixed metrical structure. The three earlier works are metrically free, notated without bar lines, which gives them an improvisatory character.<br> <br> Vasks says of the individual pieces in the cycle: "In Balta ainava everything is white. A new year begins. It is a quiet meditation, a new beginning, with only two themes.<br> <br> Pavasara muzika. Quasi una Sonata - the most demanding piece in this cycle - is intense, an impressive development. Spring comes slowly, with much drama. It is like a battle, until it is simply there. This multi-faceted piece, with its bird songs, lives from conflicts and dramatic intensification and ends in ecstatic rapture. Zala ainava is based on two themes. Our summer is very brief and offers a respite after the battles. And it is so beautiful! The music reflects joy and contentment. The first theme brings a kind of pure energy. the second is more devoted to tone painting. At the end, a five-note quotation from a well-known Latvian folksong about a drunkard is heard.<br> <br> Rudens muzika begins pianissimo on a quiet September day, in a peaceful, sunny atmosphere. Now the autumn storms sweep over the land. a gentle sadness settles on the people and on nature, which surrenders its splendor. After a last great storm, the snow comes again as a symbol of purified conclusion and a new beginning. Vasaras vakara muzika takes place at the quiet end of a summer day. The sun sets. Slowness. Memories of previous experiences surface. With the memories' appearance comes an increase in intensity. Towards the end, a kind of folksong is heard: 'We have survived the time of tyranny and retained our identity'. The ending is quiet, everything is asleep."<br> <br> Christoph Schluren<br> <br> Translation: John Patrick Thomas and W. Richard Rieves
$10.99
10.15 €
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Piano solo
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Peteris Vasks (1946-)
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Balta ainava
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Schott Music - Digital
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SheetMusicPlus
Wheel of the Year
Harp
Harp - Level 3 - Digital Download SKU: A0.797493 Composed by Carol Wood. Celtic,Hal…
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Harp - Level 3 - Digital Download SKU: A0.797493 Composed by Carol Wood. Celtic,Halloween,Holiday,New Age,Spiritual. Score. 22 pages. Afghan Press Music for the Harp #4886961. Published by Afghan Press Music for the Harp (A0.797493). While all eight of these Celtic holidays may not be truly ancient, several of them certainly are; some, like Samhain, have had Christianizing veils cast over them but have kept many of the pre-Christian customs associated with their celebration. Interested harpists will find a wealth of available information about these holidays, their names, and their customs. Imbolc, February 1st or 2nd, is also the Feast of St. Bridget or Brigid and is associated with the ancient goddess of that name in Celtic mythology.Ostara is the name sometimes given to the neo-Celtic celebration of the Spring Equinox. This piece depicts the dawn of the day and of the year. Beltaine, the joyous celebration of spring’s warmth and wealth of flowers and new greenery, occurs on the first day of May. The longest day of the year and the shortest night mark the Summer Solstice-Midsummer. Since long before Shakespeare’s funny and lyrical play A Midsummer Night’s Dream, the Summer Solstice has been associated with magic.Lughnasadh, on August 1st, is the festival of the first harvest. A version of the name of this festival survives in Manx and Scots Gaelic as well as in Irish Gaelic, and the name itself derives from Lugh, one of the most important Celtic godsMabon marks the Autumn Equinox and the end of summer; for me, it is a wistful moment of the year-extremely beautiful yet transitory. Samhain is one of the most significant celebrations in the Celtic year- the word itself means the end of summer, the beginning of the dark part of the year. It survives even in non-Celtic countries as Halloween, thanks to its adoption into the Christian calendar as All Hallows’ Eve. It is said to be the time when the veils between this world and the next are at their most thin.The Winter Solstice is marked in many European cultures as a time for celebrating the birth of the new light and a time for decorating with evergreens like holly. For The Holly King, modal and traditional versions of the carol The Holly and the Ivy, were used because of the lyrics’ references to the rising of the sun, and the running of the deer.
$12.00
11.09 €
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Harp
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Carol Wood
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Wheel of the Year
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Afghan Press Music for the Harp
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SheetMusicPlus
I Feel My Savior's Love ~ How Firm a Foundation
Clarinet Ensemble
Clarinet Choir,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.142…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.1424243 By BYU-I Clarinet Studio. By K. Newell Dayley, J. Ellis. Arranged by Ryan Terry. Chamber,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Ryan Terry #1005432. Published by Ryan Terry (A0.1424243). An arrangement of two well-known hymns from The Church of Jesus Christ of Latter-Day Saints, arranged by composer and clarinetist Ryan Terry for 4 Bb Clarinets and 2 Bass Clarinets. This arrangement playfully showcases each hymn in various styles and textures. At rehearsal letter I, the listener will hear a section of self-discovery, referencing other hymns all beginning with phrases such as: I feel..., I am..., I know..., I have..., and so forth. This piece was originally written for the Brigham Young University-Idaho Clarinet Studio back in the Spring of 2022. It has since been revised and polished, and awaits a new premiere performance.Estimated duration of piece: 5 min, 30 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece! ryansterry2000@gmail.com.
$49.99
46.18 €
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Clarinet Ensemble
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BYU-I Clarinet Studio
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I Feel My Savior's Love ~ How Firm a Foundation
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Ryan Terry
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.63 €
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Chamber Orchestra
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Georg Philipp Telemann
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
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