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9976
Killing Me Softly With His Song
2 Cellos (duet)
Cello Duet Cello - Level 3 - Digital Download SKU: A0.871410 By Roberta Flack. By C…
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.871410 By Roberta Flack. By Charles Fox. Arranged by Clara Obsidian. Hip-Hop. Score. 9 pages. Clara Obsidian #6254165. Published by Clara Obsidian (A0.871410). Killing Me Softly with His Song composed by Charles Fox with lyrics by Norman Gimbel. The pop song has been covered by many artists; with Robert Flack's version winning the 1974 Grammy for Record of the Year and Best Female Pop Vocal Performance, and the Fugees' winning the 1997 Grammy for Best R&B Performance by a Duo or Group with Vocal.--------------Arranged for Cello DuetI: Main MelodyII: Counter Melody/ HarmonyThis version is arranged from the Radio Edit recording, great for performances and class repertoire use!Full Score and Parts-----------.
$5.99
5.52 €
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2 Cellos (duet)
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Roberta Flack
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with
Robert
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Killing Me Softly With His Song
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Clara Obsidian
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SheetMusicPlus
Killing Me Softly With His Song - Flute Choir Quintet (Piccolo, 2 Flutes, Alto Flute and Bass Flute)
Flute ensemble
By Roberta Flack. Arranged by Raymond Fenech. Set of Parts. 22 pages. Published by Raym…
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By Roberta Flack. Arranged by Raymond Fenech. Set of Parts. 22 pages. Published by Raymond Fenech
"Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by NormanGimbel. The song was written in collaboration with LoriLieberman, who recorded the song in late 1971. In 1973 it became anumber-one hit in the USand Canada for RobertaFlack, also reaching number six in the UKSingles Chart. The song has since been covered by numerous artists,including the version by the Fugees, which won the 1997 Grammy for BestRandB Performance by a Duo or Group with Vocal. This song is arranged forFlute Choir Quintet (Piccolo, 2 Flutes, Alto Flute and Bass Flute). The levelis Advance Intermediate and the duration is 3.47 minutes.
$12.99
11.97 €
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Flute ensemble
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Roberta Flack
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Killing Me Softly With His Song - Flute Choir Quintet
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Raymond Fenech
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SheetMusicPlus
The Robert Burns Song Book Volume II
Piano, Voice
Songbooks - Intermediate - Digital Download Composed by Robert Burns. Theory and Referen…
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Songbooks - Intermediate - Digital Download Composed by Robert Burns. Theory and Reference. Voice. E-book. 240 pages. Mel Bay Publications - Digital Sheet Music #96840EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741747. This second volume of the songs of Scottish poet Robert Burns contains 70 songs excerpted from the chapter The Lasses in a larger collection of 324 Burns songs compiled and researched by Serge Hovey. It includes songs expressing the poet's passion for his wife Jean, and for that other species. Robert Burns (1759-1796) spent his life collecting Scottish songs, using fragments of existing lyrics as the basis for his own poems, and wrote original lyrics for traditional melodies. Burns left for posterity about 270 poems and more than 300 songs which are usually printed without their tunes. Serge Hovey meticulously examined Burns' own sources, letters, and manuscripts to determine the origin of every tune and all the verses as well as Burns' intended match of words and music. He then arranged each song with highly imaginative and beautiful accompaniments geared for pianists with average skills. This volume is illustrated with reproductions of paintings, drawings, and prints. These volumes also contain a glossary of frequently appearing Scots words and insightful historical notes for each song.
$29.99
27.63 €
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Piano, Voice
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Robert Burns
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The Robert Burns Song Book Volume II
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Robert Burns Song Book, Volume I
Composed by Robert Burns. Songbooks. Ballads/Love Songs. E-book. Mel Bay Publications …
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Composed by Robert Burns. Songbooks. Ballads/Love Songs. E-book. Mel Bay Publications - Digital Sheet Music #96839EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619116580.<br> <br> This volume of the songs of Scottish poet Robert Burns contains 85 songs excerpted from the chapter Country Life in a larger collection of 324 Burns songs compiled and researched by Serge Hovey. It includes songs portraying farmers, shepherds, millers, weavers, tinkers, colliers, coopers, shoemakers, tailors, and other country folk reflecting Burns's intense love of the Scottish countryside and the oral tradition and music of its people. Robert Burns (1759-1796) spent his life collecting Scottish songs, using fragments of existing lyrics as the basis for his own poems, and wrote original lyrics for traditional melodies. Burns left for posterity about 270 poems and more than 300 songs which are usually printed without their tunes. Serge Hovey meticulously examined Burns' own sources, letters, and manuscripts to determine the origin of every tune and all the verses as well as Burns' intended match of words and music. He then arranged each song with highly imaginative and beautiful accompaniments geared for pianists with average skills.
$29.99
27.63 €
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Robert Burns
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The Robert Burns Song Book, Volume I
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Killing Me Softly With His Song (Voice Roberta Flack, Piano comp. and Orchestra)
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Piano solo
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Roberta Flack
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Tomplay
Killing Me Softly With His Song (including tablature)
Guitar notes and tablatures
Guitar, Guitar Tab, Classical Guitar - Intermediate - Digital Download By Roberta Flack.…
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Guitar, Guitar Tab, Classical Guitar - Intermediate - Digital Download By Roberta Flack. Arranged by David Jaggs. Solo Part. 5 pages. Published by David Jaggs
Some songs fit onto the classical guitar so well it's as though they were written for it. Killing Me Softly is one of these songs, every section seems to work effortlessly with some very interesting textures. Fingerings are given in the trickier sections. There is another version of the same arrangement without tablature. Not too difficult to master but certainly not a beginners piece.
$7.99
7.36 €
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Guitar notes and tablatures
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Roberta Flack
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Killing Me Softly With His Song
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David Jaggs
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SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.53 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.88 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.88 €
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Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Here With Me
Guitar notes and tablatures
Guitar Tab - Digital Download By Marshmello Feat. Chvrches. Arranged by Daniel Roberts.…
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Guitar Tab - Digital Download By Marshmello Feat. Chvrches. Arranged by Daniel Roberts. 4 pages. Published by Daniel D- Rob Roberts
Can I tell you something just between you and me?<br> When I hear your voice, I know I'm finally free<br> Every single word is perfect as it can be<br> And I need you here with me<br> When you lift me up, I know that I'll never fall<br> I can speak to you by saying nothing at all<br> Every single time, I find it harder to breathe<br> 'Cause I need you here with me<br> Every day<br> You're saying the words that I want you to say<br> There's a pain in my heart and it won't go away<br> Now I know I'm falling in deep<br> 'Cause I need you here with me<br> Every day<br> You're saying the words that I want you to say<br> There's a pain in my heart and it won't go away<br> Now I know I'm falling in deep<br> 'Cause I need you here with me<br> I think I see your face in every place that I go<br> I try to hide it, but I know that it's gonna show<br> Every single night, I find it harder to sleep<br> 'Cause I need you here with me<br> Everyday<br> You're saying the words that I want you to say<br> There's a pain in my heart and it won't go away<br> Now I know I'm falling in deep<br> 'Cause I need you here with me<br> Every day<br> You're saying the words that I want you to say<br> There's a pain in my heart and it won't go away<br> Now I know I'm falling in deep<br> 'Cause I need you here with me<br> Can I tell you something just between you and me?<br> When I hear your voice, I know I'm finally free<br> Every single word is perfect as it can be<br> 'Cause I need you here with me
$4.99
4.6 €
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Guitar notes and tablatures
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Marshmello Feat
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Here With Me
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Daniel D- Rob Roberts
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.38 €
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Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Killing Me Softly With His Song (Intermediate Level, with Orchestra)
Piano solo
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
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Piano solo
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Roberta Flack
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Tomplay
Killing Me Softly With His Song (Advanced Level, with Orchestra)
Piano solo
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Piano solo
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Roberta Flack
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Tomplay
Killing Me Softly With His Song (Beginner Level, with Orchestra)
Piano solo
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Piano solo
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Roberta Flack
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Tomplay
Killing Me Softly With His Song (Easy/Intermediate Level, with Orchestra)
Piano solo
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Piano solo
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Roberta Flack
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Tomplay
Killing Me Softly With His Song (Easy Level, with Orchestra)
Piano solo
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
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Piano solo
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Roberta Flack
#
Tomplay
Killing Me Softly With His Song (Very Easy Level, with Orchestra)
Piano solo
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Piano solo
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Roberta Flack
#
Tomplay
Killing Me Softly With His Song (Intermediate Level, Solo Piano)
Piano solo
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5.99 €
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Piano solo
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Roberta Flack
#
Tomplay
Killing Me Softly With His Song (Advanced Level, Solo Piano)
Piano solo
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Piano solo
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Roberta Flack
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Tomplay
Killing Me Softly With His Song
Voice solo
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Voice solo
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Roberta Flack
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Tomplay
Killing Me Softly With His Song (Easy/Intermediate Level, Solo Guitar)
Guitar
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Guitar
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Roberta Flack
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Tomplay
Killing Me Softly With His Song (Easy Level, Solo Guitar)
Guitar
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3.99 €
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Guitar
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Roberta Flack
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Tomplay
Killing Me Softly With His Song (Beginner Level, Accompaniment Guitar)
Guitar
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Roberta Flack
#
Tomplay
Killing Me Softly With His Song (Beginner Level, Solo Piano)
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Piano solo
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Roberta Flack
#
Tomplay
Killing Me Softly With His Song (Intermediate Level, Accompaniment Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
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Guitar
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Roberta Flack
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Tomplay
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