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2801
Recuerdos de la Alhanbra for Classical Guitar
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Guitar
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for C
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contes...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
Carson Cooman: Nine Preludes for piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Carson Cooman
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Carson Cooman: Nine Preludes f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Pub...
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Piano Solo - Level 4 - Digital Download SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,†and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.†Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
$25.95
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestra
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ADVANCED
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
A Brand New Day: Chorale and Festive Overture for band
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Concert band
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EASY
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Joshua Bickford
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A Brand New Day: Chorale and F
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Joshua Bickford
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1248452 Composed by Joshua Bickford. 21st Century,Classical. Score and Parts. 43 pages. Joshua Bickford...
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Concert Band - Level 2 - Digital Download SKU: A0.1248452 Composed by Joshua Bickford. 21st Century,Classical. Score and Parts. 43 pages. Joshua Bickford #842965. Published by Joshua Bickford (A0.1248452). This piece was written for middle school band at the request of a good friend of mine who teaches middle school band. The PDF contains a full conductors score as well individual parts.
$1.99
Show Pieces for Contrabassoon
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Robert Rainford
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Show Pieces for Contrabassoon
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Forton Music - Digital
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SheetMusicPlus
Contrabassoon and Bassoon Trio - Intermediate - Digital Download SKU: F2.FM161 Arranged by Robert Rainford. Score and parts. 17 pages. Forton Music - Dig...
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Contrabassoon and Bassoon Trio - Intermediate - Digital Download SKU: F2.FM161 Arranged by Robert Rainford. Score and parts. 17 pages. Forton Music - Digital #FM161. Published by Forton Music - Digital (F2.FM161). ISBN 9790570480609.A chance for the contrabassoon to step to the fore! Three pieces showcasing the largest of the double reed family, accompanied by three bassoons. Focussing on the lower range of the instrument, reaching up to the heady heights of (written) middle C, these will make a humorous addition to any concert; l'Elephant from Carnival of the Animals by Saint-Saens, Dance of the Hours by Ponchielli, and The Policeman's song by Arthur Sullivan. The bassoon parts are rhythmically easier, but do reach top B in places.
$12.95
Suite for Piano
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Piano solo
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ADVANCED
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Contemporary
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #57...
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Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00
Legacy for Chamber Orchestra
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Chamber Orchestra
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ADVANCED
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Pub...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Sonata for Flute and Piano, Op. 12
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Flute and Piano
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ADVANCED
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. S...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Carson Cooman: Ancient Airs (2004) for solo flute
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Flute
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ADVANCED
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Carson Cooman
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Carson Cooman: Ancient Airs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Solo - Level 5 - Digital Download SKU: A0.533595 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fa...
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Flute Solo - Level 5 - Digital Download SKU: A0.533595 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3030249. Published by Musik Fabrik Music Publishing (A0.533595). Ancient Airs (2004) for solo flute was written for and is dedicated to flutist Sandra Ragusa.It is in two movements, each with a spirit of ancient airs re-imagined in a modern context.The ancestry of the modern flute as a folk instrument is the inspiration for the work's concept.They should always be played with a lyrical, singing approach.Beyond the Mountain uses as its basic musical material a simple transformation of a modalmelody in D minor. Gradually tones are added borrowed from other modalities. The openingsection is slow and lyrical. The middle section is more active -- contrasting the D minorchord tones with the added diminished tones of the first section. The final section recalls thematerial of the opening with a wider transformation.Forgotten Incantation uses a wider modal language than the first movement. Although stillgenerally slow and song-like, it is more energetic. Energetic gestures interrupt and drive thesong narrative forwards.
$11.95
Carson Cooman: Ancient Airs (2004) for solo soprano saxophone
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Saxophone (band part)
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ADVANCED
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Carson Cooman
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Carson Cooman: Ancient Airs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Soprano Saxophone Solo - Level 5 - Digital Download SKU: A0.533596 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pag...
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Soprano Saxophone Solo - Level 5 - Digital Download SKU: A0.533596 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3030251. Published by Musik Fabrik Music Publishing (A0.533596). Ancient Airs (2004) for solo soprano saxophone was written for and is dedicated tosaxophonist Paul Wehage. It is in two movements, each with a spirit of ancient airsre-imagined in a modern context. The ancestry of most woodwind instruments as folkinstruments is the inspiration for the work's concept. The piece should always beplayed with a lyrical, singing approach.Beyond the Mountain uses as its basic musical material a simple transformation of amodal melody in D minor. Gradually tones are added borrowed from othermodalities. The opening section is slow and lyrical. The middle section is moreactive -- contrasting the D minor chord tones with the added diminished tones of thefirst section. The final section recalls the material of the opening with a widertransformation.Forgotten Incantation uses a wider modal language than the first movement.Although still generally slow and song-like, it is more energetic. Energetic gesturesinterrupt and drive the song narrative forwards.
$11.95
And the Surface Breaks for solo cello
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Cello
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INTERMEDIATE/ADVANCED
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Nicholas Yandell
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one movement
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And the Surface Breaks for sol
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Nicholas Yandell Music
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.1113882 Composed by Nicholas Yandell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Indivi...
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Cello Solo - Level 4 - Digital Download SKU: A0.1113882 Composed by Nicholas Yandell. 20th Century,Chamber,Classical,Contemporary,Romantic Period. Individual part. 5 pages. Nicholas Yandell Music #715783. Published by Nicholas Yandell Music (A0.1113882). Written in 2013. Commissioned by cellist Micah Claffey and premiered by him in 2014. Studio recorded (also by Micah Claffey) in 2015. Has also been performed by Marilyn de Oliveira (Assistant Principal Cello of the Oregon Symphony) and Diane Chaplin. Duration: Around 8 minutes; one movement. Level: Great for a student recital piece; popular with college students. A rich, expressive, melodic piece written idiomatically for the cello's voice; easy for a performer to personalize. Appropriate for intermediate students, but certainly challenging enough to be of interest to professionals as well. Program Notes: This work is the third of three solo cello pieces written for Micah Claffey on pastoral/nature themes. The title refers to the surface of a body of water as one’s head breaks through after a long and strenuous swim beneath it. The core of this work is about defining the character of peace through the odyssey of a single cello’s musical voice. The peace theme starts as just a seed in the beginning; incomplete; represented by the first four notes (a pitch class: 0,4,6,7 or inverted as 0,1,3,7). The cello then plunges into tempestuous waters, but the seed is never lost throughout all the metamorphoses it goes through and all the commotion that surrounds it and this middle section becomes a time of catharsis and refinement. Finally, in the latter third of the work, the theme of peace breaks the surface in its complete form, starting out timidly, but soon climaxing to a powerful and penetrating statement and ending with a sense of relief, clarity, and renewal that exist not in spite of the tumultuous journey, but because of it. Performing Rights Organization: ASCAP Website: www.nicholasyandell.com.
$5.99
Sonata for Flutes
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Tony Bridgewater
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Sonata for Flutes
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Forton Music - Digital
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SheetMusicPlus
Picc. 5 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - Digital Download SKU: F2.FM532 Composed by Tony Bridgewater. Flute Ensemble. Score and Parts. 138 ...
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Picc. 5 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - Digital Download SKU: F2.FM532 Composed by Tony Bridgewater. Flute Ensemble. Score and Parts. 138 pages. Forton Music - Digital #FM532. Published by Forton Music - Digital (F2.FM532). ISBN 9790570484317.Tony Bridgewater's 'Sonata for Flutes' was written in 2014-2015 for the UK based National Flute Orchestra, founded by Margaret Lowe in 2008, and was performed in Birmingham, England, conducted by the composer. It is in three movements. The first is based around lively, dancing 7/8 rhythms, with playful changes in metre, and ideas thrown between the instruments in a busy texture. There is a slow, reflective middle section, much more serious in tone, featuring various flute solos. This gradually returns to the opening ideas of the movement in an abbreviated reprise, before the music ends, fading away into the distance, on the dancing rhythm of the opening. The second movement is slow, and suggests a misty dawn landscape with its spare, calm texture. This is followed by a series of lonely solo flute melodies which gradually combine and build up into a rich, imitative texture. Tension and dissonance builds, but at the climax a solemn, low melody on bass and alto flute returns the music to a reprise of the first section, which ends very quietly and mysteriously. The rousing final movement returns to the joyful dancing rhythms of the first, now based around 10/8 time. It is a rondo, with many playful variations of the returning theme shared between all of the flutes at each appearance, while contrasting episodes are a little more relaxed and lyrical. A final coda briefly reprises motifs from earlier in the piece, before building to an exciting conclusion.
$31.95
Our Snowfort
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Piano solo
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BEGINNER
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Mary Leaf
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Our Snowfort
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - Early Elementary - Digital Download SKU: F0.W9382 Composed by Mary Leaf. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company...
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Piano - Early Elementary - Digital Download SKU: F0.W9382 Composed by Mary Leaf. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9382. Published by The FJH Music Company - Digital (F0.W9382). UPC: 674398227822.Our Snowfort celebrates the fun of building a snow fort and throwing snowballs! This piece, written in 4/4 and in the Middle C position, does not have any accidentals or rests. Includes an easy teacher duet part.
$2.95
The Enchanted Forest
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Piano solo
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Elizabeth W
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The Enchanted Forest
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - beginner - Digital Download SKU: F0.W9247 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. March written for the very young pian...
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Piano - beginner - Digital Download SKU: F0.W9247 Composed by Elizabeth W. Greenleaf. Sheet Music. Written For You. March written for the very young pianist. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9247. Published by The FJH Music Company - Digital (F0.W9247). UPC: 674398217014.This pre-reading piece utilizes the black keys starting on the D flat just above middle C for the LH, with the RH extending to the E flat an octave above. Written in an ABA form, the B section contains hands-together playing for eight measures. This piece has a good variety of dynamics for your pre-reader to practice dynamic contrast, and contains a teacher accompaniment that contributes to the harmonic support of the student part. Both teacher and student will enjoy this enchanting piece. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.50
Latin Dance For Concert Band
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Concert band
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EASY
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Landon Major
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Latin Dance For Concert Band
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LMajor
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1410259 Composed by Landon Major. Contest,Festival,Instructional,Latin. 45 pages. LMajor #992677. Publi...
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Concert Band - Level 2 - Digital Download SKU: A0.1410259 Composed by Landon Major. Contest,Festival,Instructional,Latin. 45 pages. LMajor #992677. Published by LMajor (A0.1410259). Latin Dance is a Piece written for Middle School Concert Bands. It has unique melodies, backed by Latin percussion instruments and 2 Mallet parts! Make sure to work on dynamics, accents, and staccatos. No part of the band should overpower another, and it should be well balanced.
$39.99
The Middle
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Violin
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INTERMEDIATE
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Jimmy Eat World
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Sarah Cellobat Chaffee
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The Middle
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Sarah Cellobat Chaffee
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.526268 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by ...
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Violin Solo - Level 3 - Digital Download SKU: A0.526268 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 3 pages. Sarah Cellobat Chaffee #6327135. Published by Sarah Cellobat Chaffee (A0.526268). One of the biggest and most ubiquitous hits of the early 2000's, The Middle was a breakout hit for Jimmy Eat World that placed them among the ranks of other big names of the day like Weezer, Blink-182 and Green Day. It was impossible not to know this song back then, and it has since become a classic throwback song for the millennial generation! This arrangement for solo violin maintains the fun upbeat tempo and dynamic contrasts of the original, and it's pretty much guaranteed to get everybody singing along! This chart was originally written for a wedding, but it will also be perfect for pop concerts, solo & ensemble contests, parties, corporate events, or any occasion when you need some throwback rock. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This chart stays entirely in first position and will be sightreadable for professionals and learnable for intermediate students -- the only slightly tricky part is the fun guitar solo in the middle! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
The Middle
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Cello
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INTERMEDIATE/ADVANCED
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Jimmy Eat World
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Sarah Cellobat Chaffee
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The Middle
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.526244 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by S...
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Cello Solo - Level 4 - Digital Download SKU: A0.526244 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock. Individual part. 3 pages. Sarah Cellobat Chaffee #6101121. Published by Sarah Cellobat Chaffee (A0.526244). One of the biggest and most ubiquitous hits of the early 2000's, The Middle was a breakout hit for Jimmy Eat World that placed them among the ranks of other big names of the day like Weezer, Blink-182 and Green Day. It was impossible not to know this song back then, and it has since become a classic throwback song for the millennial generation! This arrangement for solo cello maintains the fun upbeat tempo and dynamic contrasts of the original, and it's pretty much guaranteed to get everybody singing along! This chart was originally written for a wedding reception, but it will also be perfect for pop concerts, solo & ensemble contests, parties, corporate events, or any occasion when you need some throwback rock. This chart will be sightreadable for professionals and learnable for advanced-intermediate students -- the trickiest part is the fun guitar solo in the middle!Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99
Situation Update - Suite for Trombone and Piano
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Trombone and Piano
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ADVANCED
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Contemporary
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Fetter, David
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Situation Update - Suite for T
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810761 Composed by Fetter, David. Contemporary. Score and part. 27 pages. Gordon Cherry #2889619. Pub...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810761 Composed by Fetter, David. Contemporary. Score and part. 27 pages. Gordon Cherry #2889619. Published by Gordon Cherry (A0.810761). David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Piano is written in three contrasting movements totalling almost 11 minutes in length: 1. Swift 2. Longing 3. Exit Music Swift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax. Both the solo and accompaniment parts are written for advanced performers. The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by composer Eric Ewazen. Here is what Mr. Ewazen has said about Situation Update: I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Update. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle with energy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force and rightly deserves to take its place as a significant addition to the Trombone repertoire.
$25.00
Valley Forge
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Concert band
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INTERMEDIATE
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Robert Storms
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Valley Forge
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PDF Band Music
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SheetMusicPlus
Concert Band - Grade 3 - Digital Download SKU: B0.PDF-BAND379 Composed by Robert Storms. Valley Forge is a compelling choice for Grade 3 level band stude...
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Concert Band - Grade 3 - Digital Download SKU: B0.PDF-BAND379 Composed by Robert Storms. Valley Forge is a compelling choice for Grade 3 level band students. Multicultural. Score and Parts. 104 pages. PDF Band Music #PDF-BAND379. Published by PDF Band Music (B0.PDF-BAND379). 8.5 x 11 inches.Valley Forge Overture is a excellent traditional overture for concert band. Though written for high school bands, Valley Forge is playable by advanced middle school bands.
$38.70
Carson Cooman: Summer Solstice for piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Carson Cooman
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Carson Cooman: Summer Solstice
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.533553 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 10 pages. Musik Fabrik Music Pub...
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Piano Solo - Level 4 - Digital Download SKU: A0.533553 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 10 pages. Musik Fabrik Music Publishing #3018597. Published by Musik Fabrik Music Publishing (A0.533553). Summer Solstice (2007) for piano was written for and is dedicated to pianist and composer Jeffrey Jacob.Though there were a number of interconnected inspirations behind the work’s conception, one of theseintentions is as a tribute to American composer Vincent Persichetti (1915–1987). Though there are nospecific quotations from Persichetti’s music, some of the textural and developmental ideas (particularly inthe fast, middle section) owe themselves to his work.The work opens in a free, declamatory manner – announcing its basic pitch material. Spasmodic gesturesintercut the resonant declamation. Amidst the bright ringing, a lyric melody tries to assert itself again andagain. A whirling and dry fast section, however, emerges; the material is put through a series of spinningtransformations, building to a ringing and clangorous climax – bathed in the white heat of the summer sun.The final section is marked “memorial candles†– distant and near candles set out on a field flicker in thesummer heat and ebbing sunlight while low, distant chimes sound the passing of time. The candles slowlyburn out – one by one – in the heat of the dry summer air.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
$12.95
I Love Halloween! (A Spooky Round for Unison Choir)
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Choral Unison
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BEGINNER
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Halloween
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Joanna Mills
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Joanna Mills
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I Love Halloween!
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Joanna Mills Music
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SheetMusicPlus
Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.1093608 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Blues,Children,Hall...
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Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.1093608 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Blues,Children,Halloween,Jazz,Traditional. 12 pages. Joanna Mills Music #697678. Published by Joanna Mills Music (A0.1093608). Inspired by the traditional campfire song I Love the Mountains, this spooky song celebrates all things Halloween! Set in a minor key, the arrangement starts out slowly and spookily, then transforms into a fast, fun, bluesy song that elementary and middle school choirs will love! Set in an accessible key for young voices, I Love Halloween! features a unison call and response format, as well as optional easy counterpoint harmonies and an optional round at the end for unison choirs ready for a small challenge. An mp3 recording of the piano accompaniment is also available for purchase! Joanna Mills' passion is music and singing. From 1998 to 2018, she was the director of the Roncesvalles Gospel Choir and has written and directed many original children's musicals at Roncesvalles United Church. From 2011 to 2020 Joanna was the music director and head vocal teacher at Broadway Arts Centre. She performs frequently in local festivals and clubs with her six-voice folkgrass ensemble North of Queen and also sings with Toronto’s premiere rock choir newchoir. Joanna is an award-winning songwriter (Songdoor, Song of the Year, ISSA) and arranger and her works have been performed by choirs and bands all over the world. Trained formally in voice, piano, and oboe throughout her younger years, Joanna has sung in (and lead) various choirs, performed with the New Westminster Musical Theatre Guild, and teaches Musical Theatre, piano, and voice at her studio in Toronto, Ontario. www.joannamills.ca.
$1.99
Deck The Hall for Percussion Ensemble
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Christmas
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Welsh
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Harvey Minchin
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Deck The Hall for Percussion E
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Harvey Minchin
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Cymbals,Drums,Glockenspiel,Mallet Percussion,Sleigh Bells,Snare Drum,Vibraphone,Woodblock,Xylophone - Level 2 - Digital Downloa...
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Percussion Ensemble Bass Marimba,Cymbals,Drums,Glockenspiel,Mallet Percussion,Sleigh Bells,Snare Drum,Vibraphone,Woodblock,Xylophone - Level 2 - Digital Download SKU: A0.1145322 Composed by Welsh. Arranged by Harvey Minchin. Christmas. Score and parts. 24 pages. Harvey Minchin #745152. Published by Harvey Minchin (A0.1145322). Deck The Hall for Percussion Ensemble is a neat arrangement of this fun, well known holiday classic for young percussionists to practice and get valuable experience performing in an ensemble. Great for a Christmas or Holiday Concert for a percussion ensemble or as a percussion feature at any band concert. There are 5 mallet percussion parts that require orchestra bells, xylophone, vibraphone and a 4 octave or higher marimba – two marimba parts can be played in the same instrument. The marimba 2 part is written in bass clef and an optional treble clef version is also included. This arrangement begins with the full ensemble then the mallets are featured playing through the melody. The next section features the drums and then there’s some back and forth between the mallets and the drums. The melody is repeated with the mallets, accompanied by the drums, through to the big ending. This song is ideal for middle school, junior high or even high school groups that want to perform a great holiday classic.
$20.00
The Heavens Declare ~ Psalm 19 (for Solo with Piano accompaniment)
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Piano Accompaniment
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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The Heavens Declare ~ Psalm 19
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565133 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,...
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Small Ensemble Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565133 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Praise & Worship,Sacred. Score. 15 pages. Sharon Wilson #3464976. Published by Sharon Wilson (A0.565133). This Scripture song based on Psalm 19 verses 1-4 is formatted as a vocal solo with piano accompaniment (3 staff piano-vocal score). This solo arrangement is in the key of B♠and has a vocal range of one octave, from middle C to high C (C4 to C5). The purchase price includes a 7-page combined score plus a 3-page solo score and a 4-page piano accompaniment score. Duration 2:50Though the piece is written for voice it also makes a beautiful instrumental piece with a C-instrument playing the solo part (such as the violin). For the violin, all notes can be played in the first position on the G, D, and A strings making this an excellent selection for a beginning violin student.To enhance the presentation of this song, a slide show featuring stars and space could be displayed during the performance. The lyrics were adapted from the World English Bible (WEB) and are printed below:Lyrics:The heavens declare the glory of God.The skies proclaim his handiwork.Day after day they pour out their speech,And night after night God’s knowledge is displayed.There is no speech, nor is there a language where their voice is not heard.Their voice has gone out through all of the earth,Their words to the end of the world.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
Pax Aeternam for cello and piano
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Cello, Piano
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INTERMEDIATE
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Maria Thompson Corley
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Maria Thompson Corley
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Pax Aeternam for cello and pia
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Maria Thompson Corley
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Cent...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam†was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful†was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,†and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,†“Pax Aeternam†is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.†I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,†one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.
$15.00
Schubert- Erlafsee for voice and guitar
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Classical
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Franz Schubert
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Evans, Jack
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Schubert- Erlafsee for voice a
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Jack Stanley Evans
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SheetMusicPlus
Small Ensemble Guitar,High Voice - Level 4 - Digital Download SKU: A0.964299 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score ...
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Small Ensemble Guitar,High Voice - Level 4 - Digital Download SKU: A0.964299 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 8 pages. Jack Stanley Evans #5899369. Published by Jack Stanley Evans (A0.964299). Erlafsee (Erlaf Lake)This song is an important milestone in Schubert’s career, because it was his first to be published. The text was written by poet, Johann Mayrohfer, Schubert’s fellow Austrian and close friend, and the lyrics describe the experience of sitting beside a lake at sunset. This guitar arrangement is written in E major in the interests of playability, but it can be performed in Schubert’s original key of F major by placing a capo on the first fret, or in the transposition for low voice by detuning the guitar a tone. Bars 4-11 should be played in a languid, lilting manner to represent the mind-set of the protagonist sitting beside the lake. This mood should be imbued with a hint of foreboding at bar 12, before returning to its former lilting tranquillity at bar 18. The opening phrase should combine these two moods, if possible. The vocal line is echoed in the guitar part in bars 19-24; these phrases should be performed with great delicacy so that they reflect the voice. The middle section, which begins at bar 29, should be played slightly faster than the previous sections, and with a brighter feel. The accompanist needs to set up the transition back to the original tempo in bar 77, after which, the same languid, lilting playing style as the first verse should be applied.This classic Schubert song has been arranged for voice and acoustic guitar in order to provide an alternative accompaniment option for singers who want to perform Schubert’s lieder with guitar instead of piano.
$5.50
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