 | Best Service : Era II Medieval Legends (14 comments)
- Extensive selection of historical instruments and sounds for medieval, renaissance and f...(+) - Extensive selection of historical instruments and sounds for medieval, renaissance and fantasy productions- 10 Different flutes- 8 Woodwind instruments such as crumhorns, bagpipes, chirimia and bombards- 4 Hunting and war horns as well as zinc, baroque trombone and trumpet- 9 String instruments such as viola da gamba, psalter, nyckelharpa, various fiddles etc- 13 String instruments such as lutes, zithers, harps and baroque guitar- Keyboard instruments, Organetto, Spinet and Virginal- 20 Percussion instruments such as frame drums, tambourines, marching drums etc.- Pub chants- Plus many soundscapes, atmospheres and effects  |
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 | Best Service : Dark ERA (10 comments)
- Contains over 50 historic and medieval instruments in 4 categories: Bowed strings, pluck...(+) - Contains over 50 historic and medieval instruments in 4 categories: Bowed strings, plucked strings, wind instruments, and percussion- Large library with more than 20,000 samples with countless dynamic gradations, articulations, Round-Robin, as well as Legato and Glissando samples- More than 100 mystical, atmospheric soundscapes- Epic loops for rhythmic accompaniment- Rhythmic pads combine melodic and rhythmic elements- Vocal section offers Inuit inspired vocal rhythms- Bowed strings: Tagelharpa, Jouhikko small tagelharpa, Jouhikko big, and crwth- Plucked strings: Cologne lyre, ancient lyre, Trossingen lyre, and Utrecht lute- Wind instruments: War horn, white horn, curved horn, shofar, bukkehorn shell, long trumpet, big horn, double flute, small bone flute, vulture bone flute, pictish pipes, elderwood flute, overtone fujara, didgeridoo, and wooden lur- Percussion: Shamanic drum small, shamanic drum big, big frame drum, 5 square drums, 2 skin drums, 2 skin snares, skin tom, sieves, anvil, 3 viking mouth harps, jawbone, pan medium, pan rusted, 7 seed shakers, small bells, 2 cowbells, bullroarer, horseshoe, and bronze mortar |
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 | Best Service : Forest Kingdom 3
- Extensive library with sounds like from magical forests and primeval jungles- Includes h...(+) - Extensive library with sounds like from magical forests and primeval jungles- Includes harps, flutes, percussion, fantastic creatures, voices and acoustic landscapes- 700 Presets and 300 performance multi-track grooves from over 20000 samples- True-Legato, Portamento, Round-Robin and extensive articulations for realistic sound design- Key switches for intuitive control |
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 | EastWest : CCC Pro Windows (7 comments)
- External USB hard disk- Capacity: 4TB- Interface: USB 3.0 and USB 2.0- NTFS format- Wind...(+) - External USB hard disk- Capacity: 4TB- Interface: USB 3.0 and USB 2.0- NTFS format- Windows 7 or higher- Hollywood Orchestra Opus Edition (Diamond)- Forbidden Planet- Hollywood Backup Singers- Hollywood Pop Brass- Voices of Opera- Voices of Soul- Spaces II- Voices of the Empire- Hollywood Choirs (Diamond)- ProDrummer 1- ProDrummer 2- Ghostwriter- The Dark Side- Symphonic Orchestra (Platinum)- Symphonic Choirs (Platinum)- Symphonic Choirs (Platinum Bundle)- Pianos (Platinum)- String Machine- Stormdrum 2- Stormdrum 2 Bundle- Stormdrum 3- Goliath- Gypsy- Ra- Silk- Voices of Passion- Ministry of Rock 1- Ministry of Rock 2- Fab Four  |
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| Saturation Earthquaker Afterneath V3 New Product
Hey scamp, welcome to your new Afterneath enhanced otherworldly reverberation machine from...(+) Hey scamp, welcome to your new Afterneath enhanced otherworldly reverberation machine from EarthQuaker Devices® brand effects pedals! The Afterneath sounds a lot like it looks a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard or sorceress, if you prefer and the cave is your instrument s signal, vast, expansive, and magical. Do you go inside Roll a D20 to proceed! Once inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics. Take a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal... Will you cast Length, which controls the decay length of the reverb What about Diffuse, which adjusts the spread of the reverb With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex. Overwhelmed by fear, you hastily cast Dampen! As you shout the incantation, you notice that a counter- clockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb! Elsewhere in your book of magic is Drag, which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise Drag positions will gather the delay lines close together for a more reverb-like effect. Turn the Drag counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect. The Drag can be put under voltage or expression control using the EXP jack located on the side and operates in 9 different modes which are selected by the small Mode control. These modes are: Unquantized, Unquantized with slew, Unquantized volt/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves and fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV. The Reflect alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counter-clockwise for less. Finally, the Mix alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb. The Afterneath features a completely analog dry signal path, totally digital delay path, buffered bypass with Flexi Switch Technology and a tails/no tails option on bypass. Each and every Afterneath is built by a mix of robots and human beans in the torch-lit cave community of Akron, Ohio. Modes The Modes control changes the way the Drag control functions. The LED will change colors indicating which mode you are in. 1. Unquantized: Smooth, unquantized response over the operating range. 2. Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The Drag will lag behind the knob or cv changes, but then quickly catch up. 3. Unquantized Volt/Octave: Smooth and unquantized, yet scaled to align with the 1v/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator. 4. Chromatic Scale: Quantized 1v/octave to the chromatic scale. 5. Major Scale: Quantized 1v/octave to the major scale. 6. Minor Scale: Quantized 1v/octave to the minor scale. 7. Pentatonic Scale: Quantized 1v/octave to the pentatonic scale. 8. Octaves and Fifths: Quantized 1v/octave to omit all but octaves and fifths. 9. Octaves: Quantized 1v/octave to omit all but octaves.  | |
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| Reverb - Delay Strymon Nightsky Reverb
Time-Warped Reverberator. Create vast soundscapes with just a few notes from your instrume...(+) Time-Warped Reverberator. Create vast soundscapes with just a few notes from your instrument. Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before. Reverberant Synthesis Machine. NightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. NightSky gives you real-time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide. You haven t heard a pedal like this before. The Rules of Space and Time Have Been Rewritten. New Sonic Territory. NightSky is a reverb pedal you will want to get your hands on. Deep and powerful sound manipulation with instant response knob-tweaking and no menu diving set a new standard in experimental reverb sound design. Warp Core Reverb. NightSky achieves some of its most mind bending sounds by using a Variable Process Rate for its reverb core, allowing you to simultaneously change the size of the reverb as well as the pitch. This pitch change can be completely smooth, or quantized to a variety of musical scales. And it can be sequenced. Harmonic Sculpture Machine. Use Shimmer to shift the harmonic structure by selectable musical intervals. Add Glimmer to dynamically enhance the harmonic spectrum. Turn up Drive to generate saturated overdriven harmonics. Then sculpt the resulting signal with NightSky s synth-like variable-resonance low pass filter. Challenge The Conventions. NightSky evolved from a desire to push the envelope and challenge the conventions of traditional reverb while also paying homage to the experimental reverberant sounds from decades past. It started with the variable rate core. Once that was nailed down, we knew we had to complement it with a set of sound-shaping features that could take full advantage of the unique possibilities and expand them exponentially. This led us to a full-featured modulation section, a 4-pole resonant filter, and a unique Voice section to control the reverb s harmonic structure. Three Reverb Textures: Sparse, Dense, and Diffuse. NightSky gives you three distinct Reverb textures to choose from: Sparse, Dense, and Diffuse. The Sparse reverb creates reflections that are far enough apart from each other to be audibly distinct. Legato notes create a lush but pleasingly clean sound field, while staccato notes reveal individual echoes in a way that is well suited for sound design and special effects. The Dense reverb texture is an immediate-response reverb with a smooth sound field, featuring sonic characteristics similar to a plate. The Diffuse reverb creates a slow-building, atmospheric wash that excels at ambient, swell, and even reverse-like textures. The Diffuse reverb deconstructs and spreads transients over time to achieve its bloom-like effect. Travel at Warp Speed. NightSky jettisons tradition and opens up a new universe of possibilities by using a variable rate process to expand and contract the reverb core size. This changes the reflection density and response of the reverb while retaining the integrity of the audio within the reverb. The result is a reverberated signal that can be transposed, sequenced and pitch modulated for interplanetary approval. Sonically Beautiful Reverb Repitching. Inspired by the classic shimmer effects pioneered in the 80s using digital reverbs and pitch shifters, NightSky s Shimmer voice is carefully created from the reverberated signal itself to generate maximum radiance and beauty. Call forth deep, low ambient string sections with the octave down setting, or spacey ethereal textures with octave up. In between the octaves are several musically interesting intervals available for shifting the harmonic structure of the reverb. The Shimmer processing can be applied at the reverb input only, or can regenerate within the reverb core for ever-ascending or descending pitches as the reverb decays. Custom Tailored Harmonic Spectrum. Glimmer creates an enhanced harmonic spectrum using an optimally tuned dynamic resonant network. Its high setting accentuates higher frequency harmonics, creating a washy, dreamy, ambient top end. With Glimmer switched to its low setting, lower frequency harmonics are enhanced to alter the perceived harmonic structure and create mysterious synth-like textures. Explosions in the NightSky. NightSky s Drive feature generates saturated overdriven harmonics that can either react to the signal going into the reverb core, or dynamically distort the reverb s output in a very interactive way. When Drive is applied at the input to the reverb, digging in generates more distorted harmonics, so you can dynamically play the distortion going into the reverb core. Placed on the reverb output, Drive acts as a soft-clipped limiter, reacting dynamically with the complexities of the decay of the reverb. This can produce interesting distorted stereo panning effects, as reflections on either side of the stereo image surpass or recede below the amplitude necessary to generate noticeable distortion. The harmonic complexity created by the Drive block is perfectly suited for sonic sculpting via NightSky s low pass filter. Synth-like Low Pass Filter and More. NightSky features a beautifully tuned 4-pole 24dB/octave low pass filter with a user-selectable resonance amount for gorgeous synth-like filter sweeps of the reverb output. The low pass filter is especially effective at shaping the distortion products from the Drive section. When used with NightSky s Modulation section this filter reveals the inspiring power of subtractive reverberant synthesis. The low pass filter can also be swapped for a high cut filter that removes high frequencies from the regenerating reverb core to create a reverb that gets darker as it decays. Also in NightSky s TONE section is a low cut filter that removes low end content both at the output and in the reverb core. Powerful Modulation Capabilities. Add motion to your sounds with NightSky s Modulation section. Create slowly evolving ethereal textures, or push the limits of wildly experimental sound design. Triangle, square, ramp, saw, random, and envelope waveforms can be used to modulate your choice of targets: Modulate the delay lines within the regenerating reverb core, or modulate the size/pitch (process rate) of the reverb core. Or, for very synth-like sounds, modulate the resonant low pass filter. Unlock the Power of Morph. NightSky s Morph feature allows you to seamlessly go from one set of knob positions to another at the press of a footswitch, at any Morph speed you choose. Use it to gradually vary modulation speed and depth, or morph from a subtle short-decay reverb to a huge, mysterious, modulated long-decay reverb. You can morph between different size/pitch settings or even morph between shimmer intervals. Turn up the resonance on the low pass filter and use Morph to sweep the filter s center frequency, sweeping through audible harmonics as you go. Morph settings are saved per-preset, making it a powerful live performance tool. Sequence Your Reverb. NightSky features a powerful and easy to use eight step sequencer. Each step effectively changes the SIZE/PITCH setting and can be easily tuned in half step increments or to notes in the musical scale of your choosing, or can be tuned freely with no pitch quantization. The sequencer can be set to advance a single step each time you press a footswitch, or can run automatically at a tapped tempo. Individual steps can be instantly activated or deactivated as the sequence runs, and you can set a variable glide time for smooth pitch transitions between steps. Sequences are saved per preset. Infinite Sky. NightSky s INFINITE footswitch freezes the audio at the input to the reverb core, and any new audio can still be processed by the reverb on top of the frozen audio. Not only does this allow you to create a lush ambient bed to play over, it offers a whole new world of possibilities when used in conjunction with NightSky s sequencer. Now you can repitch that frozen audio by predetermined intervals stored in your sequence, creating on-demand chord changes to play over, or single note sequences to set a groove. Go Beyond. NightSky s front panel offers an abundance of control over your reverberated signal. Should you desire to venture even further beyond the ordinary, there are several secondary parameters to add to your sound design toolkit. Infinite Input Mode With Infinite mode, select whether additional input signal gets processed by the reverb and sequencer or passes through unprocessed Glide Time Set the Glide (portamento) speed for the sequencer Pre-Delay Adjust pre-delay from 0 to 500ms Scale Select Choose from eight different scales when scale quantize is selected Filter Resonance Vary the resonance from gradual rolloff to sharp peaking response when low pass is selected Glimmer Gain Adjust the intensity of the Glimmer effect Drive Gain Set the intensity of the Drive effect Morph Time Adjust how quickly settings morph between each other Instant Access to 16 Presets. NightSky gives you instant front panel access to 16 presets. Of course, if 16 is not enough, 300 preset locations are available via MIDI. Core of your MIDI Rig. With full MIDI control of every parameter plus 300 preset locations, NightSky is designed to be the center of sonic expressiveness for your MIDI pedalboard. Control sequencer tempo and pitch via MIDI. Modulate NightSky s filter with beat-synced modulation envelopes from your DAW. Let NightSky provide the inspiration, and the possibilities are as unlimited as your imagination. NightSky transmits and receives MIDI over 5-pin DIN, USB, and even the Expression jack (via our MIDI EXP cable) perfect for your pedalboard or in your studio. Morphing expression control. Connect an expression pedal and enjoy a whole new level of instantaneous, continuous control. Set as many knobs as you like for the heel position and toe position of your expression pedal, and all settings will simultaneously morph throughout the full range of the expression pedal. Dedicated Instrument/Line Input Level Switch. NightSky offers an input level switch to work perfectly with a variety of input sources. Set the switch to the INST position when using a guitar level input. Set to LINE when using NightSky in the effects loop of a guitar amp, or when driving NightSky with a hot output from a synth or mixer insert. The LINE input mode gives you an additional 10dB of clean headroom, and is also perfect for using NightSky as a send effect or insert effect in the studio. Additional Control with MultiSwitch Plus. Connect MultiSwitch Plus to NightSky s Expression Pedal jack for additional footswitchable control. Use MultiSwitch Plus to instantly select between three presets, or scroll through the 16 onboard presets and engage or bypass the preset you have selected. Or set MultiSwitch Plus to individually engage or bypass the MOD, TONE, or VOICE sections of NightSky. Sound Design Three selectable reverb types offer a wide variety of ambient textures MOD section with various waveforms to modulate the reverb or tone filters TONE section to sculpt the high and low EQ of the reverb VOICE section to enhance the aural spectrum of the reverb Adjustable SHIMMER for adding pitch shifting of up to /- 1 octave to the reverb GLIMMER dynamically enhances high or low frequency harmonics for synth-like textures Pre or Post DRIVE to add saturated overdriven harmonics to the reverb Adjustable reverb core size to increase or decrease the space for reflections Independent REVERB and DRY level controls Step sequencer for programming rhythmic pitch variations of the reverb Access to 16 presets from the front panel and 300 presets via MIDI Ins, Outs, and Switches High impedance ultra low-noise discrete Class A JFET preamp stereo inputs Low impedance stereo outputs Input Level switch allows for both instrument and line level signals On, Favorite, and Infinite footswitches Expression pedal input allows the connection of an expression pedal, MultiSwitch Plus, or 1/4 to MIDI cable Full featured MIDI in/out supporting MIDI CCs, program changes, MIDI clock sync and more USB jack for controlling via MIDI from a computer or for performing firmware updates Audio Quality Analog dry path for a zero latency dry signal that is never converted to digital Premium JFET analog front end Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality Super high performance SHARC DSP 32-bit floating point processing 20Hz to 20kHz frequency response Audio Input Impedance: 1M Ohm Audio Output Impedance: 100 Ohm More True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass Strong and lightweight anodized dark blue aluminum chassis 9V DC power supply included Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current Dimensions: 4.5 deep x 7 wide x 1.75 tall 114.3 mm deep x 177.3 mm wide x 44.5 mm tall Designed and built in the USA  | |
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