| Scala Vilagio : F.H. Maggini before 1632
Fabriqué à la main en Allemagne par le maître luthier Florian Hertzsch- Inspiré des mo...(+) Fabriqué à la main en Allemagne par le maître luthier Florian Hertzsch- Inspiré des modèles de violon de Giovanni Paolo Maggini souvent pourvus d'un double filet sur la tranche, d'une volute large et d'ouïes en F longs- En raison du corps légèrement plus grand avec une longueur de fond de 359 mm et une table bombée haute, ce violon sonne de manière très puissante, pleine et sombre- Table en épicéa alpin- Fond, éclisses et volute en érable flammé- Touche en ébène- Garniture en palissandre- Double filet- Vernis à l'huile antique ambré Custom basé sur un modèle italien- Fine couche de laque pour une vibration sans entrave du bois- Traces d'usure basées sur de vieux violons italiens- Réglage fin du son effectué à l'aide du chevalet et de l'âme- Longueur du fond: 359 mm- Cordes Pirastro Evah Pirazzi- Certificat d'authenticité étui Gewa Bio (gris/noir) incl. |
|
| Walrus Audio : Silt Harmonic Tube Fuzz Red
Walrus Audio Silt Red; Effects Pedal; Harmonic Tube Fuzz FX Pedal; Unique fuzz pedal with ...(+) Walrus Audio Silt Red; Effects Pedal; Harmonic Tube Fuzz FX Pedal; Unique fuzz pedal with 12 AU7 tube and 2 modes; Developed in collaboration with tube expert Jim Hagerman; Modes footswitchable; Rich fuzz sounds suitable for chords and rhythmic playing styles; Harmonic mode adds distinctive, octave-like overtones to the signal before it enters the tube; From softer fuzz to high-gain; Operates from 9 V to 12 V and offers additional gain at 12 V for even more fuzz; Contour switch to adapt to different pickups and for even more tonal variability; Contour circuit before tube distortion with 3 options: Hi-Pass, Flat, Lo-Pass; Knob: Volume, Tone, Gain; Footswitch: Bypass, Harmonic; Status LED's for Bypass and Harmonic Mode; Input: 6.3 mm jack (mono); Output: 6.3 mm jack (mono); All connections on top; True-bypass circuit; Powered by 9V-12V DC power supply (Not included, 409939 fits) ; 2.1 mm x 5.5 mm barrel connector, polarity (-) inside; Power consumption: 300 mA; Made in the USA; Dimensions : 14.6 x 10.7 x 6.4 cm (L x W x H) |
|
| Walrus Audio : Silt Harmonic Tube Fuzz Black
Walrus Audio Silt Black; Effects Pedal; Harmonic Tube Fuzz FX Pedal; Unique fuzz pedal wit...(+) Walrus Audio Silt Black; Effects Pedal; Harmonic Tube Fuzz FX Pedal; Unique fuzz pedal with 12 AU7 tube and 2 modes; Developed in collaboration with tube expert Jim Hagerman; Modes footswitchable; Rich fuzz sounds suitable for chords and rhythmic playing styles; Harmonic mode adds distinctive, octave-like overtones to the signal before it enters the tube; From softer fuzz to high-gain; Operates from 9 V to 12 V and offers additional gain at 12 V for even more fuzz; Contour switch to adapt to different pickups and for even more tonal variability; Contour circuit before tube distortion with 3 options: Hi-Pass, Flat, Lo-Pass; Knob: Volume, Tone, Gain; Footswitch: Bypass, Harmonic; Status LED's for Bypass and Harmonic Mode; Input: 6.3 mm jack (mono); Output: 6.3 mm jack (mono); All connections on top; True-bypass circuit; Powered by 9V-12V DC power supply (Not included, 409939 fits) ; 2.1 mm x 5.5 mm barrel connector, polarity (-) inside; Power consumption: 300 mA; Made in the USA; Dimensions : 14.6 x 10.7 x 6.4 cm (L x W x H) |
|
| Yamaha i-MX1 iPad MIDI Cable
Yamaha. General Merchandise. Published by Yamaha (HL.750422).
Item Number: HL.750422
...(+) Yamaha. General Merchandise. Published by Yamaha (HL.750422).
Item Number: HL.750422
5x7.5 inches.
I-MX1 is a MIDI interface cable which enables an iPad or iPhone to be connected to any MIDI instrument. Setup is fast and easy – simply connect the i-MX1 between your iPad/iPhone and a MIDI instrument (such as synthesizer, electronic drum kit, digital piano) before launching the Apps from your iPad/iPhone. You can play and control the App's sound using the real interface of the instrument. There are also dedicated applications for Yamaha synthesizers which will expand the functions of your instrument. The Faders & XY Pad MIDI Control application controls your synthesizer's sounds by sending MIDI control change messages from the iPad. Keyboard Arp & Drum Pad is an application that transmits notes to the synthesizer. All the applications from Yamaha will increase the joy of playing instruments by combining the unique interface of your iPad/iPhone. |
|
| Brainworx : bx_rooMS
Brainworx bx_rooMS (ESD); reverb plugin; algorithmic Reverb based on TrueSpace technology;...(+) Brainworx bx_rooMS (ESD); reverb plugin; algorithmic Reverb based on TrueSpace technology; provides a continuous range of space types while always making available the full range of possible sizes; offers a virtually infinite number of possible room shapes and sizes accessible via just a few straightforward parameters; Quick Select buttons easily produce settings for five different environments of three sizes each, starting you off with a solid acoustic response before you quickly hone the space to taste; continuously variable Stereo Width control adjusts reverb field; Mono Maker control collapses bass content in the wet signal to mono below an adjustable corner frequency; fully parametric 2-band equalizer can be assigned to the mid, side or both mid and side channels |
|
| Brainworx : bx_console N
Brainworx bx_console N (ESD); channel strip plugin; precise reproduction of the sound, sig...(+) Brainworx bx_console N (ESD); channel strip plugin; precise reproduction of the sound, signal path and workflow of a Neve VXS analog console; adjustable high pass and low pass filters; gate with extensive control possibilities, can be switched to expander mode; compressor/limiter with release and auto release parameters and a mix parameter for parallel processing; four band parametric equalizer with switchable shelf and peak filters for the low and high band and peak filters with adjustable Q factor for the mid bands; the EQ can be routed before or after the dynamic section; adjustable total harmonic distortion (THD); patented Tolerance Modeling Technology (TMT) simulates slight variances of analog hardware |
|
| Brainworx : bx_limiter True Peak
Brainworx bx_limiter True Peak (ESD); limiter plugin; modern mode: fast and punchy; classi...(+) Brainworx bx_limiter True Peak (ESD); limiter plugin; modern mode: fast and punchy; classic mode: safe and less punchy; adjustable saturation before the signal hits the limiting stage; tone control section with high pass and low pass filter and the foundation knob for tweaking the tonal balance; clear user interface with practical metering for a precise workflow |
|
| Rupert Neve Designs R10 10 Slots 500 Format Lunchbox Rack Wbdlxstudio New Product
With abundant power and versatile connections, the R10 delivers peace of mind for engineer...(+) With abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks. If you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R10 is the serious rack for the serious sound you want. Power You Can TrustPower-wise, the R10 has 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher than expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.Connect Like Never BeforeWith a plethora of connections available, the R6 backpanel is practically a patchbay on its own. The R10 features 10 channels of balanced I/O options including XLR and TRS.Solid Steel ConstructionThe chassis is comprised of solid steel with bumpers to support the unit in both horizontal and vertical configurations, and features a collapsable handle for portability. All connectors and fittings are of the highest quality to ensure that the R10 will hold up to many years of use.A New Level of Confidence in the 500 SeriesBecause the R10 is built to 500 series specifications, it will work flawlessly with any properly designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R6 has variable-position screw holes to make the installation process go more smoothly. The 500 series link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 and 9-10. Matching blank panels are also available to cover any empty slots. |
|
| Neotech : French Horn Grip
Neotech French Horn Grip; hand rest for French horn; fits most French horns without deeply...(+) Neotech French Horn Grip; hand rest for French horn; fits most French horns without deeply bent leadpipe before third lever or triple horns; comfortable padding; adjustable strap; neoprene pad with leather; non-slip surface; stretchable to fit instrument; shifts weight from little finger to back of hand for more comfortable and sustained playing; pad dimensions (W x D x H): 125 x 95 x 6 mm; made in the USA; color: black |
|
| Waves : Feedback Hunter
Waves Feedback Hunter (ESD), plugin to avoid feedback; innovative tool designed for FOH an...(+) Waves Feedback Hunter (ESD), plugin to avoid feedback; innovative tool designed for FOH and live sound engineers to ensure maximum gain before feedback; stage monitors and PA systems are set up by analyzing the mic and monitor s response and creating an EQ curve that optimizes the relationship to ensure less risk of feedback; as little as 30 seconds for the entire process; customize the affected frequency ranges; adaptable target headroom; works in noisy environments |
|
| SPL : Channel One Mk3 Premium
SPL Channel One Mk3 Premium; channel strip; Microphone inputs and output Out 1 with Lundah...(+) SPL Channel One Mk3 Premium; channel strip; Microphone inputs and output Out 1 with Lundahl transformer ; 1-channel tube preamp with tube saturation, de-esser, transient designer, compressor and EQ; discrete preamp with 68 dB gain; parallel connection of two microphones with separately switchable 48V pahntom power for easy A/B comparisons; 20 dB pad, phase inversion and high-pass filter at 80 HZ switchable; 1x XLR line input with adjustable gain from -20 dB to +16 dB; 1x 6.3mm jack instrument input adjustable from -6 dB to +30 dB; Tube Saturation adjustable; Tube Post option switches the tube saturation after the EQ stage and before the output stage; De-esser with adjustable S-Reduction; Transient Designer with Attack and Sustain controls for envelope processing; Compressor with adjustable Threshold via Compression controls and Make-up Gain; Equalizer with semi-parametric Low/Mid and Mid/High bands as well as Air Band with center frequency at 19 kHz; VU meter visualizes input level, output level and gain reduction; two XLR outputs connected in parallel for back-up or average systems; 1x XLR Preamp Out picks up the signal directly after preamp and can be used simultaneously with Out 1 & 2; dimensions: 482 x 88 x 210 mm; Weight: 6 kg. |
|
| Plugin Alliance : Looptrotter Sa2rate 2
Looptrotter Sa2rate 2 (ESD); saturator plugin; precise emulation of the original Hardware,...(+) Looptrotter Sa2rate 2 (ESD); saturator plugin; precise emulation of the original Hardware, with useful extensions specially designed for the plugin; endorsed and approved by Looptrotter; drive control for setting up the input level and the depth of the saturation; magic control, borrowed from the Looptrotter Satur 8/24, provides a warm and assertive sound coloration; LO safe: prevents distortion at low frequencies; HI smooth: gently boosts high frequencies before the saturation circuit and attenuates them afterwards, resulting in a smoother saturation of the higher frequencies; versatile gain compensation for the drive and the magic stage; stereo width enhancer including adjustable mono maker for low frequencies; patented Tolerance Modeling Technology (TMT) simulates slight variances of analog hardware; scalable user interface |
|
| Temple Audio Design : 4X MOD PRO V2 Buffer Module
Temple Audio Design 4X MOD PRO V2 4 Chanel Buffer Module; MOD-4XPROV2; V2 Version; Utility...(+) Temple Audio Design 4X MOD PRO V2 4 Chanel Buffer Module; MOD-4XPROV2; V2 Version; Utility Module for your 1/4" Inputs; mounts in Templeboard's mini module saving space on top of the board for more pedals; prohibits tone loss caused by long or multiple Instrument Cables; a great solution for the "four cable method" as it allows you to effortlessly switch routing between amps with/without an effects loop; when there is nothing plugged into the SEND/RETURN jacks, the FX loop will automatically be routed to the AMP output (putting loop B before the preamp of your amp instead of after); Alternatively, you can use it to buffer any 2 inputs and 2 outputs; Power requirement: 9-18v; Dimensions: (W x D x H): 9,2 x 3,2 x 2,9 cm, (3,64" x 1,25" x 1,16"); Made in Canada |
|
| WA-251 Tube Condenser Microphone
Faithful Recreation of a Legend. Warm Audio. General Merchandise. Hal Leonard #WA-251. Pub...(+) Faithful Recreation of a Legend. Warm Audio. General Merchandise. Hal Leonard #WA-251. Published by Hal Leonard (HL.323635).
Item Number: HL.323635
14x19 inches.
Sound Like a Legend
The WA-251 was created to offer a classic microphone design to a new generation of recording artists at an affordable price. Warm spent a great deal of time listening to different '251 microphones to determine what people liked about them and why, how various styles of components impact the tone, and how to give the WA-251 microphone a signature that pays homage to the vintage classic, but also stands out on its own.
The WA-251 is an all vacuum tube, large diaphragm, transformer balanced, multi-pattern, large condenser microphone, based on the classic '251 that has been used on countless hit records for the last 50+ years. The WA-251 is designed for pro studio, home studio, live, and broadcast applications and sounds great on vocals, acoustic/electric guitars, acoustic/electric bass, drums, piano, strings, brass/woodwind instruments, and an array of other sources.
Design
The classic '251 became extremely popular as a vocal microphone in the 1960s and is now considered to be one of the greatest condenser microphones ever created. The classic '251 is still widely used today in professional recording studios but has become extremely rare and cost prohibitive to acquire. Designing the WA-251 to sound like the classic '251 was no easy task, especially since some of the vintage components are no longer manufacturered or available. We are pleased to release such a gorgeous-sounding classic to the market at a price that's reachable to more people than ever before.
Includes: External power supply, shock mount, wood box, 7-pin cable. |
|
| B207mp3 Behringer Eurolive B207mp3 Active 150-watt 6.5 Pa/monitor Speaker System With Mp3 Player
EUROLIVE B207MP3 Active 150-Watt 6.5 PA/Monitor Speaker System with MP3 Player - Multi-pu...(+) EUROLIVE B207MP3 Active 150-Watt 6.5 PA/Monitor Speaker System with MP3 Player - Multi-purpose, 150-Watt, active speaker for vocal and keyboard monitoring, multi-media, press conferences and home recording studio, etc. - High-performance MP3 player included to play audio files via USB stick - Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-lightweight - 6.5 premium-quality, full-range driver for excellent sound performance - Ultra-low noise 4-channel mixer with 3-band EQ - 3 Invisible Mic Preamps with phantom power for condenser microphones and 1 instrument-ready input (no DI required) - Dedicated stereo input for keyboards, MP3, CD, etc. - XLR ''through'' connector with mic/line switch for linking more B207MP3s - Mic stand integration system for use with stand and boom - Integrated limiter for ultimate system control and speaker protection - Internal switch-mode power supply for noise-free audio, superior transient response and very low power consumption - Super-tough, impact-resistant enclosure with integrated top carry handle - Conceived and designed by BEHRINGER Germany We took the things people already love about our best-selling B205D PA/ Monitor speaker system, and gave it an extra channel, threw in a larger speaker and added an onboard MP3 player, so you can play your favorite tunes right from a USB stick. Plus, our new EUROLIVE B207MP3 system is so light you can mount it on a mic stand and aim it right at your ears allowing you to hear yourself like never before. But don t let the small size fool you the B207MP3 cranks out truckloads of high-quality sound; more than enough to serve as a PA system for your more intimate gigs and meetings and it comes packed with features that will simply blow you away! The Secret to B207MP3 s Amazing Sound Thanks to our revolutionary Class-D amplifier technology and internal switch-mode power supplies, not only do B207MP3 loudspeakers sound great, they weigh considerably less than most competing active speakers. They pump out 150 of the cleanest, punchiest Watts you ve ever heard from a compact loudspeaker, and you can link additional active loudspeaker systems via the handy THRU socket. The built-in 4-channel mixer accepts XLR, TRS and RCA inputs, plus channel 2 features a switchable instrument-ready input no DI required! A dedicated 3-band EQ (Low/Mid/High) provides simple, yet effective tonal control. Put the Sound Where You Want It Space limitations often make it impossible to place full-sized monitor wedges where they can do the most good and passive monitors require lots of external amplifiers and processing gear to function properly. All this adds up to even more gear to move, and if you don t know what you re doing, you can easily damage passive monitors by applying too much, or even worse, too little power to them. With the B207MP3 we ve taken all the guesswork out, giving each loudspeaker its own 150-Watt, Class-D amplifier specifically designed as the perfect mate for the custom-engineered 6.5 neodymium driver. Custom-Engineered Drivers Let s face it; the drivers (otherwise known as speakers) are the only part of a sound system you actually hear.So when it comes to ours, we don t cut any corners. While some of our competitors outsource theirs, we custom-design and build our speakers from scratch. We wind our own voice coils,process the paper pulp into cones and even machine our own speaker back plates and frames. This enables us to control the quality, keep production costs down and frankly, to make better components. The premium-grade, full-range 6.5 neodymium driver was designed specifically, and optimized solely for use in the B207MP3. Value The EUROLIVE B207MP3 provides high-quality sound, tremendous functionality and versatility for an amazingly low price. Compare the B207MP3 to the competition and you ll own BEHRINGER with money to spare. Stop by your authorized dealer, or order yours online today! Compose. Record. Mix. Share. Tracktion is one of the world's fastest and easiest Digital Audio Workstations (DAW) for composing, recording, editing, mixing and sharing your music with the world. Featuring a single-screen interface, and pushing the envelope in design elegance, Tracktion brings together outstanding Pro DAW features, such as dynamic automation, unlimited track count, MIDI recording and support for VST and AU plug-ins. This powerful music production software gives you all the tools of an entire professional-grade recording studio. Learning a DAW has never been easier, thanks to their vast and readily available library of resources. As our way of saying Thank You, when you register your (insert the product name) at behringer.com, we'll reward you with a complimentary download code for the full version of Tracktion 4. Recording and editing couldn t be easier |
|
| Digitech : DOD Carcosa Fuzz
(217 comments)
2 modes de voix- True bypass- Gamme polyvalente de sons d'effet fuzz- Contrôle: Before (f...(+) 2 modes de voix- True bypass- Gamme polyvalente de sons d'effet fuzz- Contrôle: Before (fuzz), Sortie (volume), After (bias) et filtre coupe-haut- Commutateur à bascule pour sélection entre les modes de voix DEMHE et HALI- Affichage de l'état à LED- Commutateur au pied de dérivation- Boîtier métallique- Fiches entrée et sortie: jack mono 6,3 mm- Alimentation via batterie 9V ou alimentation en courant continu 9V DC (non incluse), fiche cylindrique 5,5 x 2,1 mm- Polarité: (-) centre- Consommation électrique: 4 mA- Dimensions (L x l x H): 119 x 67 x 57 mm- Poids: 450 g |
|
| MA Lighting : grandMA3 viz-key
MA Lighting grandMA3 viz-key; ensures a stable and secure connection between third-party v...(+) MA Lighting grandMA3 viz-key; ensures a stable and secure connection between third-party visualization tools and grandMA3 systems; All you have to do is connect the grandMA3 viz-key to the visualization computer and all the necessary parameters for the visualization will be activated; runs independently of an internet connection for up to 10 days before requiring a validation update; supported visualizers in the grandMA3 viz-key partnership: Capture Visualization, CAST - WYSIWYG, Imaginary Labs - Carbon for Unreal, L8 LLC - L8, Syncronorm - Depence², Vectorworks - Vision; Technical data:; Parameters: 512; Parameter Mode2: no Mode2; Power supply: via USB (5V DC); Connector: 1 x USB 2.0 (Type C); Dimensions: 80 x 51 x 17mm; Weight: 0.1kg |
|
| TB12 500 Tone Beast Tone Shaping Mic Pre
Warm Audio. General Merchandise. Hal Leonard #TB12-500. Published by Hal Leonard (HL.32365...(+) Warm Audio. General Merchandise. Hal Leonard #TB12-500. Published by Hal Leonard (HL.323651).
Item Number: HL.323651
10x8 inches.
Unleash the Beast
The Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound ad its price.
The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. Warm has pulled its best tones from this pre right at the saturation point (as loud as you can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.
Affordable Tone Shaping Mic Preamp
Warm's goal was to make a microphone preamplifier affordable for the first time, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.
Premium Components
The TB12 Tone Beast 500 is a high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Our own reproduction of the legendary original 2520-style discrete opamp found in the classic american consoles of yesteryear. These op-amps will work in any preamplifier or other device which conforms to the 2520-style footprint and +/-16 voltage standard. Have no fear of hurting the Beast, you can push it very hard into full-on distortions if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit. |
|
Before
