| Rupert Neve Designs Shelford 5051 Inductor Eq Compressor
The 5051 combines a classic three band EQ based on Rupert’s vintage designs with the pow...(+) The 5051 combines a classic three band EQ based on Rupert’s vintage designs with the power and flexibility of the Portico II compressor. Utilizing a fully-discrete, class-A signal path and high performance input and output transformers, the 5051 delivers the performance and musicality expected from a Rupert Neve Design.The EqualizerThe EQ design on the 5051 evokes sonic similarities with some of Rupert’s classic EQs. The 5051 uses a custom tapped inductor with selected capacitors to form the mid range equalizer band, and the shelf curves are based on Rupert’s vintage modules, including very similar frequency choices. Each EQ section also uses low feedback class-A discrete electronics to prevent low level artifacts and harshness from detracting from the tonal shaping. The EQ, however, is a modern design with advantages offered by techniques that were not possible 35 years ago along with improvements in electronic components currently available, and should not be considered a clone – it just has heritage.Both the High and Low Band can be switched from Shelf to Peak curves and offer 15 dB of boost or cut. The High can be switched from 8 kHz to 16 kHz and the Low Band selected at 35 Hz, 60 Hz, 100 Hz or 220 Hz. The inductor based Mid Band offers 6 center frequencies; 200 Hz, 350 Hz, 700 Hz, 1.5 kHz, 3 kHz and 6 kHz. The Mid Band also has a High Peak switch to narrow the bandwidth or increase the Q of the filter. The 5051 includes an 18 dB/octave High Pass Filter with two corner frequencies on a lit button that toggles through “OFF, 60 Hz then 120 Hz indicated by a blue or red LED respectively. Additionally, the EQ can be switched Pre or Post the compressor. Normally the EQ precedes the compressor but the order can be selected so that the EQ follows after the Compressor. The 5051 also has two XLR balanced inputs that can be switched from the front panel. This allows the user, for example, to have a mic preamplifier and line input from a DAW to be pre-patched and easily selectable.The CompressorThe 5051 Compressor also features a discrete class A signal path proven used in the Portico Series, withindividually controllable threshold, attack, release, makeup gain, ratio, side chain HPF, Feed-Forward / Feed-back selection and Peak/RMS detection modes. With the compressor inactive, the 5051 may be used as a transformer-coupled, high-performance line amplifier, and two 5051′s may be linked for stereo operation as well.How the Compressor WorksIn order to control gain, a V.C.A. or Voltage Controlled Amplifier (or Attenuator) is used. There are many types of V.C. including the use of tubes, discrete and integrated solid state circuits and naturally non-linear devices, each one having its characteristic behavior that reflects sonically on the final performance, and gives it a character or signature that can be musically attractive or not! The Portico 5051 compressor makes use of a very accurate, low noise, low distortion V.C.A. having, essentially, no signature of its own.A part of the audio signal is rectified and smoothed to produce a suitable control voltage for the V.C.A. which has to respond very quickly and have low distortion. If the response is too fast, low frequency signals will themselves, be gain controlled! If the response is too slow, the signal will overshoot and the first few cycles will not get compressed. The speed and accuracy of the response, known as the “attack”, and the time frame that gain remains under the initial control, known as “release” or “recovery” and plays a large part in the way a compressor sounds.Feed-Forward or Feed-Back The 5051 also has the ability to switch between feed-forward and feed-back modes. If the V.C.A. Control voltage is taken from the 5051 output, (i.e. after the V.C.A.) it cannot act immediately on the V.C.A. because it has already been modified by settings of the V.C.A. and circuits through which it has passed. This is known as a “Feed-Back” compressor. The two compression characteristics are quite different; there is more “Overshoot” and both the attack and recovery ramps are changed, providing the user with powerful choices. In most of Mr. Rupert Neve earliest designs, feed-back detection controlling the VCA with a rectified voltage from the unit output was intrinsic to the musical dynamic response. However, the very nature of a feedback compressor limits the attack time of the compression circuit. To offer faster, more technically accurate response times, feed-forward detection was implemented on Mr. Rupert Neve’s more modern designs. With the FF / FB switch, both classic and modern VCA responses are available. Ratio and ThresholdAbove a given “THRESHOLD” signals are reduced by an adjustable amount ranging from 1:1, (which is linear, or no reduction at all), to more than 40:1 which is a very high ratio, equivalent to that of a Limiter. RATIO is sometimes referred to as “Slope” because when depicted on a graph, the slope of the graph representing Output versus Input, is what changes.Ratio and Threshold are closely inter-dependent. If a RATIO as high as 40:1 has been set, then if the THRESHOLD is set at 0 dBu, even when a massive signal of +40 dBu (unlikely!) is presented to the input, the output signal will only be +1 dBu. RATIOS as high as this would normally be set somewhere above 0 dBu – say at +14 dBu, in order to prevent the output signal level exceeding just over +14 dBu to protect, for example, a digital recorder. Similarly, if a RATIO of 5:1 has been set, an input signal which is 10dB above THRESHOLD will only rise by 2dB above that THRESHOLD at the output.THRESHOLD control covers the Range from below -30dB to +22dBu. When THRESHOLD set at a low level, with a fairly high RATIO the amount of gain reduction will be considerable and it may be necessary to use some GAIN after the compressor to restore the apparent signal level.Attack TimeThe ATTACK time is the time taken for the compression circuits to start compressing. A long ATTACK time allows short duration peaks to “escape” and go through uncompressed. This may cause overload on subsequent digital circuits. A very short attack time sounds un-natural and robs the signal of “life” by removing transients. Some transients are extremely fast and have little effect on the sound quality. Setting a long attack time often means that almost no gain reduction occurs because the transient is history (!) before compression has had time to operate. However, even the fastest circuits take time to operate which means that there is always some “Overshoot”. Small amounts of “Overshoot” are musically desirable – there are exceptions, of course.Setting the right values of RELEASE and ATTACK is what compression is all about! Once the principles are understood a Compressor-Limiter such as the 5051 provides a powerful tool that actually appears to enhance the dynamic range of a recording and so provide greater musical enjoyment.Release / RecoveryThe notes above explain how the 5051 handles signals of constant amplitude such as pure tones. Real program signals, however, are continually changing in level. The way in which a compressor deals with actual program material depends upon the magnitude and duration of peaks in the program level.If the RELEASE TIME is set to be very short, a short duration signal will be compressed but the gain will return to normal very quickly, giving a fluctuating and un-natural sound known as “Pumping” when the background, or other signals, are forced up and down. The gain will also tend to follow the wave form of low frequency signals. RELEASE TIME should be set long enough for the gain to remain reasonably constant between each bass note or between speech syllables.The Power SupplyThe 5051 is intended for 5088 consoles or 5285 vertical frames. There are two +/- 24V power supply options; The 5-way supply is designed to sit in the bottom of a rack, and the 25-way supply is a 2U enclosure. The external +/- 24V supply provides exceptionally clean power, and reduces heat build-up within modules associated with DC-DC up-conversion. |
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| Sac Thérapeutique
[Th erapeutic Bag ]
Sac thérapeutique avec décoration musicale.'
Fait main par Laura Franco.'
Contenu : Cf...(+) Sac thérapeutique avec décoration musicale.'
Fait main par Laura Franco.'
Contenu : Cf. Ci-dessous.'
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Therapeutic Bag with musical ornaments.'
Made by hand by: Laura Franco'
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Therapeutic bag with lavender and wheat seeds. The contents of these bags are 100% natural and respect the environment. The active principle is that of aromatherapy ( dehydrated herbs), cryotherapy (cold) and thermotherapy (heat).'
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Having therapeutic properties they are used for physiotherapeutic purposes, wathever the age. These bags allow you to relax and they are able to activate the blood circulation. They are ideal to treat muscular, lumbar and cervical aches as well as bronchitis, sinusitis and stress.'
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Small bags like these are also used under babie s cushions, because they have a tranquilizer effect and help them falling asleep.'
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Hot application: the bag must be heated in the microwave oven for 2 or 3 minutes, depending on the microwave s power.'
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Cold application: Put the bag in the frezzer for 2 hours, wrapped in a plastic bag because the wheat seeds cannot get wet.'
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Ideal for post-surgical treatment, fever, inflammations, muscular pain, haematomas, joint aches, eye rings, varicose veins, insect bites and headaches.'
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Precautions: After its hot use, avoid draughts.'
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Dimensions: 20 cm x 14 cm |
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| J.Winter : JW 51015 4/4 OSAKA VC
Jakob Winter JW 51015 4/4 OSAKA Violin Case, shaped Greenline violin case from natural fib...(+) Jakob Winter JW 51015 4/4 OSAKA Violin Case, shaped Greenline violin case from natural fibres, resistant, shock absorbing hard cover, water repellent and weather resistant, lightweight build to maximize low weight and optimized for easy -carry, 2 Easy -Access locks, backpack system with 2 carrying straps, comfortable non -slip soft handle, inside lining consists of high quality, eco -friendly cotton velvet, polystyrene insert instrument protection system for optimal protection, suspension system for shock protection, accessory pocket and space for Shoulder Rest, 2 Hill -style bow holders, colour: Osaka, weigth ca. 1,35kg, inside dimensions: total length: 63cm, body length: 37cm, upper bout: 17,3cm, lower bout: 21,3cm, height above bridge: 10,4cm, outside dimensions: 80 x 25 x 14,5cm ( L x W x H ), the pattern can differ, because the outside fabric is a yard good. |
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| J.Winter : JW 51015 4/4 JUNGLE VC
Jakob Winter JW 51015 4/4 JUNGLE Violin Case, shaped Greenline violin case from natural fi...(+) Jakob Winter JW 51015 4/4 JUNGLE Violin Case, shaped Greenline violin case from natural fibres, resistant, shock absorbing hard cover, water repellent and weather resistant, lightweight build to maximize low weight and optimized for easy -carry, 2 Easy -Access locks, backpack system with 2 carrying straps, comfortable non -slip soft handle, inside lining consists of high quality, eco -friendly cotton velvet, polystyrene insert instrument protection system for optimal protection, suspension system for shock protection, accessory pocket and space for Shoulder Rest, 2 Hill -style bow holders, colour: Jungle, weigth ca. 1,35kg, inside dimensions: total length: 63cm, body length: 37cm, upper bout: 17,3cm, lower bout: 21,3cm, height above bridge: 10,4cm, outside dimensions: 80 x 25 x 14,5cm ( L x W x H ), the pattern can differ, because the outside fabric is a yard good. |
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| Discacciati : 105 TR BM
Discacciati 105 TR BM piano bench; construction color: black matte; height adjustable 47 x...(+) Discacciati 105 TR BM piano bench; construction color: black matte; height adjustable 47 x 57 cm; seat: approx 57 x 34 cm; seat upholstery: velour black; suitable for children and adults; glue laminated construction with extended solidity because of additional brace; made in Italy. |
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| Discacciati : 105 TR BP
Discacciati 105 TR BP piano bench; construction color: black polished; height adjustable 4...(+) Discacciati 105 TR BP piano bench; construction color: black polished; height adjustable 47 x 57 cm; seat: approx 57 x 34 cm; seat upholstery: velour black; suitable for children and adults; glue laminated construction with extended solidity because of additional brace; made in Italy. |
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| J.Winter : JW 51025 MARBLE Greenline VC
Jakob Winter JW 51025 MARBLE Greenline Violin Case, material technology from renewable nat...(+) Jakob Winter JW 51025 MARBLE Greenline Violin Case, material technology from renewable natural fibers, no use of toxic glues due to One -Shot press technique, resistant, shock absorbing hard cover, water repellent and weather resistant, lightweight built to maximize low weight and optimized for easy-carry, 2 Easy -Access locks, backpack system with 2 carrying straps, comfortable non -slip soft handle, with additional side handle, inside lining consists of high quality, eco -friendly cotton velvet, odorless inside as no toxic glues are used, polystyrene insert instrument protection system for optimal protection, suspension system for shock protection, string tube, accessory pocket and pocket for Shoulder Rest, 2 Hill -style bow holders, colour: Marble, weight approx. 2,0kg, inside dimensions: total length: 59,5cm, body length: 36cm, upper bout: 18cm, lower bout: 21,3cm, height above bridge: 11,2cm, outside dimensions: 78,3 x 24,5 x 14,5cm ( L x W x H ), the pattern can differ, because the outside fabric is a yard good. |
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| J.Winter : JW 51092 Alto Sax Case Osaka
Jakob Winter JW 51092 Alto Sax Case Osaka; molded case for alto saxophone; GreenLine serie...(+) Jakob Winter JW 51092 Alto Sax Case Osaka; molded case for alto saxophone; GreenLine series: Material technology made from renewable natural fibers, no use of toxic adhesives due to one-shot pressing technology; durable, shock-absorbing hard shell; water-repellent and weather-resistant; lightweight construction ensures low weight and for optimal carrying comfort; interior lining made of high-quality, environmentally friendly cotton velvet; optimal protection of the instrument through molded insert; 2 Easy-Access closures; backpack system with 2 carrying straps; accessory compartment for S-bow and mouthpiece; outer dimensions (L x W x H): 690 x 300 x 180 mm; color: Osaka; weight 1.1 kg, the pattern can differ, because the outside fabric is a yard good. |
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| J.Winter : JW 51095 Tenor Sax Case Jungle
(1 comments)
Jakob Winter JW 51095 Tenor Sax Case Jungle; molded case for tenor saxophone; GreenLine se...(+) Jakob Winter JW 51095 Tenor Sax Case Jungle; molded case for tenor saxophone; GreenLine series: Material technology made from renewable natural fibers, no use of toxic adhesives due to one-shot pressing technology; durable, shock-absorbing hard shell; water-repellent and weather-resistant; lightweight construction ensures low weight and for optimal carrying comfort; interior lining made of high-quality, environmentally friendly cotton velvet; optimal protection of the instrument through molded insert; 2 Easy-Access closures; backpack system with 2 carrying straps; accessory compartment for S-bow and mouthpiece; outer dimensions (L x W x H): 870 x 350 x 210 mm; color: Jungle; weight 1.75 kg, the pattern can differ, because the outside fabric is a yard good. |
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| Rupert Neve Designs R10 10 Slots 500 Format Lunchbox Rack Wbdlxstudio New Product
With abundant power and versatile connections, the R10 delivers peace of mind for engineer...(+) With abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks. If you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R10 is the serious rack for the serious sound you want. Power You Can TrustPower-wise, the R10 has 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher than expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.Connect Like Never BeforeWith a plethora of connections available, the R6 backpanel is practically a patchbay on its own. The R10 features 10 channels of balanced I/O options including XLR and TRS.Solid Steel ConstructionThe chassis is comprised of solid steel with bumpers to support the unit in both horizontal and vertical configurations, and features a collapsable handle for portability. All connectors and fittings are of the highest quality to ensure that the R10 will hold up to many years of use.A New Level of Confidence in the 500 SeriesBecause the R10 is built to 500 series specifications, it will work flawlessly with any properly designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R6 has variable-position screw holes to make the installation process go more smoothly. The 500 series link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 and 9-10. Matching blank panels are also available to cover any empty slots. |
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| J.Winter : JW 51095 Tenor Sax Case Marble
Jakob Winter JW 51095 Tenor Sax Case Marble; molded case for tenor saxophone; GreenLine se...(+) Jakob Winter JW 51095 Tenor Sax Case Marble; molded case for tenor saxophone; GreenLine series: Material technology made from renewable natural fibers, no use of toxic adhesives due to one-shot pressing technology; durable, shock-absorbing hard shell; water-repellent and weather-resistant; lightweight construction ensures low weight and for optimal carrying comfort; interior lining made of high-quality, environmentally friendly cotton velvet; optimal protection of the instrument through molded insert; 2 Easy-Access closures; backpack system with 2 carrying straps; accessory compartment for S-bow and mouthpiece; outer dimensions (L x W x H): 870 x 350 x 210 mm; color: Marble; weight 1.75 kg, the pattern can differ, because the outside fabric is a yard good. |
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| Discacciati : 105 TR DW
Discacciati 105 TR DW piano bench; construction color: dark walnut; height adjustable 47 x...(+) Discacciati 105 TR DW piano bench; construction color: dark walnut; height adjustable 47 x 57 cm; seat: approx 57 x 34 cm; seat upholstery: velour black; suitable for children and adults; glue laminated construction with extended solidity because of additional brace; made in Italy. |
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| J.Winter : JW 51092 Alto Sax Case Jungle
(1 comments)
Jakob Winter JW 51092 Alto Sax Case Jungle; molded case for alto saxophone; GreenLine seri...(+) Jakob Winter JW 51092 Alto Sax Case Jungle; molded case for alto saxophone; GreenLine series: Material technology made from renewable natural fibers, no use of toxic adhesives due to one-shot pressing technology; durable, shock-absorbing hard shell; water-repellent and weather-resistant; lightweight construction ensures low weight and for optimal carrying comfort; interior lining made of high-quality, environmentally friendly cotton velvet; optimal protection of the instrument through molded insert; 2 Easy-Access closures; backpack system with 2 carrying straps; accessory compartment for S-bow and mouthpiece; outer dimensions (L x W x H): 690 x 300 x 180 mm; color: Jungle; weight 1.1 kg, the pattern can differ, because the outside fabric is a yard good. |
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| MG Mallets : X1 Xylophone Mallets
MG Mallets X1 Xylophone mallets, we can define this model as general because it is ideal f...(+) MG Mallets X1 Xylophone mallets, we can define this model as general because it is ideal for various musical performances, generates a tonally balanced sound that allows us to move from a dynamic pp to ff retaining a warm and rich sound of shades over the entire range, handle: rattan, length: 35cm, head diameter: 28mm, head material: plastic, color: red, pair |
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| Instrumentalist Mask for Flute
Black Mask with Elastic Ear Loops. Singer's Mask. General Merchandise. Hal Leonard #MASKFL...(+) Black Mask with Elastic Ear Loops. Singer's Mask. General Merchandise. Hal Leonard #MASKFLUTE. Published by Hal Leonard . The Instrumentalist's Mask is designed to be worn by wind players, an overlapping spandex access panel allows the instrument to easily insert while creating a good seal around the rest of the mask and closes when instrument is removed. Because everyone's face is shaped a bit differently the wire across the top of the mask allows a custom fit to follow the curve of your nose and cheeks to find the perfect fit. |
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| Wah Pedals Dunlop : Qz1 Crybaby Q Zone
Permet de régler le son wah sur une fréquence stationnaire.- Contrôles Volume, Zone & P...(+) Permet de régler le son wah sur une fréquence stationnaire.- Contrôles Volume, Zone & Peak,- Alimentation non fournie: pile 9V ou adaptateur secteur MDU ECB003E.QZ1 CRYBABY® Q ZONEMany guitarists use our Crybaby pedals in stationary positions, to get a quickly selectable nasal, vocal or flange-like tone. The Q Zone stomp box performs this job even better than a pedal, because it's less susceptible to accidental bumps. Features the same tone controls as the 95Q pedal, but withstay-putknobs to keep your settings stable.Features: Footswitch toggles the effect from on to bypass (red LED indicates on). Adjustable volume knob controls output gain with boost up to +18 dB. AdjustableQknob modulates frequency breadth of effect. Peak knob manually selects the frequency center of the effect, serving the same function as the wah foot pedal.Powered by the Dunlop ECB-003 AC Adapter and/or 9 volt battery.4-3/8x 2-3/8x 1-1/43.7 lbs. Black |
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| Dolfinos : Pure Grip Pad
Dolfinos Pure Grip Pad, easy installation without any glue or other adhesives (Van der Waa...(+) Dolfinos Pure Grip Pad, easy installation without any glue or other adhesives (Van der Waals force), innovative micro-lamella structure, effective grip on skin and textile, skin-friendly, stunning acoustic effects because of the thinness and high density of the material, compatible with the Dolfinos Pure Edition, made in Switzerland. |
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| Rezgoe Music : Floor Prot. Connectip VC 5mm
Rezgoe Music Floor Protection Connectip Cello 5mm, remains permanently on the endpin, can ...(+) Rezgoe Music Floor Protection Connectip Cello 5mm, remains permanently on the endpin, can be pulled on or off upon need, impossible to lose, does not cause any noise while beeing pulled off, long durability because of high quality material, dimensions: inside diameter: 5mm, total length: 25mm, colour: black. |
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| WA76 Discrete Compressor
Warm Audio. General Merchandise. Hal Leonard #WA76. Published by Hal Leonard (HL.323654).
...(+) Warm Audio. General Merchandise. Hal Leonard #WA76. Published by Hal Leonard (HL.323654).
Item Number: HL.323654
23.25x8.33 inches.
Classic Style
The WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D. The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception. Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable!
All Buttons In
The WA76 can reproduce the classic effect known as All Buttons In mode, sometimes also referred to as British mode or the Four Button Trick. Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch. This can take a bit of practice. The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings.
All-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or overdrive on the signal. Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a sucking effect as the compressor releases. Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to peg out and cease providing accurate metering.
Premium Components
We have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. We've used all discrete, through-hole components, high quality CineMag input and output transformers, and a class A circuit that stays true to the legacy design. |
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| Discacciati : 105 TR WM
Discacciati 105 TR WM piano bench; construction color: white matte; height adjustable 47 x...(+) Discacciati 105 TR WM piano bench; construction color: white matte; height adjustable 47 x 57 cm; seat: approx 57 x 34 cm; seat upholstery: velour black; suitable for children and adults; glue laminated construction with extended solidity because of additional brace; made in Italy. |
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