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Wagner
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Nietzsche And Wagner Op. 49
Piano solo
Schott
Je consacre un mouvement de ce travail pour chacun des deux personnages. J'ai in...
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Je consacre un mouvement de ce travail pour chacun des deux personnages. J'ai interprété le personnage de Nietzsche aussi énergique, douloureux et difficiles. En revanche, le second mouvement 'Wagner' avec son atmosphère calme et méditative est une improvisation porté sur les motifs en paraphrasant le compositeur de son opéra Tristan et Isolde.Au-delà de l'échange philosophique et artistique intense entre Wagner et Nietzsche, un lien supplémentaire a été fournie par la fille Cosima Liszt, l'épouse de Wagner, qui a été grandement vénéré par Nietzsche. Elle est la source de l'amour et la nostalgie qui est perceptible dans les deux mouvements.- Fazil Say / Piano
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Franz Liszt: Complete Piano Transcriptions From Wagner's Operas: Piano:
Piano solo
-
Advanced
Dover Publications
Liszt's admiration for the music of Wagner led him to promote Wagner's Operas as...
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Liszt's admiration for the music of Wagner led him to promote Wagner's Operas as well as to compose piano transcriptions from many of them. This volume presents fifteen compositions dating from 1848-1882. Includes 'Liebestod' 'Overture To Tannhouser' 'Wedding March From Lohengrin'.
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Le Ring, nouveaux regards (WAGNER RICHARD)
Guitar
Avant Scène Opéra
Par WAGNER RICHARD. Cet ouvrage constitue tout à la fois une suite et un compl...
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Par WAGNER RICHARD. Cet ouvrage constitue tout à la fois une suite et un complément aux précédents volumes déjà consacrés par L'Avant-Scène Opéra à L'Anneau du Nibelung et à ses quatre parties, publiés en 2005 : le Prologue L'Or du Rhin (no 227), La Walkyrie (no 228), Siegfried (no 229) et Le Crépuscule des dieux (no 230)./ Livre / Livre
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L'Autunno
Flûte Traversière (Flûte Traversière Alto, Piccolo), Hautbois (Hautbois D'Amour), Clarinette, (Clarinette (En Mib)/Clarinette De Basset (B)), Cor (Ad Libitum Aussi Wagner Tuba) Et Basson (Contrebasse)
Schott
/ Flûte Traversière (Flûte Traversière Alto, Piccolo), Hautbois (Hautbois D...
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/ Flûte Traversière (Flûte Traversière Alto, Piccolo), Hautbois (Hautbois D'Amour), Clarinette, (Clarinette (En Mib)/Clarinette De Basset (B)), Cor (Ad Libitum Aussi Wagner Tuba) Et Basson (Contrebasse)
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L'Autunno
Flûte Traversière (Flûte Traversière Alto, Piccolo), Hautbois (Hautbois D'Amour), Clarinette, (Clarinette (En Mib)/Clarinette De Basset (B)), Cor (Ad Libitum Aussi Wagner Tuba) Et Basson (Contrebasse)
Schott
/ Flûte Traversière (Flûte Traversière Alto, Piccolo), Hautbois (Hautbois D...
(+)
/ Flûte Traversière (Flûte Traversière Alto, Piccolo), Hautbois (Hautbois D'Amour), Clarinette, (Clarinette (En Mib)/Clarinette De Basset (B)), Cor (Ad Libitum Aussi Wagner Tuba) Et Basson (Contrebasse)
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The Shorter Ring (WAGNER RICHARD)
Piano solo
[Sheet music]
Faber Music Limited
Arr. D. Matthews. Par WAGNER RICHARD. The first performance of The Shorter Ring...
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Arr. D. Matthews. Par WAGNER RICHARD. The first performance of The Shorter Ring was given by William Howard, at Shoreditch Church (St Leonard's) as part of the Spitalfields Festival, London, in a programme to mark the 70th birthday of the composer, on 14 June 2013. David Matthews writes: In May 2012 William Howard asked me if I could make a condensed piano version of Der Ring des Nibelungen for him to play at a 70th birthday party for our mutual friend Colin Senior, who is a keen Wagnerian. William wondered if I could compress the fifteen hours of The Ring into three minutes. I thought this might be a little impracticable, but I managed to do it in five minutes, while retaining enough of the thematic material, I think, to give listeners a clear idea of the story. In this bicentennial year I hope the piece will give pleasure and amusement to Wagnerians, and may also encourage those who haven't heard the whole cycle to embrace the extraordinary experience that Wagner's great work affords./ Répertoire / Piano
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Wagner R. - Tristan Und Isolde Wwv 90 - Facsimile
Opera
Barenreiter
Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologic...
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Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologica II/45 / Bärenreiter Facsimile Editor: Konrad, Ulrich Language(s) of work: English, German Product format: Facsimile Binding: Half-leather binding Pages / Format: 405 S. - 41,7 x 30,0 cm “This Tristan will be something formidable! This last act!” “I fear the opera will be banned – if the whole work is not parodied through bad performance: only mediocre performances can save me! Thoroughly good ones will surely drive people crazy.” Richard Wagner While working on the score to “Tristan und Isolde”, Richard Wagner expressed his excitement and elation about his new musical drama. Indeed, the radical originality of the work proved to be both unique and forward-looking: Over 150 years ago it signified the “dawn” of the modern era and to this day it has not lost any of its fascination. Throughout his life, Richard Wagner was proud of his even handwriting. He constantly strove to produce manuscripts of a high calligraphic standard. The Tristan manuscript is also clearly written. More so than in his other scores however, traces of his working process are evident. It is precisely this aspect of the autograph that makes it fascinating. Reading it, one is witness to Wagner’s highlyconcentrated, powerful and relentless writing. This manuscript is in every possible way unparalleled reflecting individuality and uniqueness. In time for the 200th anniversary of Wagner’s birth in 2013, this great work will be published as a BÄRENREITER FACSIMILE in cooperation with the National Archive of the Richard-Wagner-Stiftung Bayreuth. In addition to the complete score, the edition includes the autograph concert ending of the Vorspiel as well as three pages that Wagner rejected while composing and later used for sketches. Ulrich Konrad, the renowned musicologist describes the genesis and performance history of the work in his comprehensive commentary. He also details the physical appearance and condition of the autograph as well as giving an insight into the musical language of Wagner.
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Richard Wagner: Power Of Love Wedding Edition: SATB: Single Sheet
Choral SATB
SATB, Organ
[Sheet music]
-
Intermediate
Peer Musik Verlag
Wagners Brautchor Aus 'lohengrin'-Die 'Wedding-Edition' aus der Reihe 'Power of ...
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Wagners Brautchor Aus 'lohengrin'-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier der Brautchor aus Lohengrin von Richard Wagner. Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16159G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
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Power Of Love Wedding Edition - Wagners Brautchor aus
Choral SATB
Peer Musik Verlag
Wagners Brautchor Aus 'lohengrin'-Die 'Wedding-Edition' aus der Reihe 'Power of ...
(+)
Wagners Brautchor Aus 'lohengrin'-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier der Brautchor aus Lohengrin von Richard Wagner. Die Bearbeitung für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16159O. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
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Richard Wagners Himmelfahrt (WAGNER RICHARD)
Carte Postale
[Sheet music]
Schott
Par WAGNER RICHARD. Die Postkarten-Sammlung Zum 100. Todestag/ Répertoire / Car...
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Par WAGNER RICHARD. Die Postkarten-Sammlung Zum 100. Todestag/ Répertoire / Carte Postale
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Liszt F. - Complete Piano Transcriptions From Wagner's Operas
Dover Publications
Features 15 brilliant compositions (1842–1882) on themes from Rienzi, Flying D...
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Features 15 brilliant compositions (1842–1882) on themes from Rienzi, Flying Dutchman, Tannhauser, Lohengrin, and other Wagnerian favorites. Content : Fantasy on Themes from Rienzi [Phantasiestück über Motive aus Rienzi (Santo spirito cavaliere)] Spinning Chorus from The Flying Dutchman [Spinnerlied aus Der Fliegende Holländer] Ballad from The Flying Dutchman [Ballade aus Der Fliegende Holländer: Transcription] Overture to Tannhäuser [Overtüre zu Tannhäuser: Konzertparaphrase] Pilgrims' Chorus from Tannhäuser [Pilgerchor aus der Oper Tannhäuser: Paraphrase] Recitative and Romance Evening Star from Tannhäuser [O, due mein holder Abendstern: Rezitativ und Romanze aus der Oper Tannhäuser] Two Pieces from Tannhäuser and Lohengrin [Zwei Stücke aus Tannhäuser und Lohengrin] I. ENTRY OF THE GUESTS FROM TANNHÄUSER [Einzug der Gäste auf der Wartburg] II. ELSA'S BRIDAL PROCESSION FROM LOHENGRIN [Elsas Brautzug zum Münster] From lohengrin [Aus Lohengrin] I. FESTIVAL AND BRIDAL SONG [Festspiel und Brautlied] II. ELSA'S DREAM [Elsas Traum] III. LOHENGRIN'S ADMONITION [Lohengrin's Verweis an Elsa] Isolde's Liebestod from Tristan und Isolde [Isolden's Liebestod: Schluß-Szene aus Tristan und Isolde] Am stillen Herd from Die Meistersinger [Am stillen Herd: Lied aus Die Meistersinger von Nürnberg: Transcription] Valhalla from Der ring des Nibelungen {Wallhall aus Der Ring des Nibelungen: Transcription] Solemn March to the Holy Grail from Parsifal [Feierlicher Marsch zum heilgen Graal aus Parsifal
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Richard Wagner: Richard Wagner: Vocal Solo: Vocal Album
Voice solo
[Sheet music + CD]
Music Minus One
In 1857 and 1858 as Richard Wagner had come to the completion of Die Walkure t...
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In 1857 and 1858 as Richard Wagner had come to the completion of Die Walkure the second installment in his epic opera cycle Der Ring des Nibelungen he took time out to write a series of lieder for (and based on poems by)Mathilde Wesendonck with whom Wagner was believed to have been at the very least extremely infatuated. Whatever the truth might have been behind their relationship it is known that Wagner had met Mathilde's husband Otto inZurich and his ensuing friendship with the couple led to this beautiful set of lieder.Wagner himself called two of the set's songs (Im Treibhaus and Traume) ?studies? for his magnificent opera Tristan andIsolde and though originally intended for female voice with piano all of these songs were eventually orchestrated either by Wagner (in the case of Traume) or by other composers. When they were first performed in 1862 they weretitled Five Songs for a Female Voice. In the 20th century they also became very popular songs for some of the greatest tenors.Much earlier in 1839 Wagner had composed a three-song cycle called Trois Melodies. The firstpiece entitled Dors mon enfant was a lullaby that Wagner ascribed to an unnamed young poet of his publisher's acquaintance and of which he wrote that his wife had called ?heavenly for sending one to sleep?. He thenset Ronsard's song Mignonne and Victor Hugo's L'attente (from that author's Orientales) to round out the set. Wagner offered L'attente to the reigning diva of the time Pauline Viardot who is said to have flatly refused it.Wagner wrote in his memoirs My Life ?I have no reason to be ashamed of these small pieces.?Listen to brilliant tenor Jon Robert Cart perform these lieder. Then he steps aside and you take center stage with yourvirtuoso accompanist Narciso Solero at the piano.
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Richard Wagner: The Mastersingers of Nuremberg: Organ: Instrumental Work
Organ
Fentone Music
Prelude to Act Three-Of all Wagners scores 'The Mastersingers of Nuremburg'is th...
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Prelude to Act Three-Of all Wagners scores 'The Mastersingers of Nuremburg'is the most overtly Bachian. It includes such igenious technical figures as triple counterpoint and an original chorale in Baroque idiom. This piece is ideally suited for use before church services or during communio. In recitalo it may be effectively juxtaposed with 'Ride of the Valkries'for maximum contrast with only a brief pause. This is a fantastic transcription of this work suitable for almost any occasion.
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Die Feen Wwv 32
Soli, Mixted choir and accompaniment
Schott
L'édition complète Richard Wagner présente toute la production du compositeur...
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L'édition complète Richard Wagner présente toute la production du compositeur pour la première fois sous une forme fiable. Le chef d'orchestre Michael Balling, dans les premières années du 20ème siècle, a tenté de faire l'oeuvre de Wagner plus accessible pour la recherche et de la performance, mais la seule édition a atteint 10 volumes - certains avec de graves lacunes - et a été abandonnée après la mort de Balling 1925. Une autre tentative à une édition complète par Otto Strobel a été abandonné à des stades préliminaires.Cette troisième tentative à une édition complète sera le premier scientifique, édition critique, fondée sur une évaluation de toutes les matières de source accessibles et les dernières découvertes de la recherche Wagner grave. Comme l'édition est également destiné à la performance pratique, le texte musical a été maintenu libre d'insertions philologiques- ceux-ci sont énumérées dans les annexes de chaque volume dans le commentaire critique. De nombreux inédits, des oeuvres en partie - certains relativement inconnus - versions et variantes sont publiés ici pour la première fois. L'édition présente des textes authentiques pour les spécialistes de Wagner et des chercheurs et critique des matériaux à base de la scène. Contrairement à l'opinion largement répandue, même les oeuvres bien connues de Wagner ne sont pas nécessairement disponibles dans les éditions fiables. La genèse, l'histoire et les performances réalisés par Wagner lui-même sont largement documentés de façon à présenter une image aussi complète que possible des intentions de la composition de Wagner. / Soliste, Choeur Et Orchestre
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Siegfried Wwv 86 C
Divers
Schott
The Richard Wagner Complete Edition presents the composer's entire output for th...
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The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner's work more accessible for research and performance, but the edition only reached 10 volumes - some with grave shortcomings - and was discontinued after Balling's death in 1925. A further attempt at a complete edition by Otto Strobel was abandoned at the preliminary stages.This third attempt at a complete edition will be the first scholarly, critical edition, based on an evaluation of all the accessible source materials and the latest findings of serious Wagner research. As the edition is also intended for practical performance, the musical text has been kept free of philological insertions - these are listed in the appendices of each volume in the Critical Commentary. Numerous, partly unpublished works - some relatively unknown - and variant versions are published here for the first time. The edition presents authentic texts for Wagner specialists and researchers and critically based performing materials. Contrary to widely held opinions, even the well-known works of Wagner are not necessarily available in reliable editions. The genesis, history and performances directed by Wagner himself are extensively documented so as to present as complete an image as possible of Wagner's compositional intentions. / Divers
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Die Feen Wwv 32
Conducteur
[Score]
Schott
The Richard Wagner Complete Edition presents the composer's entire output for th...
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The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner's work more accessible for research and performance, but the edition only reached 10 volumes - some with grave shortcomings - and was discontinued after Balling's death in 1925. A further attempt at a complete edition by Otto Strobel was abandoned at the preliminary stages.This third attempt at a complete edition will be the first scholarly, critical edition, based on an evaluation of all the accessible source materials and the latest findings of serious Wagner research. As the edition is also intended for practical performance, the musical text has been kept free of philological insertions - these are listed in the appendices of each volume in the Critical Commentary. Numerous, partly unpublished works - some relatively unknown - and variant versions are published here for the first time. The edition presents authentic texts for Wagner specialists and researchers and critically based performing materials. Contrary to widely held opinions, even the well-known works of Wagner are not necessarily available in reliable editions. The genesis, history and performances directed by Wagner himself are extensively documented so as to present as complete an image as possible of Wagner's compositional intentions. / Conducteur
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Das Liebesverbot Oder Die Novize Von Palermo Wwv 38
Opéra
Schott
The Richard Wagner Complete Edition presents the composer's entire output for th...
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The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner's work more accessible for research and performance, but the edition only reached 10 volumes - some with grave shortcomings - and was discontinued after Balling's death in 1925. A further attempt at a complete edition by Otto Strobel was abandoned at the preliminary stages.This third attempt at a complete edition will be the first scholarly, critical edition, based on an evaluation of all the accessible source materials and the latest findings of serious Wagner research. As the edition is also intended for practical performance, the musical text has been kept free of philological insertions - these are listed in the appendices of each volume in the Critical Commentary. Numerous, partly unpublished works - some relatively unknown - and variant versions are published here for the first time. The edition presents authentic texts for Wagner specialists and researchers and critically based performing materials. Contrary to widely held opinions, even the well-known works of Wagner are not necessarily available in reliable editions. The genesis, history and performances directed by Wagner himself are extensively documented so as to present as complete an image as possible of Wagner's compositional intentions. / Opéra
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Richard Wagner: Wagner on Stage: Concert Band: Score
Concert band
Curnow Music
Wagner on Stage met en scène des extraits de quatre opéras de Wagner : Tannhä...
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Wagner on Stage met en scène des extraits de quatre opéras de Wagner : Tannhäuser Le crépuscule des dieux Lohengrin et Les maîtres chanteurs de Nurenberg. Richard Wagner a probablement écrit les opéras les plus dramatiques de son temps. Ses compositions pleines de passion de dynamisme mais également de sentimentalité ont inspiré James L. Hosay. Wagner on Stage est un arrangement fidèle donnant un large aperçu de la grande créativité de Richard Wagner dont le 200e anniversaire sera célébré en 2013.
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Richard Wagner: Wagner on Stage: Concert Band: Score & Parts
Concert band
[Score and Parts]
Curnow Music
Wagner on Stage met en scène des extraits de quatre opéras de Wagner : Tannhä...
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Wagner on Stage met en scène des extraits de quatre opéras de Wagner : Tannhäuser Le crépuscule des dieux Lohengrin et Les maîtres chanteurs de Nurenberg. Richard Wagner a probablement écrit les opéras les plus dramatiques de son temps. Ses compositions pleines de passion de dynamisme mais également de sentimentalité ont inspiré James L. Hosay. Wagner on Stage est un arrangement fidèle donnant un large aperçu de la grande créativité de Richard Wagner dont le 200e anniversaire sera célébré en 2013.
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Parsifal (WAGNER RICHARD)
Opera
Barenreiter
Facsimile of the autograph score from the National Archive of the Richard Wagner...
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Facsimile of the autograph score from the National Archive of the Richard Wagner Foundation Bayreuth. Par WAGNER RICHARD. Knowledge, pity, redemption: Richard Wagner took up these major themes in “Parsifal”, the music drama that he completed 13 months before his death and referred to as his “most conciliatory work”. Already celebrated for its compositional technique and mystical sonorities at the premiere, its world of ideas has stimulated new debates and interpretations over and over again to the present day. Wagner wrote the autograph score almost entirely in violet ink, a colour he preferred to use in the final years of his life. He meticulously planned the layout of the pages and finally gave the autograph to his wife Cosima - it always remained in the family's possession as a guarded treasure. The facsimile edition in high-quality four-colour printing reproduces the extensive score in its original size. Act and bar numbers on every page facilitate its use without diminishing the overall bibliophile appearance. In an accompanying essay (Ger/Eng), Ulrich Konrad elucidates the special features of the work and the manuscript./ Répertoire / Opéra
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Rienzi, Der Letzte Der Tribunen Wwv 49 (WAGNER RICHARD)
Conducteur Opéra
[Sheet music]
Schott
Große Tragische Oper In 5 Akten - Dritter Akt. Par WAGNER RICHARD. L'édition c...
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Große Tragische Oper In 5 Akten - Dritter Akt. Par WAGNER RICHARD. L'édition complète de Richard Wagner présente toute production du compositeur pour la première fois dans un formulaire fiable. Le chef d'orchestre Michael Balling, dans les premières années du XXe siècle, a tenté de faire oeuvre de Wagner plus accessibles pour la recherche et de la performance, mais l'édition seulement atteint 10 volumes - certains à des manquements graves - et a été abandonnée après la mort du Balling en 1925. Une autre tentative à une édition complète par Otto Strobel a été abandonnée au cours des étapes préliminaires.Cette troisième tentative d'une édition complète sera la première édition savante, critique, basée sur une évaluation de toutes les matières de source accessible et les derniers résultats de la recherche sérieuse de Wagner. L'édition est également destinée à rendement pratique, le texte musical a été maintenu gratuitement les insertions philologiques - elles sont énumérées dans les annexes de chaque volume dans le commentaire critique. Nombreuses, en partie inédits - certaines versions relativement inconnues - et variantes sont publiées ici pour la fi.../ Répertoire / Conducteur Opéra
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Wagner, Richard : Ch?ur Nuptial, Extrait de l'Opéra `Lohengrin` (Collection Anacrouse)
Piano solo
[Sheet music]
EBR Editions Bourges
Lohengrin est le sixième opéra que Richard Wagner ait composé. Ecrit entre 18...
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Lohengrin est le sixième opéra que Richard Wagner ait composé. Ecrit entre 1845 et 1848, créé en 1850, cette ?uvre est basée sur l'histoire du « chevalier au cygne », provenant de la littérature médiévale allemande.
Lohengrin connut un succès immédiat et eut une grande importance dans la carrière musicale du compositeur. En effet, pour la première fois, on sent le langage musical de Richard Wagner se libérer définitivement de la tradition classique et montrer pleinement un caractère romantique.
Dans une lettre adressée à Liszt datée de 1853, Richard Wagner dit: «Je m?aperçois que dans Lohengrin, j?ai oublié une indication de mouvement, omission que je n?ai constatée que lorsque je l?ai dirigé. C?est dans le ch?ur nuptial en ré majeur, après le second solo des huit femmes, les huit dernières mesures avant le premier mouvement : ici, le mouvement doit être considérablement ralenti, plus qu?à la première entrée en ré majeur; cela doit se faire tranquillement, solennellement, sinon l?intention est manquée.»
Le ch?ur nuptial dont Richard Wagner fait mention marque le début du troisième acte de l'opéra, lorsqu'Elsa et son époux pénètrent dans la chambre nuptiale où ils se déclarent leur amour : `que les bruits de la fête s'éteignent, que vos c?urs s'enivrent! Que la chambre parfumée parée pour l'amour vous accueille à présent''.
Aujourd'hui, cette marche nuptiale accompagne traditionnellement les mariés à l?entrée ou la sortie de l?Eglise en Occident. Elle est traditionnellement jouée à l?orgue, mais peut être jouée par un orchestre. Elle est parfois appelée ?la marche des fiançailles? (ou des fiancés). / Classique / Transcriptions pour piano de David Neyrolles / Partition / Agrafé /
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David Dutkanicz: A First Book of Wagner: Piano: Instrumental Collection
Piano solo
Dover Publications
A First Book of Wagner. The music of Richard Wagner can be daunting to beginning...
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A First Book of Wagner. The music of Richard Wagner can be daunting to beginning pianists, but this collection offers an accessible approach to the famous nineteenth-century composer's works. The arrangements focus on Wagner's melodies and style, presenting manageable excerpts from the more abstract works in simplified keys and with suggested fingerings.More than 30 pieces consist chiefly of selections from Wagner's operas. Highlights include the thrilling Ride of the Valkyries from Die Valküre, the second of the four Ring Cycle operas. Other pieces from the epic musical series include Siegfried the Hero from Siegfried and Song of the Rhine Daughters from Götterdämmerung. The collection also features pieces from Parsifal,Tannhäuser, The Flying Dutchman,Rienzi, Lohengrin, and Tristan und Isolde, as well as other works. Each selection features a brief Introduction that provides historical context and, in some cases, suggestions for performance.
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Richard Wagner: Polonaise for Piano: Piano: Instrumental Work
Piano solo
[Sheet music]
Novello & Co Ltd.
Richard Wagner's Polonaise for Piano edited by Arthur D. Walker. Editorial not...
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Richard Wagner's Polonaise for Piano edited by Arthur D. Walker. Editorial note: This Polonaise and Trio in D major for Piano solo was probably written as an excercise when Wagner was studying under Theodor Weinlig in 1830. Wagner described to Edward Dannreuther much later in his life the teaching methods of Weinlig (Grove I iv 347; Musical Times January 1973 Page 26) The pencil corrections on the autograph part of which is reproduced in the above-mentioned issue of The Musical Times may be in Weinlig's hand. The Polonaise was rejected by Wagner the Trio transformed into a Piano duet and a new Polonaise for Piano duetwas composed.
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Operatic Anthology Vol. 1 - Soprano Et Piano
Soprano voice, Piano
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Intermediate/advanced
Schirmer
Contents : Verdi: Rittorna vincitor! (Aida) - Oh patria mia (Aida) - Tu che le v...
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Contents : Verdi: Rittorna vincitor! (Aida) - Oh patria mia (Aida) - Tu che le vanita (Don Carlo) - Ernani, involami (Ernani) - Madre, pietosa Vergine (La Forza del Destino) - Pace, pace Mio Dio (La Forza del Destino) - Salce, Salce and Ave Maria (Otello) - Come in quest' ora bruna (Simon Boccanegra) - Tacea la Notte placida (Il Trovatore) - D'amor sull'ali rosee (Il Trovatore) - Gluck: Divinites du Styx (Alceste) - Smetana: Marenka's Aria (The Bartered Bride) - Puccini: Mi chiamano Mimì (La Bohème) - In quelle trine morbide (Manon Lescaut) - Bizet: Je dis que rien ne m'epouvante (Carmen) - Massenet: Pleurez! pleurez, mes yeux! (Le Cid) - Il est doux, il est bon (Herodiade) - Obeissons quand leur voix appelle (Manon) - Offenbach: Elle a fui, la tourterelle (Les Contes D'Hoffmann) - Mozart: Come scoglio (Così fan tutte) - Non mi dir (Don Giovanni) - Deh vieni, non tardar (Le Nozze di Figaro) - Porgi, amor, qualche ristoro (Le Nozze di Figaro) - Ach, ich fühl's (Die Zauberflöte) - Tchaikovsky: Tatiana's Letter Scene (Eugene Onegin) - Gounod: The King of Thule and the Jewel Song (Faust) - Beethoven: Abscheulicher! wo eilst du hin? (Fidelio) - J. Strauss: Klange der Heimat (Die Fledermaus) - Mein Herr Marquis (Adele's Laughing Song) (Die Fledermaus) - Wagner: Traft ihr das Schiff? (Der Fliegender Hollander) - Einsam in truben Tagen (Lohengrin) - Euch Luften (Lohengrin) - Dich, theure Halle (Tannhäuser) - Allmacht'ge Jungfrau (Tannhäuser) - Mild und leise (Tristan und Isolde) - Der Manner Sippe (Die Walkure) - C.M. von Weber: Und ob die Wolke (Der Freischütz) - Wie nahte mir der Schlummer (Der Freischütz) - Ozean! du Ungeheuer (Oberon) - Meyerbeer: Parmi les pleurs (Les Huguenots) - Leoncavallo: Stridono lassu (Pagliacci) - Monsigny: Il regardait mon bouquet (Le Roi et le Fermier).
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Isoldes Liebestod (WAGNER RICHARD)
Piano solo
Schott
Transcription For Piano By Vestard Shimkus. Par WAGNER RICHARD. When Franz Liszt...
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Transcription For Piano By Vestard Shimkus. Par WAGNER RICHARD. When Franz Liszt arranged Isoldens Liebestod for piano solo, he adhered closely to Wagner's orchestral setting. The Latvian pianist and composer Vestard Shimkus, however, approaches Wagner from a modern perspective and breaks through Wagner's melody and harmony with contemporary challenging sound cascades. / Date parution : 2014-11-20/ Répertoire / Piano
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Richard Wagner Franz Liszt: Overture to Tannhäuser: Piano: Instrumental Work
Piano solo
G. Henle
Concert Paraphrase for Piano-Looking back in 1876 Liszt admitted candidly to th...
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Concert Paraphrase for Piano-Looking back in 1876 Liszt admitted candidly to the publisher Breitkopf & Härtel that his ?Wagner transcriptions? had ?only served as modest propaganda for Wagner?s noble genius using the meagre possibilities of the piano?. Infact in around 1850 Wagner?s operas Der fliegende Holländer Tannhäuser and Lohengrin which would later be so successful were only being performed at the Weimar Court Theatre under Liszt?s baton. Liszt was inspired tocompose his Tannhäuser Paraphrase by performances in Weimar of the overture in 1848 and of the whole opera in February 1849. Liszt?s piano arrangement of the overture is a technically brilliant piece of the highest order. It is afurther milestone in Henle Publishers? series of Liszt?s Wagner arrangements.
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Play Romantic Germany (SCOTT DANIEL)
Piano solo
[Sheet music]
Faber Music Limited
Arrangement: Scott Daniel. Par SCOTT DANIEL. Allemagne - une terre de rivières ...
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Arrangement: Scott Daniel. Par SCOTT DANIEL. Allemagne - une terre de rivières et de montagnes, de folklore et de fantasy. Une terre où magnifiques Châteaux montent la garde sur le Rhin, les créatures de contes de fées pourraient encore se cachent dans les cavernes et les forêts - et où l'esprit du romantisme est né. Par-dessus tout, une terre de musique - les paysages bucoliques réconfortants de Bach à grands compositeurs romantiques : lyrisme chaleureux de Mendelssohn, le monde crépusculaire eerie de Weber Magic Huntsman, qui vend son unique au diable, majestueux évocation de Schumann du paysage rhénanes contraste avec son charme vignette des paysans, des soldats et des horseman fantomatique, les mélodies passionnés de la liste. Et le plus romantique de tous - Richard Wagner, dont vaste univers musical englobe les récits de chevalerie médiévale, géants, dieux, héros, nains, potions magiques love et écuyère vol. Jouer de la musique et Imaginez-vous sur les rives du Rhin mousseux, sur une terre de magie et de mystère./ Recueil / Piano
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Liszt, Franz / Wagner, Richard : Isoldens Liebestod from Tristan und Isolde (Richard Wagner)
Piano solo
[Sheet music]
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Advanced
G. Henle
Liszt, l?un des plus grands pianistes virtuoses de son temps, transcrivit un nom...
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Liszt, l?un des plus grands pianistes virtuoses de son temps, transcrivit un nombre impressionnant d?oeuvres d?autres compositeurs pour son instrument de prédilection ? oeuvre clé du XIXe siècle, le Tristan et Isolde de Wagner en fit tout naturellement partie.
C?est de sa géniale transcription pour piano de la célèbre scène finale («Mild und leise, wie er lächelt») que provient par ailleurs le titre communément employé aujourd?hui de «Mort d?Isolde» ? Wagner parlait encore de «transfiguration» d?Isolde.
Nous présentons ce morceau raffiné, mais pas d??une difficulté insurmontable, dans une édition Urtext de la meilleure qualité, incluant les doigtés originaux du maître du clavier. Le texte chanté de cette scène finale du drame est par ailleurs reproduit en annexe à notre édition. / [Isoldens Liebestod / Extrait de Tristan et Isolde (Richard Wagner)] / Classique / Partition / Agrafé /
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