Samuel Cohen (1870 - 1940)
Moldavie
Cohen was born in 1870, in a small town near Ungheni, Moldavia, then part of the Russian Empire. Motivated by a rising tide of Russian state-sponsored antisemitism and terrorism (pogroms), Cohen emigrated to Ottoman Palestine in 1887. He idealistically settled in Rishon LeZion ('First to Zion') as part of the Hovevei Zion ('Lovers of Zion') movement. Rishon LeZion was established, 1882, as a Jewish agricultural cooperative on baren, empty land. The land was purchased from two brothers, Musa and Mustafa el Dagani.
Cohen married Minya Papiermeister in Rishon LeZion where he made his living as a vintner. Cohen was an accomplished local violinist. He was given the nickname “Stempenu”, after the famous fictional klezmer violinist created by Jewish humorist, and folklorist, Shalom Aleichem in his book of the same name. 1938, when Cohen wrote his biography, he titled it Stempenu.
Cohen was one of the founders of the first Keren Kayemet in Rishon LeZion in 1889. It predated the later national Keren Kayemet Le Yisrael, (Jewish National Fund for Israel).
Cohen returned to Moldavia where he established a girl’s school in the early years of the 20th century. The school was not successful. He returned to Rishon LeZion, reestablishing himself as a vintner and settling permanently to raise his only child, Ida. Cohen was active in early Jewish settlement efforts in Palestine. He helped found the city of Rehovot. The effort was unique in that it did not involve financial support from Baron Edmond James de Rothschild. Philosophically, he joined with others working for the Redemption of the Ancient Land of Israel. Naftali Herz Imber's poem 'Tikvatenu' (Our Hope), published in 1886, stirred Jews everywhere, especially those who lived under antisemitic oppression. Cohen's brother had emigrated to Ottoman Palestine, settling in Yesud HaMa'ala the first modern Jewish community and Moshav in the Hula Valley, about 1883. He sent a copy of Imber's poem to Cohen in Moldavia. Cohen too was inspired. The poem contributed to his decision to leave Moldavia for Palestine. Cohen settled in Rishon LeZion.
For a short period, Imber lived in Rishon LeZion. He recited his poem to eager ears. Cohen observing the emotional response of the local Jewish farmers to Imber's poem, used his musical skill to put the poem to music. Cohen's musical composition was an adaptation of a Moldavian/Romanian folk-song, 'Carcul cu Boi' (the Cart with Oxen). The catalyst of Cohen's musical adaptation facilitated the quick, enthusiastic spread of Imber's poem throughout all the Zionist communities of Palestine. Within a short few years, it spread globally to pro-Zionist communities and organizations becoming the unofficial Zionist National Anthem. It was not until 1933, at the 18th Zionist Congress in Prague, did the Imber/Cohen Zionist National Anthem become formally adopted and renamed the Hatikvah (The Hope).
The Hatikvah widely permeated Jewish popular culture promoted by famous singers such as American Al Jolson.[4]
In the succeeding years of the Holocaust, (1933-1945) the Hatikvah resonated throughout the Jewish world. To the astonishment of Nazis in the Death Camps, the Hatikvah was sung even outside the gas chambers.[5] The most famous recording of the Hatikvah was preserved by British Military Forces of survivors of the Bergen Belsen Concentration Camp singing the Hatikvah.[6] The Holocaust survivors onboard the famed American Holocaust rescue ship the SS Exodus sang the Hatikvah as it pulled into the port of Haifa.[7] The British arrested The Holocaust survivors and returned them to Germany for reinternment.[8][9]
British Mandate for Palestine authorities banned the singing or musical broadcasting of the Hatikvah as it was considered provocative. Classical composer, Smetana's The Moldau, with its musical refrains reminiscent of Cohen's Hatikvah composition, was substituted for broadcast media by Zionist communities in Palestine. May 14, 1948, the Hatikvah was played at the conclusion of the Israeli Declaration of Independence ceremony. November 2004, the Imber/Cohen's Hatikvah was formally adopted through Israel's Flag, Coat-of-Arms, and National Anthem Law
Israeli children learn Naphtali Imber's poem in public school without an appreciation of Samuel Cohen’s contribution. Globally, the Hatikvah is universally recognized by Cohen’s music and not by Imber’s poem. (Hide extended text) ... (Read all)
Source : Wikipedia
MoldavieCohen was born in 1870, in a small town near Ungheni, Moldavia, then part of the Russian Empire. Motivated by a rising tide of Russian state-sponsored antisemitism and terrorism (pogroms), Cohen emigrated to Ottoman Palestine in 1887. He idealistically settled in Rishon LeZion ('First to Zion') as part of the Hovevei Zion ('Lovers of Zion') movement. Rishon LeZion was established, 1882, as a Jewish agricultural cooperative on baren, empty land. The land was purchased from two brothers, Musa and Mustafa el Dagani.
Cohen married Minya Papiermeister in Rishon LeZion where he made his living as a vintner. Cohen was an accomplished local violinist. He was given the nickname “Stempenu”, after the famous fictional klezmer violinist created by Jewish humorist, and folklorist, Shalom Aleichem in his book of the same name. 1938, when Cohen wrote his biography, he titled it Stempenu.
Cohen was one of the founders of the first Keren Kayemet in Rishon LeZion in 1889. It predated the later national Keren Kayemet Le Yisrael, (Jewish National Fund for Israel).
Cohen returned to Moldavia where he established a girl’s school in the early years of the 20th century. The school was not successful. He returned to Rishon LeZion, reestablishing himself as a vintner and settling permanently to raise his only child, Ida. Cohen was active in early Jewish settlement efforts in Palestine. He helped found the city of Rehovot. The effort was unique in that it did not involve financial support from Baron Edmond James de Rothschild. Philosophically, he joined with others working for the Redemption of the Ancient Land of Israel. Naftali Herz Imber's poem 'Tikvatenu' (Our Hope), published in 1886, stirred Jews everywhere, especially those who lived under antisemitic oppression. Cohen's brother had emigrated to Ottoman Palestine, settling in Yesud HaMa'ala the first modern Jewish community and Moshav in the Hula Valley, about 1883. He sent a copy of Imber's poem to Cohen in Moldavia. Cohen too was inspired. The poem contributed to his decision to leave Moldavia for Palestine. Cohen settled in Rishon LeZion.
For a short period, Imber lived in Rishon LeZion. He recited his poem to eager ears. Cohen observing the emotional response of the local Jewish farmers to Imber's poem, used his musical skill to put the poem to music. Cohen's musical composition was an adaptation of a Moldavian/Romanian folk-song, 'Carcul cu Boi' (the Cart with Oxen). The catalyst of Cohen's musical adaptation facilitated the quick, enthusiastic spread of Imber's poem throughout all the Zionist communities of Palestine. Within a short few years, it spread globally to pro-Zionist communities and organizations becoming the unofficial Zionist National Anthem. It was not until 1933, at the 18th Zionist Congress in Prague, did the Imber/Cohen Zionist National Anthem become formally adopted and renamed the Hatikvah (The Hope).
The Hatikvah widely permeated Jewish popular culture promoted by famous singers such as American Al Jolson.[4]
In the succeeding years of the Holocaust, (1933-1945) the Hatikvah resonated throughout the Jewish world. To the astonishment of Nazis in the Death Camps, the Hatikvah was sung even outside the gas chambers.[5] The most famous recording of the Hatikvah was preserved by British Military Forces of survivors of the Bergen Belsen Concentration Camp singing the Hatikvah.[6] The Holocaust survivors onboard the famed American Holocaust rescue ship the SS Exodus sang the Hatikvah as it pulled into the port of Haifa.[7] The British arrested The Holocaust survivors and returned them to Germany for reinternment.[8][9]
British Mandate for Palestine authorities banned the singing or musical broadcasting of the Hatikvah as it was considered provocative. Classical composer, Smetana's The Moldau, with its musical refrains reminiscent of Cohen's Hatikvah composition, was substituted for broadcast media by Zionist communities in Palestine. May 14, 1948, the Hatikvah was played at the conclusion of the Israeli Declaration of Independence ceremony. November 2004, the Imber/Cohen's Hatikvah was formally adopted through Israel's Flag, Coat-of-Arms, and National Anthem Law
Israeli children learn Naphtali Imber's poem in public school without an appreciation of Samuel Cohen’s contribution. Globally, the Hatikvah is universally recognized by Cohen’s music and not by Imber’s poem. (Hide extended text) ... (Read all)
Source : Wikipedia
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