Charles-Valentin Alkan (1813 - 1888) France aster them are few and far between. His attachment to his Jewish origins is displayed both in his life and his work. Like Chopin, Alkan wrote almost exclusively for the keyboard, although in Alkan's case this included the organ and the pédalier (a piano with a pedal board), of which he was a noted exponent. Some of his music requires a dazzling virtuosity, examples of his compositions calling for velocity, enormous leaps at speed, long stretches of fast repeated notes, and the maintenance of widely-spaced contrapuntal lines. Notable compositions include the Grande Sonate Les Quatre Ages (opus 33), depicting the Four Ages of Man, and the two sets of etudes in all the major and minor keys (opus 35 in the major and opus 39 in the minor). These surpass even the Transcendental Etudes of Liszt in scale and difficulty. The opus 39 collection contains the Symphony for Solo Piano (numbers four, five, six and seven), and the Concerto for Solo Piano (numbers eight, nine and ten). The concerto alone takes nearly an hour to play, and presents a great challenge to the performer. Number twelve of Op. 39 is a set of variations Le festin d'Esope ('Aesop's Feast'). He also composed other programmatic pieces, such as Le chemin de fer (1844) which may be the earliest composition giving a musical picture of a railroad. His chamber music compositions include a violin sonata, a cello sonata, and a piano trio. One of his most bizarre pieces is the Marche funebre sulla morte d'un papagallo (Funeral march for a parrot), for three oboes, bassoon and voices.(Hide extended text) ... (Read all) Source : Wikipedia
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