Émile Sauret (22 May 1852 – 12 February 1920) was a French violinist and composer. Sauret wrote over 100 violin pieces, including a famous cadenza for the first movement of Niccolò Paganini's First Violin Concerto, and the "Gradus ad Parnassum" (1894).
Sauret played in the most famous concert halls of his time. He made his American debut in 1872. Franz Liszt performed sonatas with him.[2] In 1873, Sauret married Teresa Carreño, a Venezuelan pianist and composer, by whom he had a daughter, Emilita. The marriage did not last; in 1879 he remarried.
He held posts at a variety of institutions, including the Neue Akademie der Tonkunst in Berlin - where he wrote the Twelve Études Artistiques for his 'beloved students' -, together with Moritz Moszkowski and the Scharwenka brothers, Xaver and Phillipp, and the Royal Academy of Music in London, where he was appointed a professor of violin of 1890, the Musical College in Chicago in 1903, and the Trinity College in London,[1] an appointment he took up in 1908. His pupils included Tor Aulin, Jan Hambourg, William Henry Reed, Marjorie Hayward, Florizel von Reuter, and John Waterhouse. He died in London in 1920, aged 67.
Because of the excessive difficulties of his violin compositions, Émile Sauret is remembered today for little more than the cadenza for Niccolò Paganini's Violin Concerto No. 1 in D major.
Émile Sauret played its perfomances in a Violin of Guarnerius del Gesu (1744), named „Sauret“ . In 1986 it was bought by Itzhak Perlman. (Hide extended text)...(Read all) Source : Wikipedia