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Jean-Philippe Rameau
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Juliano, Molteni
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Jean-Philippe Rameau
(1683 - 1764)
France
Jean-Philippe Rameau (September 25, 1683 - September 12, 1764) was one of the most important French composers and music theorists of the Baroque era. He replaced Jean-Baptiste Lully as the dominant composer of French opera, and was attacked by those
who preferred Lully's style. Rameau's father was the organist at the cathedral of Dijon, and had his son practicing harpsichord at the earliest age possible. However, Rameau began his studies in the field of law before deciding that the study and composition of music was his true passion. He spent much of his youth in Italy and Paris, and for a time followed his father's footsteps as organist at Clermont Cathedral. Rameau was perhaps most well known for his theories regarding tonality through basses fondamentales or root notes, the idea that chords remain equivalent under inversion, described in Traité de l'harmonie (1722) and Nouveau système de musique théorique (1726). It wasn't until he reached his 40s that Rameau achieved prominence in the field of composition, but by the death of François Couperin in 1733 he was arguably the leading French composer of the time. From then on he devoted himself primarily to opera, starting with Hippolyte et Aricie (1733). He collaborated with Voltaire on a number of operas, in particular La Princesse de Navarre which earned him the King's title of 'Compositeur de la Musique de la Chambre'. At the end of his life Rameau also became a character in Denis Diderot's - then unpublished - dialogue Le neveu de Rameau (Rameau's Nephew). Even if he never composed a real symphony, he especially showed his skills in the operatic genre as an innovator of orchestral music and orchestration, influencing and anticipating the music of the Classical music era, Romantic music (Hector Berlioz), and even Stravinsky's neoclassicism in a short prelude in his last opera, Les Boréades (1763). Brahms uses the theme of one of Rameau's pieces, 'The Birds', as a subject for one of his chamber works.
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La Nuit (Easy Organ) - J. P. Rameau
Rameau, Jean-Philippe
Keyboard (piano, harpsichord or organ)
1 PDF / 1 MP3 / MIDI
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Intermediate
Adaptator :
Juliano, Molteni
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Added the 30 Oct 2021
Menuet en Rondeau, Rondino
(Pièces de Clavecin, RCT 4)
Rameau, Jean-Philippe
Piano solo
4 PDF / 1 MP3 / MIDI
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Beginner
Adaptator :
Heidtmann, Klaus
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Added the 16 May 2017
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Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) - D MAJOR VERSION
7.37 €
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Piano solo
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Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) Db MAJOR R*E*CORD VERSION
7.37 €
$7.99
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Piano solo
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Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) C# MAJOR VERSION
7.37 €
$7.99
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Piano solo
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PDF
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Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) C MAJOR VERSION
7.37 €
$7.99
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Piano solo
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PDF
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SheetMusicPlus
Rameau: Musette en Rondeau (for piano) as played by Víkingur Ólafsson
7.37 €
$7.99
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Piano solo
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J. P. RAMEAU - "LES SAUVAGES"
1.83 €
$1.99
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Piano solo
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SheetMusicPlus
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549 scores found for "Jean-Philippe Rameau"
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Methodes and Traites Jean-Philippe Rameau - Volume 1 - France 1600-1800
Music Theory
Anne Fuzeau Productions
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Methods & Treatises Jean-Philippe Rameau - 3 Volumes - France 1600-1800
[Score]
Anne Fuzeau Productions
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Rameau: Les Boréades: The Arts and the Hours for Piano (as played by VÃkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Piano solo
[Score]
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Intermediate
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Methods & Treatises Jean-Philippe Rameau - Volume 3 - France 1600-1800
[Score]
Anne Fuzeau Productions
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Methods & Treatises Jean-Philippe Rameau - Volume 2 - France 1600-1800
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Jean-Philippe Rameau : Nais
Soli and Orchestra
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Jean-Philippe Rameau : Operatic Arias for Soprano, Vol. 4
Soprano voice
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La Nuit (Easy Organ) - J. P. Rameau (principal)
- composer Rameau, Jean-Philippe
SHEET MUSIC
Menuet en Rondeau, Rondino (principal)
- composer Rameau, Jean-Philippe
SHEET MUSIC