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Jean-Philippe Rameau
(1683 - 1764)
France
Jean-Philippe Rameau (September 25, 1683 - September 12, 1764) was one of the most important French composers and music theorists of the Baroque era. He replaced Jean-Baptiste Lully as the dominant composer of French opera, and was attacked by those
who preferred Lully's style. Rameau's father was the organist at the cathedral of Dijon, and had his son practicing harpsichord at the earliest age possible. However, Rameau began his studies in the field of law before deciding that the study and composition of music was his true passion. He spent much of his youth in Italy and Paris, and for a time followed his father's footsteps as organist at Clermont Cathedral. Rameau was perhaps most well known for his theories regarding tonality through basses fondamentales or root notes, the idea that chords remain equivalent under inversion, described in Traité de l'harmonie (1722) and Nouveau système de musique théorique (1726). It wasn't until he reached his 40s that Rameau achieved prominence in the field of composition, but by the death of François Couperin in 1733 he was arguably the leading French composer of the time. From then on he devoted himself primarily to opera, starting with Hippolyte et Aricie (1733). He collaborated with Voltaire on a number of operas, in particular La Princesse de Navarre which earned him the King's title of 'Compositeur de la Musique de la Chambre'. At the end of his life Rameau also became a character in Denis Diderot's - then unpublished - dialogue Le neveu de Rameau (Rameau's Nephew). Even if he never composed a real symphony, he especially showed his skills in the operatic genre as an innovator of orchestral music and orchestration, influencing and anticipating the music of the Classical music era, Romantic music (Hector Berlioz), and even Stravinsky's neoclassicism in a short prelude in his last opera, Les Boréades (1763). Brahms uses the theme of one of Rameau's pieces, 'The Birds', as a subject for one of his chamber works.
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You've Selected:
jean-philippe-rameau
Orchestra
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Les Fêtes de Ramire
(1745)
Rameau, Jean-Philippe
Voice and Orchestra
1 PDF / MIDI
/
0
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0
Added the 12 Sep 2007
Hippolyte et Aricie
(version 1742)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
2 PDF / MIDI
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Difficult
Adaptator :
Sceaux, Nicolas
1
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4
Added the 13 Mar 2008
Platée
(Comédie lyrique en trois actes et un prologue)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
3 PDF
/
0
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0
Added the 11 May 2014
Les Sauvages (The Wild People), from "Les Indes galantes"
(Version for Piano solo, after the original for Baroque Orchestra)
Rameau, Jean-Philippe
Piano solo
1 PDF / 1 MP3
/
Easy
Adaptator :
Zencovich, Antonio
3
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0
Added the 29 Mar 2016
Acante et Céphise
(RCT 29 (3 acts))
Rameau, Jean-Philippe
Voice and Orchestra
1 PDF
/
0
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0
Added the 19 Jun 2016
Anacréon
(RCT 30)
Rameau, Jean-Philippe
Voice and Orchestra
1 PDF
/
0
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0
Added the 19 Jun 2016
Les Boréades
(RCT 31)
Rameau, Jean-Philippe
Voice and Orchestra
1 PDF
/
0
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0
Added the 19 Jun 2016
Castor et Pollux
(RCT 32)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
13 PDF
/
1
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0
Added the 19 Jun 2016
Daphnis et Eglé
(RCT 34)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
5 PDF
/
Adaptator :
Sceaux, Nicolas
0
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0
Added the 19 Jun 2016
Dardanus
(RCT 35)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
16 PDF
/
0
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0
Added the 19 Jun 2016
Rigaudon
(RCT 35)
Rameau, Jean-Philippe
Orchestra
1 PDF
/
Adaptator :
Gevaert, François-Auguste
0
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0
Added the 19 Jun 2016
Deus noster refugium
(RCT 13)
Rameau, Jean-Philippe
Choir and Orchestra
3 PDF
/
0
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0
Added the 19 Jun 2016
Les Fêtes d'Hébé (Les Talents Lyriques)
(RCT 41)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
1 PDF
/
0
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0
Added the 19 Jun 2016
Les Fêtes de l'Hymen et de l'Amour
(RCT 38)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
6 PDF
/
Adaptator :
Grünwald, Adolf
0
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0
Added the 19 Jun 2016
Hippolyte et Aricie
(RCT 43 - version 1757)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
10 PDF
/
Adaptator :
Sceaux, Nicolas
0
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0
Added the 20 Jun 2016
Les Indes galantes
(RCT 44)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
6 PDF
/
0
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0
Added the 20 Jun 2016
La Naissance d'Osiris
(RCT 48)
Rameau, Jean-Philippe
Voice and Orchestra
1 PDF
/
0
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0
Added the 20 Jun 2016
Nélée et Myrthis
(RCT 50)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
2 PDF
/
0
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0
Added the 20 Jun 2016
New Suites of Harpsichord Pieces
(RCT 5-6)
Rameau, Jean-Philippe
Orchestra
10 PDF
/
Adaptator :
Mottl, Felix
0
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0
Added the 20 Jun 2016
La Princesse de Navarre
(RCT 44)
Rameau, Jean-Philippe
Soli, Chorus and Orchestra
5 PDF
/
0
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0
Added the 20 Jun 2016
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Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) - D MAJOR VERSION
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Piano solo
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Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) Db MAJOR R*E*CORD VERSION
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Piano solo
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PDF
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Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) C# MAJOR VERSION
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Piano solo
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PDF
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Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by VÃkingur Ólafsson) C MAJOR VERSION
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Piano solo
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PDF
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Rameau: Musette en Rondeau (for piano) as played by Víkingur Ólafsson
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Piano solo
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PDF
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J. P. RAMEAU - "LES SAUVAGES"
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Piano solo
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545 scores found for "Jean-Philippe Rameau"
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Methodes and Traites Jean-Philippe Rameau - Volume 1 - France 1600-1800
Music Theory
Anne Fuzeau Productions
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Methods & Treatises Jean-Philippe Rameau - 3 Volumes - France 1600-1800
[Score]
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Rameau: Les Boréades: The Arts and the Hours for Piano (as played by VÃkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Piano solo
[Score]
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Intermediate
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Methods & Treatises Jean-Philippe Rameau - Volume 3 - France 1600-1800
[Score]
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Methods & Treatises Jean-Philippe Rameau - Volume 2 - France 1600-1800
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Jean-Philippe Rameau : Nais
Soli and Orchestra
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Jean-Philippe Rameau : Operatic Arias for Soprano, Vol. 4
Soprano voice
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Les Sauvages, d'après "Les Indes galantes" (principal)
- composer Rameau, Jean-Philippe
SHEET MUSIC
France
jean-philippe-rameau
