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CRITERIA :
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La
Instrumentation
‹ Piano solo
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Early 20th century
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Contemporary
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Composer
Jean Pierre Prudent
Arrangers
Prudent, Jean Pierre
2
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Jean Pierre Prudent
PIANO SOLO
- La
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jpp-osirys
La
Piano solo
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small piano pieces
Prudent, Jean Pierre
Piano solo
1 PDF / 14 MP3
/
Intermediate
Adaptator :
Prudent, Jean Pierre
2
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Added the 31 Aug 2014
disorder in the transfigured natures
(musique quantique des sphères)
Prudent, Jean Pierre
Piano solo
2 PDF
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Intermediate to difficult
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Added the 25 May 2018
Simple geométries
Prudent, Jean Pierre
Piano solo
1 PDF
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Intermediate
Adaptator :
Prudent, Jean Pierre
1
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Added the 07 Sep 2014
Informations of Jean Pierre Prudent
Directions to play my music
Written on
2023-09-16
by jpp-osirys
Note regarding the interpretation of all of my compositions:
All of the following is indicative and may be adapted.
• The nuances, as long as we don't go from a written pianissimo to a played forte.
• The tempos as long as we do not go from a quarter note written at 60 to a quarter note played at 120.
• piano pedals
• organ registration
• instrumentation which can be modified according to the principles of variable geometry (see the description of my writing style)
The pieces can be interpreted quite freely as long as the spirit is not altered. To get an idea, you can listen to my own interpretations here or on Bandcamp.
Finally, all partitions can, if necessary, be reformatted on request (write me).
JPP-Osirys's scores
Written on
2018-06-12
by jpp-osirys
All scores presented here do not show the same interest when interpreted.
Some are written for a solo instrument or small orchestras and played in a "conventional" approach, others are more variable and freely adaptable in orchestration or include partially improvised parts.
To understand how to interpret this music you can refer to the elements of style that are clearly outlined at the start of "simples geometries" for piano.
Some pieces are to be played with rigor, others need the player to be imaginative and "interpret" freely but by keeping the spirit of the writing which is then understood as a guide rather than as a rigorous plane.
Moreover, some of the musics presented here were recorded by Osirys, the collective in which JPP plays his music, and are available on most download or streaming platforms. You can, if you want, inspire you with these versions for your own interpretation ....
écouter sur Bandcamp - Listen on Bandcamp
My music is raw art !
Written on
2018-06-11
by jpp-osirys
I don't know if I can call myself a musician, I've made music all my life like others build a palace without ever having met an architect or having learned how to do it.
My goal is to make my music live, not necessarily that I live from it. I sincerely think that being professional wouldn't have changed a note of what I wrote. For someone who wants to be a composer or creator first and foremost, being professional or not doesn't change anything. Raw Art, because that's a bit of what I'm talking about, is only practiced within an individual way of life where social status and profession do not intervene.
hence, for me, the importance of putting music, and music alone, at the center of the system.
So yes, you can call me "AMATEUR". And this term quickly evokes the good Sunday artist for the school festival. But it is also a very great strength, because the work is then free of any constraint. I can do what I want, when I want, how I want, if I want. So no pressure, total freedom of artistic choices. The future must be in raw art, not in business. The Result can then present rough edges, because it does not come out of any sanitized and standardized mold and does not seek the consent of any peer. Art brut is not necessarily as it should be, it is as I perceive it, just to humanize a universe that is otherwise devoid of meaning.
(and creation outside of this freedom is furniture, just a pretty decor. When you think about it well: artist/creator should never be thought of as a profession. For me, the painters of Lascaux did not paint by professionalism, because it was their job, even less to become rich or famous, but rather because they had the feeling of participating intimately in the magic of the world through shamanic trances. There are very good craftsmen who can even be better technicians than some artists. But here is an example that clearly marks the boundary between the two. On a chair made by a craftsman, which may be very beautiful, you will ultimately have to be able to sit down. On the artist's chair whether we can sit down or not: who cares. The bulls of Lascaux were not edible...).
Why do I speak like this to characterize my music or my texts?
Without any pretension, and especially without me finally thinking of being "above the fray". I don't take myself for a genius out of the world, far from it...
My work is only the result of an individual life, and nothing else.
I see my creations only for themselves, because I have to bring them to life and I like that.
In fact: creating is my own shamanic trance.
And of all his "principles" I am absolutely not an ayatollah. These ideas are simply the translation of a personal approach. There are many ways to create works that will have nothing in common with my music, and that's good! But for me, that's how it works.
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Morcelets à piano (principal)
- composer Prudent, Jean Pierre
SHEET MUSIC