He had a long and fruitful collaboration with the Spiritual Concert which took over management from 1773 to 1777 with François-Joseph Gossec and Simon Leduc. During this period, he brought the symphony concert at its peak. Giovanni Battista Viotti - badge recognition - saw in him the French Tartini.
He published his sonatas, following the ancient tradition, only with the lower figures, and these compositions represent the stylistic transition from late baroque music to classical.
In the years following the Revolution, from 1795, he was in the company of Pierre Rode and Pierre Baillot Rodolphe Kreutzer a faculty violin conservatory newly created. (Hide extended text)...(Read all)