Free-scores.com : Bach, Johann Sebastian - Arioso: "Betrachte meine Seel" for Guitar & Strings (Guitare, Violon, Alto, Violoncelle)

CRITÈRES : Passion selon Saint-Jean, BWV 245 No. 19 (29) (Bach, Johann Sebastian)

Arioso: "Betrachte meine Seel" for Guitar & Strings
BWV 245 No. 19
Johann Sebastian Bach
Guitare, Violon, Alto, Violoncelle

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VoirPDF : Arioso: "Betrachte meine Seel" (BWV 245 No 19) for Guitar & Strings (6 pages - 137.85 Ko)84x⬇

VoirPDF : Violoncelle (56.68 Ko)

VoirPDF : Guitar (64.03 Ko)

VoirPDF : Alto (58.24 Ko)

VoirPDF : Violon (58.76 Ko)

VoirPDF : Conducteur complet (97.03 Ko)

MP3 : Arioso: "Betrachte meine Seel" (BWV 245 No 19) for Guitar & Strings 16x⬇ 149x

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Compositeur	Bach, Johann Sebastian (1685 - 1750)
Instrumentation	Guitare, Violon, Alto, Violoncelle
Partition centrale	Passion selon Saint-Jean (29 partitions)
Genre	Baroque
Arrangeur Editeur	MAGATAGAN, MICHAEL (1960 - )
Droit d'auteur	Public Domain
	Ajoutée par magataganm, 18 Janv 2023
The Passio secundum Johannem or St John Passion (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of two surviving Passions by Bach. It was written during Bach's first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably Brockes...(+) The Passio secundum Johannem or St John Passion (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of two surviving Passions by Bach. It was written during Bach's first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably Brockes') and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the St Matthew Passion, the St John Passion has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard today in the 1724 version although Bach revised it in 1725, 1732, and 1749, adding several numbers. "O Mensch, bewein dein Sünde groß", a 1725 replacement for the opening chorus, found a new home in the 1736 St Matthew Passion but several arias from the revisions are found only in the appendices to modern editions. The St John Passion is written for an intimate ensemble of soloists, four-part choir, strings and basso continuo and pairs of flauti traversi and oboes, the latter both doubling on oboe da caccia. For special colours Bach also used lute, viola d'amore and viola da gamba, instruments that were already old-fashioned at the time. In present day performances the part of Jesus is given to one bass soloist, Pilate and the bass arias to another. Some tenors sing the Evangelist – a very demanding part – and the arias. The smaller parts (Peter, Maid, Servant) are sometimes performed by choir members. Source: Wikipedia (https://en.wikipedia.org/wiki/St_John_Passion). I created this arrangement of the first Arioso: "Betrachte, meine Seel, mit ängstlichem Vergnügen" (Contemplate, my soul, with anxious pleasure) for Classical Guitar & Strings (Violin, Viola & Cello).

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Par jenne-van-antwerpen , 19 Janv 2023 à 18:21

Bach, Johann Sebastian: Arioso: "Betrachte meine Seel" for Guitar & Strings Please come back in five minutes, the file is currently under update process.

Par jenne-van-antwerpen , 19 Janv 2023 à 18:21

idem!

Guitare, Violon, Alto, Violoncelle

Baroque