 | Bach, Johann Sebastian - Fughetta: "Dies sind die heil'gen zehn Gebot'" for Woodwind Quartet BWV 679 Quatuor à vent: Flûte, Hautbois, Clarinette, Basson |
VoirPDF : Fughetta: "Dies sind die heil'gen zehn Gebot'" (BWV 679) for Woodwind Quartet (8 pages - 171.51 Ko)40x⬇ VoirPDF : Basson (64.83 Ko) VoirPDF : Bb Clarinette (62.84 Ko) VoirPDF : Flûte (65.03 Ko) VoirPDF : Hautbois (62.3 Ko) VoirPDF : Conducteur complet (118.63 Ko) MP3 : Fughetta: "Dies sind die heil 10x⬇ 92x
Vidéo :
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Quatuor à vent: Flûte, Hautbois, Clarinette, Basson1 autre version | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 18 Janv 2023 The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his musically most complex and technically most demanding compositions for that instrument. In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such as Frescobaldi, Palestrina, Lotti and Caldara. At the same time, Bach was forward-looking, incorporating and distilling modern baroque musical forms, such as the French-style chorale. The work has the form of an Organ Mass: between its opening and closing movements—the prelude and "St Anne" fugue in E-flat, BWV 552—are 21 chorale preludes, BWV 669–689, setting parts of the Lutheran mass and catechisms, followed by four duets, BWV 802–805. The chorale preludes range from compositions for single keyboard to a six-part fugal prelude with two parts in the pedal. The purpose of the collection was fourfold: an idealized organ programme, taking as its starting point the organ recitals given by Bach himself in Leipzig; a practical translation of Lutheran doctrine into musical terms for devotional use in the church or the home; a compendium of organ music in all possible styles and idioms, both ancient and modern, and properly internationalised; and as a didactic work presenting examples of all possible forms of contrapuntal composition, going far beyond previous treatises on musical theory. The lively gigue-like fughetta has several similarities to the larger chorale prelude: it is in the mixolydian mode of G; it starts with a pedal point of repeated Gs; the number ten occurs as the number of entries of the subject (four of them inverted); and the piece ends on a plagal cadence. The motifs in the second half of the second bar and the countersubject are extensively developed. The liveliness of the fughetta has been taken to reflect Luther's exhortation in the Small Catechism to do "cheerfully what He has commanded." Equally well, Psalm 119 speaks of "delighting ... in His statutes" and rejoicing in the Law. Source: Wikipedia (https://en.wikipedia.org/wiki/Clavier-%C3%9Cbung_III). Although originally created for Organ, I created this Interpretation of the Fughetta (BWV 679) "Dies sind die heil'gen zehn Gebot" (These are the holy Ten Commandments) for Woodwind Quartet (Flute, Oboe, Bb Clarinet & Bassoon). Partition centrale : | Chorale Préludes (53 partitions) | | |||
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Par jenne-van-antwerpen
, 19 Janv 2023 à 18:19
Only the video again ;) |
