 | Haendel, Georg Friedrich - "Al tardar della vendetta" from "Deidamia" for French Horn & Strings HWV 42 Act 1 No. 2 Cor, Quatuor à cordes |
VoirPDF : "Al tardar della vendetta" from "Deidamia" (HWV 42 Act 1 No. 2) for French Horn & Strings (20 pages - 412.95 Ko)13x⬇ VoirPDF : Violoncelle (92.48 Ko) VoirPDF : French Cor (94.46 Ko) VoirPDF : Alto (94.38 Ko) VoirPDF : Violon 1 (105.21 Ko) VoirPDF : Violon 2 (106.28 Ko) VoirPDF : Conducteur complet (232.66 Ko) MP3 : "Al tardar della vendetta" from "Deidamia" (HWV 42 Act 1 No. 2) for French Horn & Strings 2x⬇ 28x
Al tardar della vendetta from Deidamia for French Horn & Strings
MP3 (4.56 Mo) : (par MAGATAGAN, MICHAEL)4x⬇ 3x
Vidéo :
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| Compositeur : | Haendel, Georg Friedrich (1685 - 1759) | ||||
| Instrumentation : | Cor, Quatuor à cordes | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 20 Aoû 2023 George Frideric (or Frederick) Handel (1685 – 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. After spending some of his early career composing operas and other pieces in Italy, he settled in London, where in 1711 he had brought Italian opera for the first time with his opera Rinaldo. A tremendous success, Rinaldo created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed music director of an organisation called the Royal Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to produce Italian operas in London. Handel was not only to compose operas for the company but hire the star singers, supervise the orchestra and musicians, and adapt operas from Italy for London performance. Deidamia (HWV 42) is an opera in three acts composed by George Frideric Handel to an Italian libretto by Paolo Antonio Rolli. It premiered on 10 January 1741 at Lincoln's Inn Fields Theatre, London. A ballad opera on the same story by John Gay had been performed in London in 1733, under the title Achilles. Handel's opera, a co-production with the Earl of Holderness, was first performed on 10 January 1741 at London's Lincoln's Inn Fields Theatre, but received only two more performances at a time when the public was becoming tired of Italian opera. The work was Handel's last Italian opera, and he subsequently turned his attention to composing oratorios. The opera was revived in the 1950s and it receives staged performances today, e.g. the 2012 staging by David Alden for Netherlands Opera. The opera is based upon the Greek mythological character Deidamia, the daughter of King Lycomedes of Skyros, who bore a child by Achilles, as told in the stories of Achilles on Skyros. The oracle predicted that Achilles would die if he fought in the Trojan War. In an attempt to forestall this fate, his father Peleus has disguised him as a girl and sent him to live in the palace of his friend Lycomedes, on the island of Skyros, where he is brought up amongst Lycomedes' daughters and becomes the lover of the eldest, Deidamia. As the Greeks prepare for their war against Troy, the priest Calchas reveals that the city cannot be taken without Achilles' help. Ambassadors are sent to Skyros to retrieve him. Source: Wikipedia (https://en.wikipedia.org/wiki/Deidamia_(opera)). Although originally scored for Violini, Viola, Bass & Bassi, I created this Interpretation of the Aria "Al tardar della vendetta o la scorda" from "Deidamia" (HWV 42 Act 1 No. 2) for French Horn & Strings (2 Violins, Viola & Cello). Partition centrale : | Deidamia (7 partitions) | | |||
