 | Haendel, Georg Friedrich - "Se potessero i sospir' miei" from "Imeneo" for Oboe & Strings HWV 41 Act 1 No. 2 Hautbois, Quatuor à cordes |
VoirPDF : "Se potessero i sospir' miei" from "Imeneo" (HWV 41 Act 1 No. 2) for Oboe & Strings (13 pages - 344.6 Ko)23x⬇ VoirPDF : Violoncelle (82.75 Ko) VoirPDF : Hautbois (92.2 Ko) VoirPDF : Alto (96.11 Ko) VoirPDF : Violon 1 (92.96 Ko) VoirPDF : Violon 2 (92.36 Ko) VoirPDF : Conducteur complet (204.26 Ko) MP3 : "Se potessero i sospir' miei" from "Imeneo" (HWV 41 Act 1 No. 2) for Oboe & Strings 6x⬇ 26x
Se potessero i sospir miei from Imeneo for Oboe & Strings
MP3 (5.59 Mo) : (par MAGATAGAN, MICHAEL)6x⬇ 5x
Vidéo :
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| Compositeur : | Haendel, Georg Friedrich (1685 - 1759) | ||||
| Instrumentation : | Hautbois, Quatuor à cordes | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 18 Aoû 2023 George Frideric (or Frederick) Handel (1685 – 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. After spending some of his early career composing operas and other pieces in Italy, he settled in London, where in 1711 he had brought Italian opera for the first time with his opera Rinaldo. A tremendous success, Rinaldo created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. In 1719, Handel was appointed music director of an organisation called the Royal Academy of Music (unconnected with the present day London conservatoire), a company under royal charter to produce Italian operas in London. Handel was not only to compose operas for the company but hire the star singers, supervise the orchestra and musicians, and adapt operas from Italy for London performance. Imeneo (alternative title: Hymen, HWV 41) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted from Silvio Stampiglia's Imeneo. Handel had begun composition in September 1738, but did not complete the score until 1740. The opera received its first performance at the Lincoln's Inn Fields in London on 22 November 1740, and received another performance on 13 December. Handel then revised the score, and this revised version received concert performances in Dublin, on 24 and 31 March 1742. Charles Jennens, who created the libretti for both Saul and Messiah, described Imeneo as "the worst of all Handel’s Compositions", but added "yet half the Songs are good". The first modern production was at the Halle Opera House on 13 March 1960, conducted by Horst-Tanu Margraf. The work was soon after performed in Birmingham in 1961, under the direction of Anthony Lewis. Lewis also led the first London revival of the opera since Handel's time, in 1972 at the Royal Academy of Music. Lewis has prepared a performing edition of the opera. The setting is "A Pleasant Garden" in Athens. The opera opens with Tirinto's lamentation of his lost love, Rosmene, a virgin of goddess Ceres, to barbaric pirates. Her confidant Clomiri, has also been abducted. Together he grieves with Clomiri's father, Argenio. But they learn that a brave, strong man named Imeneo has killed all of the pirates as they slept. Everyone rejoices, and Imeneo, along with the rest of the country and Rosmene's parents, expects Rosmene to marry him, though her true feelings are for Tirinto. Thus Rosmene is caught in a painfully awkward love triangle. Additionally, Clomiri has amorous feelings for Imeneo. Clomiri helps Imeneo realize that Rosmene is hesitant because of her relationship with Tirinto, and that she is putting his contentment before hers. When Imeneo, who insists that Rosmene is ungrateful, and Tirinto, who calls her unfaithful, tell her to decide who she will marry, she feigns a nervous breakdown in front of the characters. Tirinto maintains that she is out of her mind, but in the aria "Io son quella navicella" Rosmene compares herself to a storm-tossed ship coming to shore. Eventually, she marries Imeneo. She learns that true love is not as important as honor and duty. Rosmene asks Tirinto to be happy for her. Her decision leaves Clomiri and Tirinto in tears. The chorus at the end of the opera restates that one must not bow down to one's desire, but to reason; one must not follow true feelings and fidelity, but gratitude and honor. Source: Wikipedia (https://en.wikipedia.org/wiki/Imeneo). Although originally scored for Violini, Viola, Mezzo Soprano & Bassi, I created this Interpretation of the Aria "Se potessero i sospir' miei" from "Imeneo" (HWV 41 Act 1 No. 2) for Oboe & Strings (2 Violins, Viola & Cello). Partition centrale : | Imeneo (2 partitions) | | |||
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