 | Lotti, Antonio - Kyrie Eleison from the Mass in C Major for Winds & Strings Vents & Orchestre Cordes |
VoirPDF : Kyrie Eleison from the Mass in C Major for Winds & Strings (15 pages - 333.02 Ko)68x⬇ VoirPDF : Violon 2 (60.05 Ko) VoirPDF : Violon 1 (59.21 Ko) VoirPDF : Alto (59.93 Ko) VoirPDF : Violoncelle (56.49 Ko) VoirPDF : Basson (56.63 Ko) VoirPDF : Hautbois (59.8 Ko) VoirPDF : French Cor (58.07 Ko) VoirPDF : Flûte (57.66 Ko) VoirPDF : English Cor (60.55 Ko) VoirPDF : Conducteur complet (250.15 Ko) MP3 : Kyrie Eleison from the Mass in C Major for Winds & Strings 5x⬇ 114x
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| Compositeur : | Lotti, Antonio (1667 - 1740) | ||
| Instrumentation : | Vents & Orchestre Cordes | ||
| Genre : | Baroque | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 22 Janv 2021 Antonio Lotti (1667 – 1740) was an Italian composer of the Baroque era. Lotti was born in Venice, although his father Matteo was Kapellmeister at Hanover at the time. Oral tradition says that in 1682, Lotti began studying with Lodovico Fuga and Giovanni Legrenzi, both of whom were employed at St Mark's Basilica, Venice's principal church, although there is no documentary evidence. Lotti made his career at St Mark's, first as an alto singer (from 1689), then as assistant to the second organist, then as second organist (from 1692), then (from 1704) as first organist, and finally (from 1736) as maestro di cappella, a position he held until his death. Because of the paucity of solid scholarship until recent decades, older reference books cite a good deal of misinformation regarding Lotti’s biography. Cicogna’s 1834 Delle inscrizioni Veneziane and Francesco Caffi’s 1854 Storia della Musica relied on oral tradition more than a century old to name works that Lotti supposedly composed for the Ospedale degl’ Incurabili. Later studies built upon that assertion to name Lotti as one of the supposed maestri of the Incurabili. The 2001 New Grove Dictionary of Music and Musicians went a step further to try to extrapolate when Lotti’s period of employment at the Incurabili would supposedly have been, building on a house of cards. However, recent studies establish that there is no documentary evidence whatsoever of any such employment ever taking place. The most current and most comprehensive studies by Caroline Giron-Panel and Pier Gillio establish conclusively that Lotti was not formally employed by the Incurabili, and that there is no evidence of his having composed any music for that institution, even on informal terms. Lotti wrote in a variety of forms, producing masses, cantatas, madrigals, around thirty operas, and instrumental music. Some of his sacred choral works are unaccompanied (a cappella) but many of them are composed in the concertato style with strings, basso continuo, and occasionally oboes and trumpets. His more progressive works foreshadow the gallant style, considered a transition between the established Baroque and emerging Classical styles. Johann Sebastian Bach, George Frideric Handel, and Jan Dismas Zelenka all had copies of Lotti's Missa Sapientiae, a Kyrie–Gloria Mass (Kyrie in G minor, Gloria in G major).. Source: Wikipedia (https://en.wikipedia.org/wiki/Antonio_Lotti). Although this piece was originally created for Chorus (SATB), I created this Interpretation of the Kyrie Eleison from the Mass in C Major for Winds (Flute, Oboe, English Horn, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello). | |||
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