Niveau Intermédiaire: Grade 3-5

By Tomaso Giovanni Albinoni. Arranged by Rick England. By Tomaso Albinoni / arr. Rick England. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 3 (grade 3). Conductor Score & Parts. Published by Alfred Publishing.

By Tomaso Giovanni Albinoni. Arranged by Rick England. By Tomaso Albinoni / arr. Rick England. For String Orchestra. String Orchestra. Highland String Orchestra. Conductor Score. Published by Alfred Publishing.
Level: 3 (grade 3).

By Tomaso Albinoni. Arranged by Alexander Gluklikh. For Guitar. This edition: Classical Guitar TAB. Classical Guitar Solo. Classical Guitar Tab Editions. Masterwork. Sheet. 4 pages. Published by Alfred Publishing.

Descant recorder, strings and basso continuo (V3) - intermediate to advanced

SKU: HL.49027657

Composed by Tomaso Giovanni Albinoni. Edited by Bernard Thomas. This edition: Saddle stitching. Sheet music. Edition Schott. Score. 4 pages. Duration 4'. Schott Music #CON2-13. Published by Schott Music (HL.49027657).

ISBN 9790220100130.

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.

Treble recorder, strings and basso continuo (V1) - intermediate to advanced

SKU: HL.49027655

Composed by Tomaso Giovanni Albinoni. Edited by Bernard Thomas. This edition: Saddle stitching. Sheet music. Edition Schott. Score. 4 pages. Duration 10'. Schott Music #CON2-11. Published by Schott Music (HL.49027655).

ISBN 9790220100093.

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.

3 violins and basso continuo or string orchestra (V1/OB1) - intermediate

SKU: HL.49027054

Composed by Tomaso Giovanni Albinoni. Edited by Helmut W. May. This edition: Saddle stitching. Sheet music. Edition Schott. Score, harpsichord. 6 pages. Duration 3'. Schott Music #CON1-11. Published by Schott Music (HL.49027054).

ISBN 9790001023207.

With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The three violin parts form an extensive canon with entries of two bars distance. To this, a ground bass (basso ostinato) has been added repeating its two-bar tone formula 28 times. The technical mastery of the piece can be ad-mired just as much as its effect lies in the melodic and sensuous power of its string tones. The modest technical demands on the musicians are diametrically opposed to the compositional level: they do not go beyond the third position.

Descant recorder, strings and basso continuo (VA) - intermediate to advanced

SKU: HL.49027658

Composed by Tomaso Giovanni Albinoni. Edited by Bernard Thomas. This edition: Saddle stitching. Sheet music. Edition Schott. Score. 4 pages. Duration 7'. Schott Music #CON2-14. Published by Schott Music (HL.49027658).

ISBN 9790220100154.

With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera orchestras in the early 18th century. His easy concertos anticipating the elegant melody of the early classical period enjoy great popularity representing a rewarding task for music school orchestras and advanced recorder players.