PARTITIONS GRATUITES : FLUTE
- Drivin

Chamber Music Piano, Piccolo

SKU: PR.114419220

Composed by Amanda Harberg. Sws. Set of Score and Parts. 28+8 pages. Duration 12 minutes. Theodore Presser Company #114-41922. Published by Theodore Presser Company (PR.114419220).

ISBN 9781491130674. UPC: 680160676569. 9 x 12 inches.

Amanda Harberg’s formidable 12-minute SONATA is a major addition to the piccolo repertoire. Commissioned by Regina Helcher Yost with a consortium of the world’s leading piccoloists, Harberg’s unique gift for expressive melody, driving and playful rhythms, and jazz-inspired harmony results in an explosive and thrilling new work that explores the full range of the piccolo’s lyrical and virtuosic powers. Premiered at the 2018 NFA Convention by Ms. Helcher Yost with the composer at the piano, this work is ideal for advanced and professional performers.

Flute (Quartet) (Flute)

SKU: HL.14004038

Parts. Composed by Niels Viggo Bentzon. Music Sales America. 20th Century. Edition Wilhelm Hansen #WH29392A. Published by Edition Wilhelm Hansen (HL.14004038).

ISBN 9788759858844. 8.25x11.75x0.175 inches.

A driving piece suitable for Flute Quartet.

By William Beckstrand. For flute, organ. Lent, General. Medium. Published by MorningStar Music Publishers

Composed by Daniel Dorff. Premiered by Joan Sparks, flute, and Anne Sullivan, harp. Contemporary. Score and part(s). With Standard notation. Composed 2015. 44 pages. Duration 16 minutes. Theodore Presser Company #114-41769. Published by Theodore Presser Company (PR.114417690).

(For Flute, Violin, Cello and Piano). By Louise Talma (1906-1996). For Full Score and Parts, Flute, Violin, Cello, Piano. Published by Carl Fischer

Flute

SKU: HL.48025157

For Flute and Soundtrack. Composed by Michael van der Aa. Boosey and Hawkes Chamber Music. Classical. Softcover Audio Online. 16 pages. Duration 480 seconds. Bote and Bock #M202537312. Published by Bote and Bock (HL.48025157).

UPC: 196288099673. 9.0x12.0x0.128 inches.

'Rekindle' continues Michel van der Aa's series of solo pieces in which the composer explores the changing perspective between live sound and playback music and the dissolution of boundaries of these two 'identities'. A dialogue develops in 'Rekindle' which is controlled by ear or pre-notated signals during the performance and virtually rekindles the tonal material of the instrumentalist with the playback music and vice versa. Rhythmic pulsating in the playback music forms the basis of an increasingly virtuoso throwing back and forth of the tonal gestures; at its climax, the electronics gain the upper hand, driving the flute into a flurry of hectic outbreaks.