PARTITIONS GRATUITES : QUATUOR DE CUIVRES
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By Various. For Trumpet. Santorella Publications is the place to shop for quality instrumental arrangements. Our acute sensitivity to detail, range restrictions and physical limitations of the younger players as well as our incredibly talented composer's staff has contributed to the success of our titles. Breaking into an industry ruled by giants was a significant task and without your help, may have been impossible. But, we have you, the teacher, student, performer, hobbyist or novice, to be grateful to for assisting us in reaching this goal. It is now our turn to give back to a receptive audience that has been supportive since the beginning. Our gift to you is Santorella Singles, Volume 1, a remarkable collection of the six titles that provided our foundation; Pachelbel's Canon In D / Bach's Jesu, Joy of Man's Desiring / Scott Joplin's Entertainer Beethoven's Fur Elise / Ode to Joy / Moonlight Sonata / for Trumpet and Piano All six arrangements are beautifully packaged in an attractive "band type" folder and if sold separately, these arrangements are valued in excess of $47. We are now offering them all, in pure form, for just $29.95. This is our way of saying thank you for making everything possible. All arrangements are sold separately and although arranged specifically for trumpet and piano, they are certainly suitable for clarinet as well.

By Jean-Baptiste Arban. Arranged by Claude Egea. For Bb Trumpet, Cornet, Euphonium, Saxhorn or any Bb instrument. Instructional method, Play along, Classical, Educational, Jazz. Book and accompaniment CD. 32 pages. Published by FLEX Editions

Trumpet - intermediate

SKU: BT.DHP-1002332-401

Arranged by Robert van Beringen. Educational Tool. Book Only. Composed 2000. 44 pages. De Haske Publications #DHP 1002332-401. Published by De Haske Publications (BT.DHP-1002332-401).

ISBN 9789043112130. English-German-French-Dut ch.

This is a great value collection of 24 pop songs and traditional melodies arranged for unaccompanied solo. Every style of pop music is included with songs by Britney Spears (Sometimes and Born To Make You Happy), Queen (Crazy Little Thing Called Love), Lou Bega (Mambo No 5), Brian Adams (Everything I Do), Elvis (You’ll Never Walk Alone) and many more.

Inhoud: Mambo No. 5 • Sometimes • Vive l’amour • A Woman in Love • Love Is All • Crazy Little Thing Called Love • Conquest of Paradise • Fly Me to The Moon • Havah Nagilah • This Melody • I Don’t Need Her, I Need You • A WhiterShade of Pale • On Top of Old Smokey • Everything I Do, I Do It for You • Reach Out, I’ll Be There • Swing Low, Sweet Chariot • The Yellow Rose of Texas • Butterfly • Born to Make You Happy • You’ll Never Walk Alone • And the BandPlayed on • Waltzing Matilda • We Shall Overcome • When the Saints Come Marching In

Nach dem großen Erfolg von Top Hits Solo I> wird die Reihe hier mit noch mehr unvergesslichen Pophits fortgesetzt.

Jazz Play-Along Volume 85. By Various. Jazz Play Along. Play Along. Softcover with CD. 56 pages. Published by Hal Leonard.

By James Froseth. Band Method. Instructional Sacred. Text language: English. 32 pages

Know Before You Blow - Jazz Modes for Trumpet with CD composed by Chris Tedesco. For bb trumpet. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Chamber Music Trumpet

SKU: CF.W2686

For Trumpet in B-flat. Composed by Jean-Baptiste Arban. Edited by Thomas Hooten Jennifer Marotta. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2686. Published by Carl Fischer Music (CF.W2686).

ISBN 9781491150948. UPC: 680160908448. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trumpet in Bb, edited by Thomas Hooten and Jennifer Marotta, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) will end.There are things which appear clear enough when stated verbally but which when written downon paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech nor wordcan clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level of perfection,should above all things, always try to hear good music well interpreted. They must seek out,among singers and instrumentalists, the most illustrious models, and by doing this purifytheir taste, develop their sentiments, and bring themselves as near as possible to that which isbeautiful. Perhaps then the innate spark which may someday be destined to demonstrate theirown talent, will reveal itself and render them worthy of being, in their turn, cited and imitatedin the future.