PARTITIONS GRATUITES : ORGUE
- Future

Organ

SKU: HL.49046130

Benedicere Organ. Composed by Robert M. Helmschrott. Organ Large Works. Classical. Softcover. 40 pages. Duration 840 seconds. Schott Music #ED9997. Published by Schott Music (HL.49046130).

Taking as a basis the events at the funeral service for Pope John Paul I, the conclave, the inauguration of the new pope, and the visit of Benedict XVI at the Synagogue of Cologne, through Benedicere - Litanei, Helmschrott presents a piece of 'experienced music'. He translates his experiences into music - which is exemplified in the All Saints' Day litany that was heard again and againat the festivities in Rome, or the shofar which was played in Cologne. He sees his work as a symbol of what he has experienced and an invocation of the past, as an appeal for a better future.

Composed by Gabriel Jackson (1962-). For solo organ. 32 pages. Duration 8 minutes. Published by Oxford University Press

Organ

SKU: AY.FRD106

Composed by Paul J. Sifler. Keyboards - Organ. Fredonia Press #FRD106. Published by Fredonia Press (AY.FRD106).

ISBN 9790302117506.

Paul J. Sifler, born in Ljubljana, Slovenia, immigrated to the United States at the age of 11, and following his studies at the Chicago Conservatory as music, led a long and prolific career as a composer and organist. The Despair and Agony of Dachau has been performed at the National Cathedral in Washington D.C. and in Sifler's native Ljubljana, performances which were preceded by a reading of Psalm 22. Phrases from the Psalm beginning My God, my God, why has Thou forsaken me? are used to depict the tragedy of the concentration camp at Dachau. Among the traumas represented are the furnaces, described by a mighty roar, the scurrying of rats and barking of dogs. This work was composed to provide a history lesson for the future, and to offer the fervent prayer that mankind will never again be involved in such an atrocity.

Organ

SKU: SU.80101346

For Organ. Composed by Iteke Prins. Keyboard, Organ. Score. Zimbel Press #80101346. Published by Zimbel Press (SU.80101346).

This organ fantasy incorporates on of the composer's original hymn tunes along with the familiar tune ST. ANNE. Very suitable for a postlude on a festive occasion. Instrumentation: Organ. Composed: 2013 Published by: Zimbel Press.

Keyboard

SKU: GI.G-9600

Sacred. GIA Publications #9600. Published by GIA Publications (GI.G-9600).

In creating the African American ecumenical hymnal, One Lord, One Faith, One Baptism it was imperative to the core committee that the hymnal serve as a needed resource for the many denominations in the African American Church. It was the committee’s strong desire that this hymnal would represent and preserve the rich theological, cultural, and musical heritages of these traditions and offer a full breadth of music representing historical as well as vibrant contemporary worship, while looking toward the future. It was also of utmost importance that this hymnal draw the body of Christ together so that it may be enlarged, enriched, and inspired to live and worship based on what unites us: “one Lord, one faith, one baptism.” This hymnal contains selections of diverse styles and genres, including traditional ecumenical hymns, contemporary texts written for the twenty-first-century church, praise and worship selections, music from Taizé, choral responses, responsorial psalmody, traditional and contemporary gospel music, and Negro spirituals. The editors maintained a remarkably high degree of excellence in selecting and presenting this repertoire, and church musicians of all tastes could find this anthology useful either as a reference or as a repository for imaginitive congregational song. Jason Overall, The Journal of the Association of Anglican Musicians, Volume 27, Number 10, December 2018.

Keyboard

SKU: GI.G-9600K

This edition: Keyboard edition. Classical. GIA Publications #9600K. Published by GIA Publications (GI.G-9600K).

ISBN 9781622772650.

In creating the African American ecumenical hymnal, One Lord, One Faith, One Baptism it was imperative to the core committee that the hymnal serve as a needed resource for the many denominations in the African American Church. It was the committee’s strong desire that this hymnal would represent and preserve the rich theological, cultural, and musical heritages of these traditions and offer a full breadth of music representing historical as well as vibrant contemporary worship, while looking toward the future. It was also of utmost importance that this hymnal draw the body of Christ together so that it may be enlarged, enriched, and inspired to live and worship based on what unites us: “one Lord, one faith, one baptism.” This hymnal contains selections of diverse styles and genres, including traditional ecumenical hymns, contemporary texts written for the twenty-first-century church, praise and worship selections, music from Taizé, choral responses, responsorial psalmody, traditional and contemporary gospel music, and Negro spirituals.