| They Shall Run and Be Free Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Brant Karrick. Concert Band. Concert Band. Alfred Concert Band. Grade 4. Cond...(+)
By Brant Karrick. Concert
Band. Concert Band.
Alfred Concert Band.
Grade 4. Conductor Score
and Parts. 292 pages
$90.00 $85.5 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Homeward Orchestre d'harmonie - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS258 Composed by William Harbinson....(+)
Band concert band - Grade
2 SKU: CF.YPS258
Composed by William
Harbinson. Set of Score
and Parts. Carl Fischer
Music #YPS258. Published
by Carl Fischer Music
(CF.YPS258). ISBN
9781491163580. UPC:
680160922376. Homew
ard is a lyrical ballad
in ABA form. The
composition presents few
rhythmic challenges,
allowing the ensemble to
concentrate on beauty of
sound, balance, dynamic
nuance, phrasing, and
expressive performance.
The woodwind voices
present the melody at the
opening accompanied by a
flute countermelody. Care
should be taken to
balance the two parts.
The four-measure phrases
call for tapered dynamics
and freedom of the metric
pulse at cadence points.
A change of tempo and
key, with a lean toward
the minor mode, mark the
contrasting B section (m.
9). Heed the dynamic
markings that swell to a
climax (m. 16) and then
subside within this
section. Take liberty to
hold back the tempo at
the percussion link to
the forte restatement of
A (m. 27) and the arrival
of the fortissimo climax
(m. 33). The coda (m. 35)
should be presented
slowly and serenely as
the composition comes to
a quiet close. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Homeward Orchestre d'harmonie Carl Fischer
Band concert band SKU: CF.YPS258F Composed by William Harbinson. Full sco...(+)
Band concert band SKU:
CF.YPS258F Composed
by William Harbinson.
Full score. 12 pages.
Carl Fischer Music
#YPS258F. Published by
Carl Fischer Music
(CF.YPS258F). ISBN
9781491163986. UPC:
680160922772. Homew
ard is a lyrical ballad
in ABA form. The
composition presents few
rhythmic challenges,
allowing the ensemble to
concentrate on beauty of
sound, balance, dynamic
nuance, phrasing, and
expressive performance.
The woodwind voices
present the melody at the
opening accompanied by a
flute countermelody. Care
should be taken to
balance the two parts.
The four-measure phrases
call for tapered dynamics
and freedom of the metric
pulse at cadence points.
A change of tempo and
key, with a lean toward
the minor mode, mark the
contrasting B section (m.
9). Heed the dynamic
markings that swell to a
climax (m. 16) and then
subside within this
section. Take liberty to
hold back the tempo at
the percussion link to
the forte restatement of
A (m. 27) and the arrival
of the fortissimo climax
(m. 33). The coda (m. 35)
should be presented
slowly and serenely as
the composition comes to
a quiet close. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Odysseus and the Sirens Orchestre d'harmonie [Conducteur et Parties séparées] American Composers Forum
Commissioned by American Composers Forum. Composed by Dana Wilson. Score and ful...(+)
Commissioned by American
Composers Forum. Composed
by Dana Wilson. Score and
full set of parts.
BandQuest. Concert.
Published by American
Composers Forum
$75.00 $71.25 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Nameless Seas (Piano Concerto) Piano et Orchestre Fennica Gehrman
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5). ISBN
9790550113725. Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work. $49.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Bottom of the Ninths Orchestre - Débutant Alfred Publishing
Orchestra - Grade 1.5 SKU: AP.48071S Featuring Themes from Take Me Out...(+)
Orchestra - Grade 1.5
SKU: AP.48071S
Featuring Themes from
Take Me Out to the Ball
Game and the Ninth
Symphonies of Franz
Shubert, AntonÃÂn
Dvorák, and Ludwig van
Beethoven. Composed
by Albert Von Tilzer,
Antonin Dvorak, Franz
Shubert, and Ludwig van
Beethoven. Arranged by
Bob Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Masterwork
Arrangement. Score. 8
pages. Duration 2:30.
Alfred Music #00-48071S.
Published by Alfred Music
(AP.48071S). UPC:
038081557601.
English. This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Tongue-in-cheek
and beautiful, Bottom of
the Ninths is the perfect
way to delve into these
masterworks with young
players in a fun context!
All sections remain in
1st position, in the key
of D major, with no high
3's or low 1's as the
melodies are passed
throughout the orchestra.
Easy to play and
showcasing the beauty of
these great composers,
this piece, arranged by
Bob Phillips, would shine
at a festival or contest.
The medley features Take
Me Out to the Ball Game;
the opening theme from
Schubert's Symphony No. 9
which is, of course, at
the beginning of that
work; the famous Going
Home theme from the
middle of Dvorák's
Symphony No. 9; and the
Ode to Joy theme from
Beethoven's Symphony No.
9, which is at the end,
or the bottom, of the
9th. Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
5. (2:30) This title
available in MakeMusic
Cloud. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bottom of the Ninths Orchestre - Débutant Alfred Publishing
Orchestra - Grade 1.5 SKU: AP.48071 Featuring Themes from Take Me Out ...(+)
Orchestra - Grade 1.5
SKU: AP.48071
Featuring Themes from
Take Me Out to the Ball
Game and the Ninth
Symphonies of Franz
Shubert, AntonÃÂn
Dvorák, and Ludwig van
Beethoven. Composed
by Albert Von Tilzer,
Antonin Dvorak, Franz
Shubert, and Ludwig van
Beethoven. Arranged by
Bob Phillips. MakeMusic
Cloud; Performance Music
Ensemble; Single Titles;
Solo Small Ensembles;
String Orchestra. Sound
Innovations for String
Orchestra. Masterwork
Arrangement. Score and
Part(s). 76 pages.
Duration 2:30. Alfred
Music #00-48071.
Published by Alfred Music
(AP.48071). UPC:
038081557595.
English. This title
features Alfred Music's
String Orchestra FLEX
options. That means that
every part in this set is
now transposed into every
other part, so you can
play this title with any
combination of like- or
mixed-string ensemble.
After purchasing this
set, decide what
additional parts you need
to meet the unique needs
of your ensemble, then
download and print them
for free at
alfred.com/supplemental--
-free of charge.
Tongue-in-cheek
and beautiful, Bottom of
the Ninths is the perfect
way to delve into these
masterworks with young
players in a fun context!
All sections remain in
1st position, in the key
of D major, with no high
3's or low 1's as the
melodies are passed
throughout the orchestra.
Easy to play and
showcasing the beauty of
these great composers,
this piece, arranged by
Bob Phillips, would shine
at a festival or contest.
The medley features Take
Me Out to the Ball Game;
the opening theme from
Schubert's Symphony No. 9
which is, of course, at
the beginning of that
work; the famous Going
Home theme from the
middle of Dvorák's
Symphony No. 9; and the
Ode to Joy theme from
Beethoven's Symphony No.
9, which is at the end,
or the bottom, of the
9th. Correlated to Sound
Innovations for String
Orchestra, Book 1, Level
5. (2:30) This title is
available in MakeMusic
Cloud. $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Milton, The Melting Snowman Orchestre d'harmonie - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4270-01 Composed by Orcino. Young Conc...(+)
Concert band - Grade 2
SKU:
CL.011-4270-01
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR383). Extra
full score. Composed
2014. Duration 2 minutes,
17 seconds. C.L.
Barnhouse #011-4270-01.
Published by C.L.
Barnhouse
(CL.011-4270-01).
Who doesn't
like a sunny day in the
midst of winter? Who is
that statuesque figure
all decked out in his
winter finery? Who stands
proud, guarding the
family home? Why it's
Milton the Melting
Snowman! But alas, as the
day progresses and temps
rise a transformation
begins. Listen, as the
music evokes Milton's
dismay, I'm melting! The
musical adventure pays
tribute to this gallant
guardian, soon to be a
fond memory until next
year. Set your mind free
wander with this
whimsical winter musical
offering as the band pays
tribute to this pillar of
packed snow.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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