PARTITIONS GRATUITES : ORCHESTRE
- Make Some Noise!

Grade 3

SKU: CL.012-3997-01

Composed by Neeck. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR373). Extra full score. Composed 2011. Duration 3 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-3997-01. Published by Opus III Wind Orchestra Publications (CL.012-3997-01).

With its southern themes, and up-tempo fun, Kickin’ Up Country brings country music to your next concert! Three Southern folk-tunes, Arkansas Traveler, Cluck Old Hen, and Cotton-Eyed Joe, are woven into an up-to-date, high steppin’ good time for your band. There’s even a hoedown spot for the entire band (and your audience!) to make some noise! With a high-energy, contemporary country sound, Kickin’ Up Country features your band at its rollicking best.

By Larry Neeck. Concert band. Concert Band Series. Audio recording available separately (item CL.WFR373). Grade 3. Score and set of parts. Composed 2011. Duration 3 minutes, 5 seconds. Published by C.L. Barnhouse

Concert band (1st Flute, 2nd Flute/Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet*, Eb Alto Saxophone*, Bb Tenor Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 1st F Horn, 2nd F Horn, Trombone, Euphonium, (TC Baritone), Tuba, Timpani (2), Percu) - grade 2

SKU: CN.R10202

Composed by Bruce Fraser. Arranged by Percy Aldridge Grainger. Band Music. Score and parts. Duration 3:40. Published by G & M Brand Music Publishers (CN.R10202).

Warlike, then noble, Now is the Day is based on the great figure in Scottish history - William Wallace, often called Braveheart. Opening with the woodwinds playing drums along with the percussion section against brass fanfares, this piece will create an air of excitement. An alto saxophone solo provides a brief moment of solace between the battle scenes.

This work is based on a great figure in Scottish history - William Wallace, often called Braveheart. The song Scots wha hae wi' Wallace bled, which is Scotland's unofficial national anthem contains the line Now is the day and how is the hour, and this is the source of the title. The opening section is warlike in sound with woodwinds playing tambours of some sort - tom-toms, tambours, even old drum skins will make the kind of noise required to simulate a battle. Noisy brass fanfares are melodic fragments of Scots wha hae melody. Eventually, woodwinds join in and the music slows down to an alto saxophone solo, again based on fragments of Scots wha hae. The battle tempo resumes and percussion then lead the band noisily into an eventual full statement of the theme creating a noble sound against the continuing drum patterns, leading to a triumphant ending.

Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Tambourine, Timpani, Triangle, Trombone and more. - Grade 1

SKU: CF.BPS48

Full Score and Parts. Composed by Anonymous. Arranged by Sean O'Loughlin. Carl Fischer Beginning Performance Series. Score and Set of Parts. With Standard notation. Carl Fischer Music #BPS48. Published by Carl Fischer Music (CF.BPS48).

ISBN 9780825864339. UPC: 798408064334. 9 X 12 inches. Key: Bb major.

Using the basic melodic shape of Silent Night, Sean O'Loughlin has written a lively piece that goes in a quite different, more up-to-date direction than the familiar, reflective Carol. The noise makers of the percussion section are given a lively role to play, and the introduction, by the low brass, of God Rest Ye Merry, Gentlemen, in the middle of the piece, creates a somewhat ironic twist in this amusing re-imagining of a classic carol.

By Anonymous. Arranged by Sean O'Loughlin. Concert Band. For Flute, Oboe, Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoon, Tenor, Horn, Trumpet, Baritone (Bass Clef), Tuba, Timpani, Mallet Percussion, Percussion I, Percussion II. Carl Fischer Beginning Performance Series. Classical. Grade 1. Full Score. Standard notation. 12 pages. Published by Carl Fischer

Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 3rd) - grade 3

SKU: CN.R10224

Composed by Bruce Fraser. Band Music. Score and parts. Duration 4:30. Published by G & M Brand Music Publishers (CN.R10224).

Recall the days of waiting on the modem? The opening of this work imitates the tones and burbling noises of a modem or fax. A lovely ballad follows before quickly returning to the previous material.

The idea for this work came from listening to my modem while logging on to the Internet. I realize that some modems log on silently, but the opening of this work imitates the tones and burbling noises of a modem or fax. There were two musical features I picked our - the pitches of the dialing tones are subsequently used to create the melodies, and the syncopated falling octave figure is used in accompaniment figures. The opening Allegro will work at a faster tempo if desired, but make sure that clarity is maintained. The middle section should be carefully balanced and allowed to flow.

Concert band (1st Flute, 2nd Flute, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet*, Bassoon*, 1st Eb Alto Saxophone*, 2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st Bb Trumpet, 2nd Bb Trumpet, 3rd) - grade 3

SKU: CN.S11224

Composed by Bruce Fraser. Band Music. Score only. Duration 4:30. Published by G & M Brand Music Publishers (CN.S11224).

Recall the days of waiting on the modem? The opening of this work imitates the tones and burbling noises of a modem or fax. A lovely ballad follows before quickly returning to the previous material.

The idea for this work came from listening to my modem while logging on to the Internet. I realize that some modems log on silently, but the opening of this work imitates the tones and burbling noises of a modem or fax. There were two musical features I picked our - the pitches of the dialing tones are subsequently used to create the melodies, and the syncopated falling octave figure is used in accompaniment figures. The opening Allegro will work at a faster tempo if desired, but make sure that clarity is maintained. The middle section should be carefully balanced and allowed to flow.