| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We Will Remember Them Orchestre d'harmonie [Conducteur] - Facile Belwin
Concert Band - Grade 2 SKU: AP.49171S Composed by Douglas E. Wagner. Conc...(+)
Concert Band - Grade 2
SKU: AP.49171S
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble. Belwin Young
Band. Form: Ballade.
Folk. Score. 16 pages.
Duration 3:20. Belwin
Music #00-49171S.
Published by Belwin Music
(AP.49171S). ISBN
9781470646820. UPC:
038081564999.
English. The
worldwide pandemic of
2020 left in its wake
devastating numbers of
lives lost, resulting in
unspeakable suffering for
families coping with the
grief for their now
absent loved ones. This
is especially true for
the first responders,
frontline personnel,
doctors, nurses,
scientists, medical
support teams, and
healthcare staff members
whose selfless dedication
and devotion to caring
for others tragically
resulted in their own
passing. Guided by their
personal, deep sense of
duty and obligation to
heal and help, they put
themselves in harm's way,
paying the ultimate price
so that others might
live. Celebrate their
lives with Douglas
Wagner's composition, We
Will Remember Them.
May their bright
stars ever spread the
night sky, piercing the
darkness to continue
bringing light, hope, and
inspiration to us all.
At the going down
of the sun and in the
morning, we will remember
them. (3:20). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Will Remember Them Orchestre d'harmonie - Facile Belwin
Concert Band - Grade 2 SKU: AP.49171 Composed by Douglas E. Wagner. Conce...(+)
Concert Band - Grade 2
SKU: AP.49171
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble. Belwin Young
Band. Form: Ballade.
Score and Part(s). 78
pages. Duration 3:20.
Belwin Music #00-49171.
Published by Belwin Music
(AP.49171). ISBN
9781470646813. UPC:
038081564982.
English. The
worldwide pandemic of
2020 left in its wake
devastating numbers of
lives lost, resulting in
unspeakable suffering for
families coping with the
grief for their now
absent loved ones. This
is especially true for
the first responders,
frontline personnel,
doctors, nurses,
scientists, medical
support teams, and
healthcare staff members
whose selfless dedication
and devotion to caring
for others tragically
resulted in their own
passing. Guided by their
personal, deep sense of
duty and obligation to
heal and help, they put
themselves in harm's way,
paying the ultimate price
so that others might
live. Celebrate their
lives with Douglas
Wagner's composition, We
Will Remember Them.
May their bright
stars ever spread the
night sky, piercing the
darkness to continue
bringing light, hope, and
inspiration to us all.
At the going down
of the sun and in the
morning, we will remember
them. (3:20). $58.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Elephant Orchestre d'harmonie - Débutant Carl Fischer
Band concert band - Grade 1 SKU: CF.BPS127 Composed by Peter Sciaino. Fol...(+)
Band concert band - Grade
1 SKU: CF.BPS127
Composed by Peter
Sciaino. Folio. Bps. Set
of Score and Parts.
8+2+8+2+5+2+2+8+3+6+2+3+1
+1+2+2+12 pages. Duration
2 minutes, 39 seconds.
Carl Fischer Music
#BPS127. Published by
Carl Fischer Music
(CF.BPS127). ISBN
9781491156209. UPC:
680160914746. 9 x 12
inches. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gate and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
Notes Elephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however, it's
their trumpeting that
makes them stand out as
the instrumentalists of
the animal kingdom! In
this selection, an
elephant's slow gait and
general demeanor are
represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young percussionists.
At m. 33 the
trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or lunch-bag
mutes, over their bells
(in their bells for horn
players). For the trumpet
players, the mutes can be
enhanced with an
additional balled-up
piece of paper placed at
the bottom of the bag
prior to slipping it over
the bell. Horns should
ball up the bag itself
and experiment with
placement to create the
most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age. Note to the
Conductor This piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece. Younger students
will likely need a
reasonable amount of
practice in successfully
using the lunch-bag
mutes. Allowing
additional rehearsal time
for this is
recommended. Program
NotesElephant is, of
course, inspired by the
incredible mammals of the
same name. Their
column-like legs, long
trunks, and massive
presence will never cease
to amaze; however,
it’s their
trumpeting that makes
them stand out as the
instrumentalists of the
animal kingdom! In this
selection, an
elephant’s slow
gait and general demeanor
are represented by a
methodical tempo and
lumbering texture.
Woodwinds will enjoy the
opportunity to perform
grace notes while
Elephant also offers
exposure to flams for
young
percussionists. At m.
33 the trumpets and horns
recreate an elephant call
after slipping brown
paper bags, or
“lunch-bag
mutes,†over their
bells (in their bells for
horn players). For the
trumpet players, the
mutes can be enhanced
with an additional
balled-up piece of paper
placed at the bottom of
the bag prior to slipping
it over the bell. Horns
should ball up the bag
itself and experiment
with placement to create
the most realistic tones
without stopping the
instrument. While
specific pitches are
noted, making the best
elephant sounds should
prioritized. Young
students always look
forward to experimenting
with mutes, and this
selection offers an
inexpensive and creative
way to do so at a young
age.Note to the
ConductorThis piece can
be used to introduce or
reinforce the finer
points of staccato
playing. While many
students know to play
these notes short in
length, they may need
reminding that they
should also be played
lightly. This also may
allow for opportunities
in emphasizing
contrasting articulation
styles that are in this
piece.Younger students
will likely need a
reasonable amount of
practice in successfully
using the
“lunch-bag
mutes.†Allowing
additional rehearsal time
for this is
recommended. $53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Procession of the Nobles Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000467-020 Composed by Nikolay Andreye...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000467-020
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. Arranged
by Tony Deroij. Set
(Score & Parts). 72
pages. Gobelin Music
Publications #GOB
000467-020. Published by
Gobelin Music
Publications
(BT.GOB-000467-020).
Nicolai
Rimsky-Korsakov
(1844-1908) came from an
aristocratic family which
lived near Novgorod.
When he appeared to be
musically gifted as a
child, his parents did
not hesitate one moment
to map out a more
honourable profession for
him he wasto make a
career in the navy as a
marine officer.
Rimsky-Korsakov,
however, succeeded in
secretly studying the
cello next to his studies
at the Naval Academy at
St Petersburg. Through
his cello teacher he came
into contact with the
composerBalakirev. In
this way he suddenly
became a member of The
Mighty Five (a group of
Russian composers
consisting of Balakirev,
Moussorgsky, Cui, Borodin
and Rimsky-Korsakov
himself).
Rimsky-Korsakov turned
out to be so talented
that he evenbecame a
teacher at the St
Petersburg
Conservatory.
‘P
rocession of the
Nobles’ comes from the
opera-ballet
‘Mlada’. The opera
has a remarkable history,
for between 1868 and 1870
five different composers
worked on this
project. The
finalresult was never
executed, however.
Twenty years later
Rimsky-Korsakov started
work on the opera once
more and composed his own
version of Mlada.The
theme of the opera is a
tragic love story that is
set in the early Middle
Ages in a realm on
theBaltic Sea. In
‘Processsion of the
Nobles’ all the
princesses of the country
gather for a grand feast
on the occasion of the
summer
holidays.
Nicolai
Rimsky-Korsakov
(1844-1908) stamde uit
een aristocratische
familie in de buurt van
Novgorod. Toen al
spoedig bleek dat hij
muzikaal erg begaafd was,
waren zijn ouders er als
de kippen bij om voor hem
een eerbaarder loopbaan
uit testippelen: een
carrière als
marine-officier was voor
hem weggelegd.
Rimsky-Korsakov zag
echter kans naast zijn
studies aan de
Marineschool van
Sint-Petersburg tevens in
het geheim cello te
studeren. Zijn
clandestine leraar bracht
hem in contactmet
Balakirev. Op die
manier behoorde hij plots
tot het ‘Machtige
Hoopje’ (een groep
Russische componisten
bestaande uit: Balakirev,
Moussorgsky, Cui, Borodin
en Rimsky-Korsakov).
Rimsky-Korsakov bleek
zoveel talent te hebben
dat hij zelfsleraar aan
het conservatorium
werd.
‘Processio
n of the Nobles’ is
afkomstig uit de
ballet-opera ‘Mlada’.
Deze opera heeft een
merkwaardige
geschiedenis. Tussen
1868 en 1870 hebben vijf
verschillende componisten
aan dit project
gewerkt.Het eindresultaat
werd echter nooit
uitgevoerd. Twintig
jaar later heeft
Rimsky-Korsakov de draad
weer opgepakt en zijn
eigen versie van Mlada
gemaakt. Het thema van
de opera is een tragisch
liefdesverhaal dat zich
afspeelt in de
vroegeMiddeleeuwen in een
gebied aan de Baltische
Zee. In Procession of the
Nobles verzamelen alle
prinsessen van het land
zich voor een groot feest
ter gelegenheid van de
zomervakantie.
Gobelin Music
Publications. $135.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Land of the Cornflower Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.GOB-001210-140 Rukkilillemaa...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.GOB-001210-140
Rukkilillemaa.
Composed by Rob Goorhuis.
Score Only. Composed
2014. 32 pages. Gobelin
Music Publications #GOB
001210-140. Published by
Gobelin Music
Publications
(BT.GOB-001210-140).
9x12 inches.
English-Dutch. Sinc
e 1968, the blue
cornflower has been the
national flower of
Estonia. During the
Soviet rule, this flower
also served as a symbol
of the resistance. For
this reason, composer Rob
Goorhuis gave this
work—which is based
on Estonian folk
melodies—the title
The Land of the
Cornflower.Estonia
has a rich folk dance
tradition. The dance
melodies are often
related to the folk music
of surrounding countries
or even further away, for
example the padespaan, a
corruption of the term
Pas d’Espagne (Spanish
dance). In The Land of
the Cornflower, Rob
Goorhuis gives us an
impression of Estonia,
and then brings the folk
melodies Kohaanu¹ka,
Minoorne labajalgand
Padespaan into the
limelight.The work was
commissioned by the
Vabariiklik
Orkestrijuhtide
Puhkpilliorkester
(conductor Bert Langeler)
De blauwe
korenbloem is sinds 1968
de nationale bloem van
Estland. Tijdens de
Sovjetoverheersing was
deze bloem tevens het
symbool van het verzet.
Daarom gaf componist Rob
Goorhuis dit werk, dat is
gebaseerd op Estse
volksmelodieën, de titel
The Land of the
Cornflower.Estland
kent een rijke traditie
van volksdansen. De
melodieën waarop gedanst
wordt, zijn vaak verwant
met de volksmuziek van
omringende landen en
zelfs van verder weg,
bijvoorbeeld de
padespaan, een
verbastering van Pas
d’Espagne - oftewel
Spaanse dans. In The
Land of the
Cornflower geeft Rob
Goorhuis een impressie
van Estland en brengt hij
achtereenvolgens de
volksmelodieën
‘Kohaanu¹ka’,‘Mino
orne labajalg’ en
‘Padespaan’ voor het
voetlicht.Het werk is
geschreven voor het
Vabariiklik
Orkestrijuhtide
Puhkpilliorkester, dat
onder leiding staat van
Bert Langeler.
Seit 1968 ist die
blaue Kornblume die
Nationalblume Estlands.
Während der
Sowjetherrschaft diente
diese Blume auch als
Symbol des Widerstands.
Vor diesem Hintergrund
wählte der Komponist Rob
Goorhuis für sein auf
estnischen Volksliedern
basierendes Werk den
Titel The Land of the
Cornflower - Das Land
der Kornblume“.Estland
hat eine reiche
Volkstanz-Tradition. Die
Tanzmelodien sind oft mit
der Volksmusik der
umliegenden Länder oder
sogar weiter entfernten
Regionen verwandt - so
ist zum Beispiel
Padespaan eine
Verballhornung von Pas
d’Espagne (spanischer
Tanz).In The Land of
the Cornflower
vermittelt Rob Goorhuis
einen Eindruck von
Estland, um dann
dieVolksliedmelodien
Kohaanuška,
Minoorne labajalg und
Padespaan ins
Rampenlicht zu
rücken.Das Werk wurde
vom estnischen
Blasorchester Vabariiklik
Orkestrijuhtide
Puhkpilliorkester
(Dirigent: Bert Langeler)
in Auftrag gegeben. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Procession of the Nobles Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000467-120 Composed by Nikolay Andreye...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000467-120
Composed by Nikolay
Andreyevich
Rimsky-Korsakov. Arranged
by Tony Deroij. Score
Only. 20 pages. Gobelin
Music Publications #GOB
000467-120. Published by
Gobelin Music
Publications
(BT.GOB-000467-120).
Nicolai
Rimsky-Korsakov
(1844-1908) came from an
aristocratic family which
lived near Novgorod.
When he appeared to be
musically gifted as a
child, his parents did
not hesitate one moment
to map out a more
honourable profession for
him he was to make a
career in the navy as a
marine officer.
Rimsky-Korsakov,
however, succeeded in
secretly studying the
cello next to his studies
at the Naval Academy at
St Petersburg. Through
his cello teacher he came
into contact with the
composer Balakirev.
In this way he
suddenly became a member
of The Mighty Five (a
group of Russian
composers consisting of
Balakirev, Moussorgsky,
Cui, Borodin and
Rimsky-Korsakovhimself).<
br> Rimsky-Korsakov
turned out to be so
talented that he even
became a teacher at the
St Petersburg
Conservatory.
‘P
rocession of the
Nobles’ comes from the
opera-ballet
‘Mlada’. The opera
has a remarkable history,
for between 1868 and 1870
five different composers
worked on this
project. The final
result was never
executed, however.
Twenty years later
Rimsky-Korsakov started
work on the opera once
more and composed his own
version of Mlada.The
theme of the opera is a
tragic love story that is
set in the early Middle
Ages in a realm on the
Baltic Sea. In
‘Processsion of the
Nobles’ all the
princesses of the country
gather for a grand feast
on the occasion of the
summer holidays.
Nicolai
Rimsky-Korsakov
(1844-1908) stamde uit
een aristocratische
familie in de buurt van
Novgorod. Toen al
spoedig bleek dat hij
muzikaal erg begaafd was,
waren zijn ouders er als
de kippen bij om voor hem
een eerbaarder
loopbaanuit te stippelen:
een carri?re als
marine-officier was voor
hem weggelegd.
Rimsky-Korsakov zag
echter kans naast zijn
studies aan de
Marineschool van
Sint-Petersburg tevens in
het geheim cello te
studeren. Zijn
clandestineleraar bracht
hem in contact met
Balakirev. Op die
manier behoorde hij plots
tot het ‘Machtige
Hoopje’ (een groep
Russische componisten
bestaande uit: Balakirev,
Moussorgsky, Cui, Borodin
en Rimsky-Korsakov).
Rimsky-Korsakovbleek
zoveel talent te hebben
dat hij zelfs leraar aan
het conservatorium
werd.
‘Processio
n of the Nobles’ is
afkomstig uit de
ballet-opera ‘Mlada’.
Deze opera heeft een
merkwaardige
geschiedenis. Tussen
1868 en1870 hebben vijf
verschillende componisten
aan dit project gewerkt.
Het eindresultaat werd
echter nooit uitgevoerd.
Twintig jaar later
heeft Rimsky-Korsakov de
draad weer opgepakt en
zijn eigen versie van
Mlada
gemaakt. Hetthema van
de opera is een tragisch
liefdesverhaal dat zich
afspeelt in de vroege
Middeleeuwen in een
gebied aan de Baltische
Zee. In 'Procession of
the Nobles' verzamelen
alle prinsessen van het
land zich voor een groot
feest tergelegenheid van
de zomervakantie. $23.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Overture "Die Geschöpfe des Prometheus" for Orchestra, op. 43 Orchestre [Conducteur] Barenreiter
(Orchestra) SKU: BA.BA11902 Composed by Ludwig van Beethoven. Edited by J...(+)
(Orchestra) SKU:
BA.BA11902 Composed
by Ludwig van Beethoven.
Edited by Jonathan Del
Mar. This edition: urtext
edition. Stapled. Score.
Opus 43. Baerenreiter
Verlag #BA11902_00.
Published by Baerenreiter
Verlag (BA.BA11902).
ISBN 9790006573417.
32.5 x 25.5 cm
inches. Beethoven
composed the ballet music
“Die Geschöpfe
des Prometheusâ€
during 1800–01,
commissioned by the
ballet master Salvatore
Viganò for
performances with his
Viennese company.
Although the ballet was
initially quite
successful, with almost
thirty continuous
performances, it did not
enjoy a sustained
performance tradition.
Its overture, however,
was a different matter:
considered almost a
symphonic movement in
terms of orchestration,
style and structure, it
was often performed on
its own even during
Beethoven’s
lifetime.
In
general, previous
editions of this overture
relied on the first print
as the main source.
However, the authenticity
of this source cannot be
convincingly proven. For
this new edition,
Beethoven specialist
Jonathan Del Mar
incorporates various
manuscript sources,
including a set of parts
from 1803/4 that has
never been considered
before. In this way,
numerous discrepancies
could be
clarified.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$45.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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