PARTITIONS GRATUITES : SOLI SATB, CHœUR SATB, ORGUE

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706014

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violoncello. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Cello. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/14. Published by Carus Verlag (CA.2706014).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706012

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 2. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 2. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/12. Published by Carus Verlag (CA.2706012).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706011

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Violin 1. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Violin 1. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/11. Published by Carus Verlag (CA.2706011).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 english horn, [trumpet, 3 trombones], 2 violins, viola, cello, contrabass, organ, organ ripieno

SKU: CA.2706013

Composed by Camille Saint-Saens. Edited by Dieter Zeh. Arranged by Sven Hiemke. Viola. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Single Part, Viola. Composed 1856. Op. 4. 12 pages. Duration 45 minutes. Carus Verlag #CV 27.060/13. Published by Carus Verlag (CA.2706013).

Text language: Latin.

Carus-Verlag is now publishing this early work by Camille Saint-Saens in a critical new edition. Among the sacred works by Saint-Saens there are just two settings of the mass: the Messe de Requiem op. 54 from his middle period (1878), and the Mass op. 4 dating from 1856. This was first performed on 21 April 1857. Camille Saint-Saens was a devoted follower of historicism as part of the reform movement in French church music. This is more evident in the mass published here than anywhere else. The model for this work is the unison Messe Royale by Henry DuMont (1610-1683). Saint-Saens combined its Gregorian style in a convincing manner with contemporary elements of Romantic composition, an expressive chromaticism, which determines the harmonic progression. Alongside the orchestral forces, the Grand Orgue plays an important role. Used as a solo instrument, it is an equal partner in the composition. Score and part available separately - see item CA.2706000.

Composed by David M. Cherwien. For SATB and Organ, with opt. Children's Choir, Soloist, or Small Group. Advent, 21st Century. Moderately Easy. Octavo. Published by MorningStar Music Publishers

ST vocal soli, SATB/SATB/SATB/SATB choir, organ

SKU: CA.2708303

Composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. Sacred vocal music, Masses, Latin. Vocal score. FWV. 104 pages. Duration 23 minutes. Carus Verlag #CV 27.083/03. Published by Carus Verlag (CA.2708303).

ISBN 9790007182090. Language: Latin.

Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score available separately - see item CA.2708300.

Mass fur Soloists, Choir and Organ D major op. 86 (for soloists, choir and organ). By Antonin Dvorak (1841-1904). Edited by Jarmil Burghauser; Antonin Cubr. For voice soli/SATB choir/organ. This edition: Stapled, Urtext edition. Choir and Organ. Level 4. Score. Language: Latin, Text language: German/English. Opus 86. 65 pages. Duration 35'. Published by Baerenreiter Verlag