PARTITIONS GRATUITES : PIANO, COR ET BASSON

Quintet in E flat major, Op. 16 for Oboe, Clarinet, Horn in E flat, Bassoon and Piano (parts) by Ludwig van Beethoven (1770-1827). Piano quintet. For Oboe, Clarinet, Horn in E flat, Bassoon and Piano. Woodwind ensembles with piano. Published by International Music Company

By E. Pauer. For oboe, clarinet, horn, bassoon, piano. Facsimile Editions - Winds and Piano. Quintets. Romantic. Published by Rosewood Publications

By Theodor Verhey. For oboe, clarinet, horn, bassoon, piano. Facsimile Editions - Winds and Piano. Companion piece to Mozart and Beethoven. Quite effective and interesting to play. Good writing for all instruments. Romantic. Published by Rosewood Publications

By Joan Trimble. Winds. For flute, oboe, clarinet, horn and bassoon (wind quintet). Effective, worthwhile piece. First edition.. 20th Century. Score and parts. Published by Rosewood Publications . Score and Parts. 20th Century.

Woodwind Quintet

SKU: HL.49004915

Set of Parts. By Franz Kullak. By Hans Werner Henze. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Set of Parts. Composed 1952. 32 pages. Duration 14'. Schott Music #ED4480. Published by Schott Music (HL.49004915).

ISBN 9781617741241. UPC: 073999868876. 9.0x12.0x0.1 inches.

For the first time, all five of Beethoven's piano concertos are brought together in one inexpensive and convenient publication. Includes Kullak's original prefaces, several alternate cadenzas, and performance suggestions.For the first time, all five of Beethoven's piano concertos are brought together in one inexpensive and convenient publication. Includes Kullak's original prefaces, several alternate cadenzas, and performance suggestions.

For the first time, all five of Beethoven's piano concertos are brought together in one inexpensive and convenient publication. Includes Kullak's original prefaces, several alternate cadenzas, and performance suggestions.

By Fritz Fuhrmeister. For wind quintet (flute, oboe, clarinet, horn, bassoon) and piano. Facsimile Editions - Winds and Piano. An excellent romantic companion piece to the Thuille. Bargain price. Romantic. Published by Rosewood Publications

Wind Quintet

SKU: FG.55011-508-8

Composed by Kimmo Hakola. Score. Fennica Gehrman #55011-508-8. Published by Fennica Gehrman (FG.55011-508-8).

ISBN 9790550115088.

Kimm o Hakola's Wind Quintet op. 96 (2017) was commissioned by the Kimito Island Music Festival. The composer sees that making the ensemble ultimately breathe and express itself as an organic, coherent subject should be the aim in composing for wind quintet. The normal chamber-music configuration is not a sufficient basis for me in composing a wind quintet: the instruments have to be compressed, reduced, even crushed together so that, in pairs and different combinations, they produce new, viable audio units. Collision often generates something new. Kimmo Hakola has gone through a number of styles and influences in his career as a composer, his idiom expanding at times to embrace Romanticism, Orientalism and klezmer. He has attained international recognition with an output that spans various genres from intimate solo works to full-length operas such as La Fenice (2011) commissioned by the Savonlinna Opera Festival. Many of his works are expansive and epic: his Piano Concerto (1996), for instance, clocks in at 55 minutes. Hakola says that he sees music as drama. His dramas explore almost Shakespearean extremes, from moments of raging sound and fury and violent battles to quiet moments of meditation and heart-rending monologues.

Wind Quintet

SKU: FG.55011-509-5

Composed by Kimmo Hakola. Parts. Fennica Gehrman #55011-509-5. Published by Fennica Gehrman (FG.55011-509-5).

ISBN 9790550115095.

Kimm o Hakola's Wind Quintet op. 96 (2017) was commissioned by the Kimito Island Music Festival. The composer sees that making the ensemble ultimately breathe and express itself as an organic, coherent subject should be the aim in composing for wind quintet. The normal chamber-music configuration is not a sufficient basis for me in composing a wind quintet: the instruments have to be compressed, reduced, even crushed together so that, in pairs and different combinations, they produce new, viable audio units. Collision often generates something new. Kimmo Hakola has gone through a number of styles and influences in his career as a composer, his idiom expanding at times to embrace Romanticism, Orientalism and klezmer. He has attained international recognition with an output that spans various genres from intimate solo works to full-length operas such as La Fenice (2011) commissioned by the Savonlinna Opera Festival. Many of his works are expansive and epic: his Piano Concerto (1996), for instance, clocks in at 55 minutes. Hakola says that he sees music as drama. His dramas explore almost Shakespearean extremes, from moments of raging sound and fury and violent battles to quiet moments of meditation and heart-rending monologues.