| Elegy H.T. FitzSimons Company
(For Violin, Harp and Organ). By Harold Friedell. For Harp, Organ, Violin. H.T. ...(+)
(For Violin, Harp and
Organ). By Harold
Friedell. For Harp,
Organ, Violin. H.T.
Fitzsimons Co. H.T.
FitzSimons Company
#F0630. Published by H.T.
FitzSimons Company
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lord's Prayer, The (Harp) Harpe Schirmer
Harp Solo. By Albert H. Malotte. Arranged by Carlos Salzedo. Harp Solo. Size 9x1...(+)
Harp Solo. By Albert H.
Malotte. Arranged by
Carlos Salzedo. Harp
Solo. Size 9x12 inches. 8
pages. Published by
Schirmer.
$4.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Piece in G Harpe Durand
(Harp Solo). By Johann Sebastian Bach (1685-1750). Edited by H. Renie. Harp. Thi...(+)
(Harp Solo). By Johann
Sebastian Bach
(1685-1750). Edited by H.
Renie. Harp. This
edition: DF0770200.
Editions Durand. Book
only. 5 pages
$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| En Bateau from Petite Suite Harpe Durand
(Harp Solo). By Claude Debussy (1862-1918). Edited by H. Renie. Editions Durand....(+)
(Harp Solo). By Claude
Debussy (1862-1918).
Edited by H. Renie.
Editions Durand. 8 pages.
Editions Durand
#DD0711000. Published by
Editions Durand
$10.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Herold H Grosse Mdharm Volksliederb Bd3 Harpe Schott
1-3 french harps (diat.) (MDHARM) SKU: HL.49035666 Solo - Duo - Trio(+)
1-3 french harps (diat.)
(MDHARM) SKU:
HL.49035666 Solo -
Duo - Trio. Composed
by Herold. Edited by
Helmuth Herold. This
edition: Saddle
stitching. Sheet music.
Edition Schott. 60 pages.
Schott Music #MH 170161.
Published by Schott Music
(HL.49035666).
German. $15.99 - Voir plus => Acheter | | |
| Sonata For Harpsichord Harpe Theodore Presser Co.
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720). UPC:
680160001316. I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| courbe 2 Harpe [Conducteur] Carus Verlag
Viola, Electronics SKU: CA.1630200 For Viola and live electronics....(+)
Viola, Electronics
SKU: CA.1630200
For Viola and live
electronics. Composed
by Walter Feldmann. This
edition: Paperbound.
German title: Courbe 2
(1993/2001). Full score.
Composed 1993/rev. 2001.
34 pages. Duration 8
minutes. Carus Verlag #CV
16.302/00. Published by
Carus Verlag
(CA.1630200). ISBN
9790007099695. Language:
all languages. The
viola solo courbe 2 is
based on an excerpt from
the viola part in the
Trio for flute, viola and
harp << courbes >> -
sequences. In the densest
time curve of this piece
the viola plays the
leading role for a span
of almost three minutes.
This material is taken
from the Trio, presented
and divided into separate
parts. courbe 2 is three
times longer in duration
than the Trio excerpt
from which it is derived.
The musical text of the
individual fragments
remains as it is in the
original, but, pulsating,
demarcated in seconds.
Fissures emerge between
the fragments, windows
open: - to harmonic
fields, central sounds,
taken over from the
reverberations, from
which new tone material
is derived; the fields in
turn are distorted and
spacialised by the
electronics - to metrical
structures and pulses
freed from the individual
motives of the original
musical text, which forms
new variants in
interaction with these
fields. Thus in courbe 2
which, as already
indicated, is three times
longer in duration than
the original, three
musical levels are
interpenetrated, whereby
all three are derived
from one tone, which
plays an absolutely
central role in most of
my works. It is a
reference to the French
writer Anne-Marie Albiach
(and to her great text <<
H II >> lineaires), and
it remains as the only
tone at the end of the
piece, definitively,
determining everything, b
= 247 Hertz. Walter
Feldmann. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Seven Last Words of Christ - Harp Harpe [Partie séparée] Laurel Press
By Francois Clement Theodore Dubois, Hal H. Hopson. For Harp. Holy Week, Sacred....(+)
By Francois Clement
Theodore Dubois, Hal H.
Hopson. For Harp. Holy
Week, Sacred. Cantata.
Published by Laurel
Press. (30/1818LA)
$18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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