| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440265S Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 25 minutes.
Merion Music #144-40265S.
Published by Merion Music
(PR.14440265S). UPC:
680160027910. The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed. Accordingly,
they share similar
material but, like the
intertwining blood of
cousins, their natures
differ: No. 2 being
somewhat acerbic and
declamatory, No. 3 more
lyric and gentler. An
annunicatory 'leaping
motive' (derived from a
motto generated by my
name) opens Quartet No. 2
and inhabits the course
of the piece as a
cyclical binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
'grammar' spoken tends to
recall the jazz world of
my youth. To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms. The
first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The second
movement is a set of
strophic variants and an
epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
'call-and-response.' It
is dedicated to the
memory of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto. All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For example,
the climax of movement
III's Rondo throws the
first movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. The Second and
Third Quartets were
conceived at the same
time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed.Â
Accordingly, they share
similar material but,
like the intertwining
blood of cousins, their
natures differ: No. 2
being somewhat acerbic
and declamatory, No. 3
more lyric and gentler.An
annunicatory
‘leaping
motive’ (derived
from a motto generated by
my name) opens Quartet
No. 2 and inhabits the
course of the piece as a
cyclical
binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
‘grammar’
spoken tends to recall
the jazz world of my
youth.To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms.Â
The first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The
second movement is a set
of strophic variants and
an epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
‘call-and-response.
’ It is
dedicated to the memory
of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto.All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For
example, the climax of
movement III’s
Rondo throws the first
movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet in B-flat Major, K. 458 Quatuor à cordes: 2 violons, alto, violoncelle Eulenburg
String Quartet (Study Score) SKU: HL.49009828 Hunt. Composed by Wo...(+)
String Quartet (Study
Score) SKU:
HL.49009828
Hunt. Composed by
Wolfgang Amadeus Mozart.
Edited by Stanley Sadie.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1784. 40 pages.
Eulenburg Edition #ETP34.
Published by Eulenburg
Edition (HL.49009828).
ISBN 9783795768720.
UPC: 841886013100.
5.25x7.5x0.148
inches. With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition. $11.99 - Voir plus => Acheter | | |
| String Quartet in E-flat Major, Op. 31, B 92 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur d'étude / Miniature] Eulenburg
Study Score. By Antonin Dvorak. (Study Score). Schott. Size 5.25x7.5 inches. 46...(+)
Study Score. By Antonin
Dvorak. (Study Score).
Schott. Size 5.25x7.5
inches. 46 pages.
Published by Eulenburg
London (Schott).
$12.99 - Voir plus => Acheter | | |
| String quartet in B-flat major, La Reine Quatuor à cordes: 2 violons, alto, violoncelle Edition HH
String quartet SKU: HH.HH483-FSP Composed by Franz Joseph Haydn. Edited b...(+)
String quartet SKU:
HH.HH483-FSP Composed
by Franz Joseph Haydn.
Edited by David Wyn Jones
and Simone Laghi. Full
score and parts. Edition
HH Music Publishers
#HH483-FSP. Published by
Edition HH Music
Publishers
(HH.HH483-FSP). ISBN
9790708146940. A
forgotten quartet
attributed to Haydn and
largely ignored for 200
years. Issued in Vienna
in 1787 by Haydn’s
favoured publisher,
Artaria, the title page
claims that it was both
composed and arranged by
the composer.
Circumstantial and
musical evidence suggests
that this may, indeed,
have been the case. This
is the first modern
edition of the work. $46.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| String Quartets Volume 2 Quatuor à cordes: 2 violons, alto, violoncelle G. Henle
String Quartet (Study Score) SKU: HL.51487121 Early Viennese Quartets ...(+)
String Quartet (Study
Score) SKU:
HL.51487121 Early
Viennese Quartets Study
Score. Composed by
Wolfgang Amadeus Mozart.
Edited by Wolf-Dieter
Seiffert. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN7121. Published by G.
Henle (HL.51487121).
UPC: 840126946178.
6.75x9.5x0.299
inches. After
Volumes IV and III of the
series with Mozart's
complete string quartets
appeared as Henle Urtext
editions in early 2017
and 2019 respectively,
Mozart expert Wolf-Dieter
Seiffert now presents
Volume II. Included are
the “Early Viennese
Quartets†from
1773, K. 168-173. Entries
in the autograph
manuscript by the
composer's father
Leopold, however, suggest
that the ordering of the
six works into a unified
series of quartets was
his doing. In his
preface, Wolf-Dieter
Seiffert shares brand-new
findings on the actual
chronology of the genesis
of these quartets.
Moreover, he succeeds in
correcting what in prior
editions were occasional
inaccuracies in dynamics
and articulation, thereby
producing a new, assured
musical text. With
artistic input from the
Armida Quartet, Volume II
of the String Quartets
also sets the benchmark
in the Mozart Edition!
Contents: String Quartet
in F Major, K. 168 String
Quartet in A Major, K.
169 String Quartet in C
Major, K. 170 String
Quartet in E-flat Major,
K. 171 String Quartet in
B-flat Major, K. 172
String Quartet in D
minor, K. 173.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$22.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet In C Major Op. 61 B 121 Quatuor à cordes: 2 violons, alto, violoncelle G. Henle
Parts. Composed by Antonin Dvorak (1841-1904). Edited by Peter Jost. Henle Mus...(+)
Parts. Composed by
Antonin
Dvorak (1841-1904).
Edited by
Peter Jost. Henle Music
Folios. Softcover. 80
pages.
G. Henle #HN1399.
Published
by G. Henle
$24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet No. 5 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.14440455S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440455S Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation. 53
pages. Duration 22
minutes. Theodore Presser
Company #144-40455S.
Published by Theodore
Presser Company
(PR.14440455S). UPC:
680160030873. After
finishing a serious
woodwind quintet in the
fall of 2001 [Tela
Lacerata], I found, in
the ensuing months, that
its cinders/ashes were
still impregnating my
eardrums. Therefore, when
I set out to write the
present string piece, I
realized that the musical
veins of the quartet,
like related cousins,
were sharing the same
blood as the earlier wind
composition. The
resultant Fifth Quartet
evolved into two large,
extended movements, each
one containing seven
parts that are played
without pause. As the
list of the various
sub-sections clearly
indicates, the formal
structure of the
movements appear to be
identical: each with
three main parts
enveloped by interludes,
plus an introduction and
coda. However, the
principal segments of the
first (slow) movement
gradually decrease in
length, while those of
the second (fast)
movement increase. In
addition, there is a
goodly amount of sonic
material stolen from the
first movement which
reappears -- stitched
together in a new guise
-- into the world of the
second. for example, the
bulk of Parts B and C of
Movement II are lifted
bodily, although
elaborately modified,
from their first
appearances in the
Introduction and Part A
of the fist movement.
This offers, I suppose at
least a hint of a
traditional
recapitulation. As was
true in the earlier
woodwind piece -- both
harmonically and
melodically -- the
embryonic growth of the
musical fabric (primarily
the tritone and perfect
fifth) is omnipresent,
almost obsessively,
throughout the course of
the whole work. These two
intervals, not unlike
plasticine, habitually
transform themselves into
the scales, chords, and
melodic lines that
pervade the texture of
the quartet. Owing to the
largely unrelieved
dramatic flow, the
shifting speed, and the
often fervent intensity,
the quartet places
considerable demands on
the dexterity,
virtuosity, and stamina
of the four performers.
String Quartet No. 5 is
approximately 22 minutes
in duration and
affectionately dedicated
to my violinist wife
Elizabeth, as a gift for
our 47 years together. It
was commissioned by the
Corigliano String
Quartet, New York, NY. --
Sydney Hodkinson. $35.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 5 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.144404550 Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.144404550 Composed
by Sydney F. Hodkinson.
Set of Score and Parts.
With Standard notation.
Composed 2002.
53+20+16+16+16 pages.
Duration 22 minutes.
Theodore Presser Company
#144-40455. Published by
Theodore Presser Company
(PR.144404550). UPC:
680160030859. After
finishing a serious
woodwind quintet in the
fall of 2001 [Tela
Lacerata], I found, in
the ensuing months, that
its cinders/ashes were
still impregnating my
eardrums. Therefore, when
I set out to write the
present string piece, I
realized that the musical
veins of the quartet,
like related cousins,
were sharing the same
blood as the earlier wind
composition. The
resultant Fifth Quartet
evolved into two large,
extended movements, each
one containing seven
parts that are played
without pause. As the
list of the various
sub-sections clearly
indicates, the formal
structure of the
movements appear to be
identical: each with
three main parts
enveloped by interludes,
plus an introduction and
coda. However, the
principal segments of the
first (slow) movement
gradually decrease in
length, while those of
the second (fast)
movement increase. In
addition, there is a
goodly amount of sonic
material stolen from the
first movement which
reappears -- stitched
together in a new guise
-- into the world of the
second. for example, the
bulk of Parts B and C of
Movement II are lifted
bodily, although
elaborately modified,
from their first
appearances in the
Introduction and Part A
of the fist movement.
This offers, I suppose at
least a hint of a
traditional
recapitulation. As was
true in the earlier
woodwind piece -- both
harmonically and
melodically -- the
embryonic growth of the
musical fabric (primarily
the tritone and perfect
fifth) is omnipresent,
almost obsessively,
throughout the course of
the whole work. These two
intervals, not unlike
plasticine, habitually
transform themselves into
the scales, chords, and
melodic lines that
pervade the texture of
the quartet. Owing to the
largely unrelieved
dramatic flow, the
shifting speed, and the
often fervent intensity,
the quartet places
considerable demands on
the dexterity,
virtuosity, and stamina
of the four performers.
String Quartet No. 5 is
approximately 22 minutes
in duration and
affectionately dedicated
to my violinist wife
Elizabeth, as a gift for
our 47 years together. It
was commissioned by the
Corigliano String
Quartet, New York, NY. --
Sydney Hodkinson. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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