| Scandianavian Folk Songs Med Vioce Schott
Tenor Voice and Piano (MED) SKU: HL.49005752 By Kurt Adler. Edited by Hei...(+)
Tenor Voice and Piano
(MED) SKU:
HL.49005752 By Kurt
Adler. Edited by Heinrich
Moeller. Edition Schott.
Classical. Book Only. 64
pages. Schott Music
#HL50325850. Published by
Schott Music
(HL.49005752). ISBN
9780793526123. UPC:
73999258509. 273 X 191
inches. Contents:
Meyerbeer: O Paradis
sorti de l'onde
(L'Africaine) –
Verdi: Celeste Aida
(Aida) • Io la vidi
(Don Carlo) • Oh, tu
che in seno agli angeli
(La Forza Del Destino)
• Parmi veder le
lagrime (Rigoletto)•
La donna e mobile
(Rigoletto) • Ah, si
ben mio coll'essere (Il
Trovatore) –
Smetana: Jenik's Aria
(The Bartered Bride)
– Puccini: Che
gelida manina (La Boheme)
• Donna non vidi mai
(Manon Lescaut)•
Recondita armonia (Tosca)
• E lucevan le
stelle (Tosca) –
Bizet: Le fleur que tu
m'avais jetee (Carmen)
– Mozart: Un' aura
amorosa (Cosö fan
tutte) • Il mio
tesoro intanto (Don
Giovanni) •Dalla sua
pace (Don Giovanni)
• O wie angstlich
(Die Entführung aus
dem Serail) • Dies
Bildniss ist bezaubernd
schon (Die
Zauberflöte) –
Donizetti: Com'e gentil
(Don Pasquale) • Una
furtiva lagrima(L'Elisir
D'Amore) • Spirto
gentil (La Favorita)
• Fra poco a me
ricovero (Lucia di
Lammermoor) –
Tchaikovsky: Lenski's
Aria (Eugene Onegin)
– Gounod: Salut!
demeure chaste et pure
(Faust) •
Ah,leve-toi, soleil!
(Roméo et
Juliette) – C.M.von
Weber: Durch die Walder
(Der Freischütz)
– Ponchielli: Cielo
e mar (La Gioconda);
Godard: Oh! ne t'eveille
pas (Jocelyn) –
Wagner: Amstillen Herd
(DieMeistersinger von
Nurnberg) •
Morgenlich leuchtend im
rosigen Schein (Walther's
Prize-Song) (Die
Meistersinger von
Nurnburg) • In
fernem Land (Lohengrin)
• Wintersturme
wichen dem Wonnemond (Die
Walkure) –Halevy:
Rachel, quand du Seigneur
(La Juive) –
Delibes: Fantaisie aux
divins mensonges (Lakme)
– Massenet: En
ferment les yeux (The
Dream of Des Grieux)
(Manon) • Ah! fuyez,
douce image (Manon)
– Flotow:M'appari
tutt'amor (Martha)
– A. Thomas: Elle
ne croyait pas (Mignon)
• Adieu, Mignon!
(Mignon) – Auber:
Du pauvre seul ami
(Slumber-Song) (La Muette
de Portici) –
Leoncavallo: Vesti la
giubba (Pagliacci)–
Lalo: Vainement, ma
bien-aimee (Le Roi
d'Ys).Celebrated arias
selected from operas a
range of composers in
five volumes. This volume
is compiled by Kurt Adler
and is for Tenor Voice.
It includes selections
from The Magic Flute, The
Bartered Bride, Faust,
Cosi Fan Tutte, Romeo and
Juliet and many more
operas.
Contents:
Meyerbeer: O Paradis
sorti de l'onde
(L'Africaine) –
Verdi: Celeste Aida
(Aida) • Io la vidi
(Don Carlo) • Oh, tu
che in seno agli angeli
(La Forza Del Destino)
• Parmi veder le
lagrime (Rigoletto)•
La donna e mobile
(Rigoletto) • Ah, si
ben mio coll'essere (Il
Trovatore) –
Smetana: Jenik's Aria
(The Bartered Bride)
– Puccini: Che
gelida manina (La Boheme)
• Donna non vidi mai
(Manon Lescaut)•
Recondita armonia (Tosca)
• E lucevan le
stelle (Tosca) –
Bizet: Le fleur que tu
m'avais jetee (Carmen)
– Mozart: Un' aura
amorosa (Cosö fan
tutte) • Il mio
tesoro intanto (Don
Giovanni) •Dalla sua
pace (Don Giovanni)
• O wie angstlich
(Die Entführung aus
dem Serail) • Dies
Bildniss ist bezaubernd
schon (Die
Zauberflöte) –
Donizetti: Com'e gentil
(Don Pasquale) • Una
furtiva lagrima(L'Elisir
D'Amore) • Spirto
gentil (La Favorita)
• Fra poco a me
ricovero (Lucia di
Lammermoor) –
Tchaikovsky: Lenski's
Aria (Eugene Onegin)
– Gounod: Salut!
demeure chaste et pure
(Faust) •
Ah,leve-toi, soleil!
(Roméo et
Juliette) – C.M.von
Weber: Durch die Walder
(Der Freischütz)
– Ponchielli: Cielo
e mar (La Gioconda);
Godard: Oh! ne t'eveille
pas (Jocelyn) –
Wagner: Amstillen Herd
(DieMeistersinger von
Nurnberg) •
Morgenlich leuchtend im
rosigen Schein (Walther's
Prize-Song) (Die
Meistersinger von
Nurnburg) • In
fernem Land (Lohengrin)
• Wintersturme
wichen dem Wonnemond (Die
Walkure) –Halevy:
Rachel, quand du Seigneur
(La Juive) –
Delibes: Fantaisie aux
divins mensonges (Lakme)
– Massenet: En
ferment les yeux (The
Dream of Des Grieux)
(Manon) • Ah! fuyez,
douce image (Manon)
– Flotow:M'appari
tutt'amor (Martha)
– A. Thomas: Elle
ne croyait pas (Mignon)
• Adieu, Mignon!
(Mignon) – Auber:
Du pauvre seul ami
(Slumber-Song) (La Muette
de Portici) –
Leoncavallo: Vesti la
giubba (Pagliacci)–
Lalo: Vainement, ma
bien-aimee (Le Roi
d'Ys).
Contents:
Meyerbeer: O Paradis
sorti de l'onde
(L'Africaine) –
Verdi: Celeste Aida
(Aida) • Io la vidi
(Don Carlo) • Oh, tu
che in seno agli angeli
(La Forza Del Destino)
• Parmi veder le
lagrime (Rigoletto)•
La donna e mobile
(Rigoletto) • Ah, si
ben mio coll'essere (Il
Trovatore) –
Smetana: Jenik's Aria
(The Bartered Bride)
– Puccini: Che
gelida manina (La Boheme)
• Donna non vidi mai
(Manon Lescaut)•
Recondita armonia (Tosca)
• E lucevan le
stelle (Tosca) –
Bizet: Le fleur que tu
m'avais jetee (Carmen)
– Mozart: Un' aura
amorosa (Cosö fan
tutte) • Il mio
tesoro intanto (Don
Giovanni) •Dalla sua
pace (Don Giovanni)
• O wie angstlich
(Die Entführung aus
dem Serail) • Dies
Bildniss ist bezaubernd
schon (Die
Zauberflöte) –
Donizetti: Com'e gentil
(Don Pasquale) • Una
furtiva lagrima(L'Elisir
D'Amore) • Spirto
gentil (La Favorita)
• Fra poco a me
ricovero (Lucia di
Lammermoor) –
Tchaikovsky: Lenski's
Aria (Eugene Onegin)
– Gounod: Salut!
demeure chaste et pure
(Faust) •
Ah,leve-toi, soleil!
(Roméo et
Juliette) – C.M.von
Weber: Durch die Walder
(Der Freischütz)
– Ponchielli: Cielo
e mar (La Gioconda);
Godard: Oh! ne t'eveille
pas (Jocelyn) –
Wagner: Amstillen Herd
(DieMeistersinger von
Nurnberg) •
Morgenlich leuchtend im
rosigen Schein (Walther's
Prize-Song) (Die
Meistersinger von
Nurnburg) • In
fernem Land (Lohengrin)
• Wintersturme
wichen dem Wonnemond (Die
Walkure) –Halevy:
Rachel, quand du Seigneur
(La Juive) –
Delibes: Fantaisie aux
divins mensonges (Lakme)
– Massenet: En
ferment les yeux (The
Dream of Des Grieux)
(Manon) • Ah! fuyez,
douce image (Manon)
– Flotow:M'appari
tutt'amor (Martha)
– A. Thomas: Elle
ne croyait pas (Mignon)
• Adieu, Mignon!
(Mignon) – Auber:
Du pauvre seul ami
(Slumber-Song) (La Muette
de Portici) –
Leoncavallo: Vesti la
giubba (Pagliacci)–
Lalo: Vainement, ma
bien-aimee (Le Roi
d'Ys).
Contents:
Meyerbeer: O Paradis
sorti de l'onde
(L'Africaine) –
Verdi: Celeste Aida
(Aida) • Io la vidi
(Don Carlo) • Oh, tu
che in seno agli angeli
(La Forza Del Destino)
• Parmi veder le
lagrime (Rigoletto)•
La donna e mobile
(Rigoletto) • Ah, si
ben mio coll'essere (Il
Trovatore) –
Smetana: Jenik's Aria
(The Bartered Bride)
– Puccini: Che
gelida manina (La Boheme)
• Donna non vidi mai
(Manon Lescaut)•
Recondita armonia (Tosca)
• E lucevan le
stelle (Tosca) –
Bizet: Le fleur que tu
m'avais jetee (Carmen)
– Mozart: Un' aura
amorosa (Cosö fan
tutte) • Il mio
tesoro intanto (Don
Giovanni) •Dalla sua
pace (Don Giovanni)
• O wie angstlich
(Die Entführung aus
dem Serail) • Dies
Bildniss ist bezaubernd
schon (Die
Zauberflöte) –
Donizetti: Com'e gentil
(Don Pasquale) • Una
furtiva lagrima(L'Elisir
D'Amore) • Spirto
gentil (La Favorita)
• Fra poco a me
ricovero (Lucia di
Lammermoor) –
Tchaikovsky: Lenski's
Aria (Eugene Onegin)
– Gounod: Salut!
demeure chaste et pure
(Faust) •
Ah,leve-toi, soleil!
(Roméo et
Juliette) – C.M.von
Weber: Durch die Walder
(Der Freischütz)
– Ponchielli: Cielo
e mar (La Gioconda);
Godard: Oh! ne t'eveille
pas (Jocelyn) –
Wagner: Amstillen Herd
(DieMeistersinger von
Nurnberg) •
Morgenlich leuchtend im
rosigen Schein (Walther's
Prize-Song) (Die
Meistersinger von
Nurnburg) • In
fernem Land (Lohengrin)
• Wintersturme
wichen dem Wonnemond (Die
Walkure) –Halevy:
Rachel, quand du Seigneur
(La Juive) –
Delibes: Fantaisie aux
divins mensonges (Lakme)
– Massenet: En
ferment les yeux (The
Dream of Des Grieux)
(Manon) • Ah! fuyez,
douce image (Manon)
– Flotow:M'appari
tutt'amor (Martha)
– A. Thomas: Elle
ne croyait pas (Mignon)
• Adieu, Mignon!
(Mignon) – Auber:
Du pauvre seul ami
(Slumber-Song) (La Muette
de Portici) –
Leoncavallo: Vesti la
giubba (Pagliacci)–
Lalo: Vainement, ma
bien-aimee (Le Roi
d'Ys).
Contents:
Meyerbeer: O Paradis
sorti de l'onde
(L'Africaine) –
Verdi: Celeste Aida
(Aida) • Io la vidi
(Don Carlo) • Oh, tu
che in seno agli angeli
(La Forza Del Destino)
• Parmi veder le
lagrime (Rigoletto)•
La donna e mobile
(Rigoletto) • Ah, si
ben mio coll'essere (Il
Trovatore) –
Smetana: Jenik's Aria
(The Bartered Bride)
– Puccini: Che
gelida manina (La Boheme)
• Donna non vidi mai
(Manon Lescaut)•
Recondita armonia (Tosca)
• E lucevan le
stelle (Tosca) –
Bizet: Le fleur que tu
m'avais jetee (Carmen)
– Mozart: Un' aura
amorosa (Cosö fan
tutte) • Il mio
tesoro intanto (Don
Giovanni) •Dalla sua
pace (Don Giovanni)
• O wie angstlich
(Die Entführung aus
dem Serail) • Dies
Bildniss ist bezaubernd
schon (Die
Zauberflöte) –
Donizetti: Com'e gentil
(Don Pasquale) • Una
furtiva lagrima(L'Elisir
D'Amore) • Spirto
gentil (La Favorita)
• Fra poco a me
ricovero (Lucia di
Lammermoor) –
Tchaikovsky: Lenski's
Aria (Eugene Onegin)
– Gounod: Salut!
demeure chaste et pure
(Faust) •
Ah,leve-toi, soleil!
(Roméo et
Juliette) – C.M.von
Weber: Durch die Walder
(Der Freischütz)
– Ponchielli: Cielo
e mar (La Gioconda);
Godard: Oh! ne t'eveille
pas (Jocelyn) –
Wagner: Amstillen Herd
(DieMeistersinger von
Nurnberg) •
Morgenlich leuchtend im
rosigen Schein (Walther's
Prize-Song) (Die
Meistersinger von
Nurnburg) • In
fernem Land (Lohengrin)
• Wintersturme
wichen dem Wonnemond (Die
Walkure) –Halevy:
Rachel, quand du Seigneur
(La Juive) –
Delibes: Fantaisie aux
divins mensonges (Lakme)
– Massenet: En
ferment les yeux (The
Dream of Des Grieux)
(Manon) • Ah! fuyez,
douce image (Manon)
– Flotow:M'appari
tutt'amor (Martha)
– A. Thomas: Elle
ne croyait pas (Mignon)
• Adieu, Mignon!
(Mignon) – Auber:
Du pauvre seul ami
(Slumber-Song) (La Muette
de Portici) –
Leoncavallo: Vesti la
giubba (Pagliacci)–
Lalo: Vainement, ma
bien-aimee (Le Roi
d'Ys). $28.99 - Voir plus => Acheter | | |
| Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1 Piano seul [Conducteur] Musik Fabrik
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A.
Published
by Musik Fabrik
$48.69 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Nogizaka 46 - Under Super Best for Easy Piano Piano seul Yamaha
Piano - Easy-Intermediate SKU: YM.GTP01096407 Piano Pop & Vocal. Artist F...(+)
Piano - Easy-Intermediate
SKU:
YM.GTP01096407 Piano
Pop & Vocal. Artist
Folio. Sheet music.
Yamaha Music Media
#GTP01096407. Published
by Yamaha Music Media
(YM.GTP01096407). ISBN
9784636964073. CD
maching folio of their
Under Super Best. 46
arrangements
1.
Hidarimune no Yuuki; 2.
Ohkamini Kuchibuewo; 3.
Namida ga Mada
Kanashimidatta Koro; 4.
Haruno Melody; 5. Friday
the 13th; 6. Senpuuki; 7.
Hatsukoi no Hitowo
Imademo; 8. Umareta
Mamade; 9. Kokoni Iru
Riyuu; 10. Anohi Bokuwa
Tossani Uso wo Tsuita;
11. Kimiwa Bokuto
Awanaihoga Yokattanokana;
12. Wakaregiwa Motto
Sukininaru; 13. Shitto no
Kenri; 14. Futo gou; 15.
Secret graffity; 16.
Buranko; 17. Fusen wa
Ikiteiru; 18. Under; 19.
My rule; 20. Jiyu no
Kanata; 21. Yokubo no
Reincarnation; 22. Kimiga
Aoidekureta; 23. Jibun no
Koto; 24. Unubore Beach;
25. Sono Onna; 26. Dare
Yori Sobani Itai. $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2 Piano seul [Conducteur] - Intermédiaire Musik Fabrik
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5 SKU:
FA.MFCD017B By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B). 8.27 x
11.69
inches. Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher. $48.69 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Ludwig van Beethoven: Variations for Piano, Volume II
Piano seul [Partition] G. Henle
Composed by Ludwig van Beethoven (1770-1827), edited by Joseph Schmidt-gorg. Col...(+)
Composed by Ludwig van
Beethoven (1770-1827),
edited by Joseph
Schmidt-gorg. Collection
for Piano (Harpsichord),
2-hands. With
introductory text and
performance notes. Urtext
edition-paper bound. 144
pages. Published by G.
Henle.
$38.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prelude a L'Histoire de Tristan Piano seul [Conducteur] - Intermédiaire Musik Fabrik
Piano - Grade 4 SKU: FA.MFCD007PN By Nicolas Horvath. By Claude Debussy a...(+)
Piano - Grade 4 SKU:
FA.MFCD007PN By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Classical,
Impressionistic. Score.
Musik Fabrik #MFCD007PN.
Published by Musik Fabrik
(FA.MFCD007PN). 8.27 x
11.69
inches. Debussy's
friendship with the
versatile poet and
playwright Gabriel Mourey
began in 1899, and in
July 1907 Mourey offered
Debussy a libretto based
on Le roman de Tristan -
Joseph Bedier's
adaptation of a
twelfth-century Breton
romance by the
Anglo-Norman poet known
as Thomas - which had
recently been published
in Paris. Debussy
enthusiastically outlined
the four-act plot to
Victor Segalen that
October, and the main
differences from Wagner's
Tristan und Isolde are
that none of the action
takes place in Cornwall
and that Isolde of the
White Hands is found
guilty of cuckolding King
Marc with Tristan, who
has to rescue her from
the leper colony in which
she is abandoned in Act
1. She also betrays him
when he goes mad at the
end.
The idea of a
Tristan that restored its
'legendary character' and
had no connections with
Wagner, appealed to
Debussy, who was
extremely moved by the
circumstances of
Tristan's death. Even if
he thought that Mourey's
poetry was 'not very
lyrical and many passages
do not exactly invite
music', he did work on
the libretto and the
music that summer and
sent his publisher,
Jacques Durand, 'one of
the 363 themes for the
Roman de Tristan' in a
letter sent from
Pourville on 23 August,
1907. The present prelude
grows from this theme,
together with the
poignant Breton folksong
Le Faucon. After a short
atmospheric introduction,
Debussy's dance-like
theme (which is
definitely not a
leitmotif) gradually
gains momentum and after
it reaches its ecstatic
climax, representing the
transient happiness of
the lovers, it dissolves
into an expressive coda
and an elegiac close (all
growing from Debussy's
opening, off-stage
trumpet calls), leaving
us with the ultimate
tragedy of their
ill-fated
affair.
Unfortunat
ely, Mourey's actual
libretto has been lost
and the project
eventually foundered
because Bedier's cousin,
Louis Artus, wanted
Debussy to use the
scenario he had prepared
and copyrighted for the
stage, and would not
allow him to proceed with
Mourey's version.
Debussy, it need hardly
be said, would never have
dreamed of collaborating
with the author of the
vaudeville hit La culotte
(The pants)! $12.94 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Operatic Anthology - Volume 3 Voix Tenor, Piano Schirmer
Tenor and Piano. By Various. Arranged by Kurt Adler. Vocal Collection. Size 7.5x...(+)
Tenor and Piano. By
Various. Arranged by Kurt
Adler. Vocal Collection.
Size 7.5x10.8 inches. 252
pages. Published by G.
Schirmer, Inc.
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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