| Rift for String Trio Violon, Alto (duo) Wilhelm Hansen
Cello; String Trio; Viola; Violin SKU: HL.238304 Score. Composed b...(+)
Cello; String Trio;
Viola; Violin SKU:
HL.238304
Score. Composed by
Henrik Hellstenius. Music
Sales America. Classical.
Softcover. Composed 2017.
14 pages. Edition Wilhelm
Hansen #WH32972.
Published by Edition
Wilhelm Hansen
(HL.238304). ISBN
9788759839584.
10.25x14.5x0.43 inches.
English. Rift for
String Trio by Henrik
Hellstenius .
Commissioned by Jakob
Kullberg and written for
Trio Aristo, 2014. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rift - Intermédiaire Wilhelm Hansen
Parts Strings - Grade 5 SKU: HL.243784 Violin, Viola, Cello Parts....(+)
Parts Strings - Grade 5
SKU: HL.243784
Violin, Viola, Cello
Parts. Composed by
Henrik Hellstenius. Music
Sales America. Classical.
Set of Parts. Composed
2017. 24 pages. Edition
Wilhelm Hansen #WH32972A.
Published by Edition
Wilhelm Hansen
(HL.243784). ISBN
9788759893685. 9.5x14.0
inches.
English. Set of
parts for Rift for String
Trio by Henrik
Hellstenius. Commissioned
by Jakob Kullberg and
written for Trio Aristo,
2014. $39.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jaiser G Weber Als Schriftsteller Schott
(HC) SKU: HL.49032996 Carl Maria von Weber als Schriftsteller. Com...(+)
(HC) SKU:
HL.49032996 Carl
Maria von Weber als
Schriftsteller.
Composed by Jaiser. This
edition: Hardback/Hard
Cover. Book. Edition
Schott. Umfassende
wissenschaftliche
Untersuchung von Webers
schriftstellerischer
Tatigkeit mit erstmaliger
quellenkritischer Edition
der Fragmente
Tonkunstlers Leben. 265
pages. Schott Music #ED
9296. Published by Schott
Music (HL.49032996).
ISBN 9783795703820.
German. Webers
umfangreiches
schriftstellerisches Werk
spiegelt nicht nur die
asthetischen Positionen
des Komponisten im
Verhaltnis zu seinen
Zeitgenossen wider.
Vielmehr stehen seine
Schriften in einer
komplexen formalen und
inhaltlichen Beziehung zu
den musikalischen Werken
und sind somit fur das
Verstandnis der
Kunstlerpersonlichkeit
Weber unverzichtbar.
Dieser Band behandelt
alle Bereiche seiner
schriftstellerischen
Arbeit; auch Briefe und
Tagebucher, die
zahlreiche Verbindungen
zu den Schriften
aufweisen, werden
einbezogen. Im
Mittelpunkt stehen die
Fragmente zum Roman
'Tonkunstlers Leben', die
als kunstlerisches
Manifest interpretiert
werden konnen. $62.00 - Voir plus => Acheter | | |
| Die liturgischen Musikhandschriften aus dem mittelalterlichen Patriarchat Aquileia, Teilband 1: Einleitung, Handschriftenbeschreibung Barenreiter
Vocal (singing voice) SKU: BA.BA05722 Edited by Raffaella Camilot-Oswald....(+)
Vocal (singing voice)
SKU: BA.BA05722
Edited by Raffaella
Camilot-Oswald. This
edition: Complete
edition. Paperback.
Monumenta Monodica Medii
Aevi, Subsidia 2/1.
Complete edition,
anthology. 115 pages.
Baerenreiter Verlag
#BA05722_00. Published by
Baerenreiter Verlag
(BA.BA05722). ISBN
9790006496914. 24 x 17 cm
inches. Monumenta
Monodica Medii Aevi,
Subsidia. Teilband 1:
Einleitung,
Handschriftenbeschreibung
. $247.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bibliographie Musikschrifttums Schott
(1988) SKU: HL.49008420 Edited by Staatliches Institut fuer Musikforschun...(+)
(1988) SKU:
HL.49008420 Edited by
Staatliches Institut fuer
Musikforschung
Preussischer
Kulturbesitz. This
edition: Full-cloth
binding. Book. Edition
Schott. Classical. 705
pages. Schott Music #ED
9454. Published by Schott
Music (HL.49008420).
ISBN 9783795714888.
German. Die BMS
wurde im Jahre 1936 vom
Staatlichen Institut fur
deutsche Musikforschung
in Berlin begrundet mit
dem Ziel, die in aller
Welt erscheinende
Literatur uber Musik
fortlaufend zu
verzeichnen; sie setzte
damit die
bibliographischen
Ubersichten des
Jahrbuches der
Musikbibliothek Peters
fort. Die BMS wurde
zunachst von Kurt Taut,
dann von Georg Karstadt
herausgegeben und bei
Friedrich Hofmeister in
Leipzig verlegt (Leipzig:
Hofmeister, 1936-1941
[Bande 1.1936 bis
4.1939]). Nach einer
Berichtszeit von vier
Jahren musste die BMS ihr
Erscheinen kriegsbedingt
einstellen. Die
Wiederaufnahme des
bibliographischen
Unternehmens nach dem
Weltkrieg ist dem
Musikwissenschaftler und
Bibliothekar Wolfgang
Schmieder zu verdanken.
Im Auftrag des neu
konstituierten Instituts
fur Musikforschung
brachte er im Jahr 1954
einen ersten neuen Band
mit dem Berichtszeitraum
1950/51 heraus. Seitdem
wird das Werk
kontinuierlich als
eigenstandige Publikation
des Staatlichen Instituts
fur Musikforschung
fortgesetzt. Als letzter
Band in Printform
erschien 2001 der Band
fur das Jahr 1988
(Frankfurt am Main:
Hofmeister, 1954-1968
[Bande 1.1950/51 bis
6.1960], Mainz: Schott,
1969-2001 [Bande 1961 bis
1988, ohne Zahlung]).
Seit 1968 arbeitet die
bibliographische
Redaktion des Instituts
auch als deutsche
Redaktion fur RILM
Abstracts of Music
Literature. Heute findet
sich die Bibliographie
des Musikschrifttums
online unter
musikbibliographie.de
wieder. $125.95 - Voir plus => Acheter | | |
| Drifting - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS113
Composed by Bruce W.
Tippette. Concert String
Orchestra (CAS). Set of
Score and Parts. With
Standard notation.
16+4+16+10+10+10+3+12
pages. Duration 3
minutes, 50 seconds. Carl
Fischer Music #CAS113.
Published by Carl Fischer
Music (CF.CAS113).
ISBN 9781491151327.
UPC: 680160908820. 9 x 12
inches. Key: E
minor. Composed by
Bruce W. Tippette,
Drifting?utilizes musical
passages to allude to the
image of something
drifting down a river in
the woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. The musical
passages in this piece
for string orchestra
conjure images of
something, perhaps a
leaf, gently drifting
down a river in the
woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. As
Drifting<
/em>
opens, soft pizzicato
strings are uttered in
the lower string voices,
while the upper voices
slowly swell into the
appearance of the main
motive in m. 9. This
theme develops and passes
through several voices
until being replaced by a
new motive in m. 36,
accompanied by driving
rhythms and frequent
modulations. A powerful
resurgence of the
original motive occurs in
m. 60. Melodic remnants
of the previous sections
are presented in a new
fashion as the piece
comes to a dramatic close
with all voices playing
in rhythmic unison in the
closing
measures.. The musical
passages in this piece
for string orchestra
conjure images of
something, perhaps a
leaf, gently drifting
down a river in the
woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. As
Drifting<
/em>
opens, soft pizzicato
strings are uttered in
the lower string voices,
while the upper voices
slowly swell into the
appearance of the main
motive in m. 9. This
theme develops and passes
through several voices
until being replaced by a
new motive in m. 36,
accompanied by driving
rhythms and frequent
modulations. A powerful
resurgence of the
original motive occurs in
m. 60. Melodic remnants
of the previous sections
are presented in a new
fashion as the piece
comes to a dramatic close
with all voices playing
in rhythmic unison in the
closing
measures.. The
musical passages in this
piece for string
orchestra conjure images
of something, perhaps a
leaf, gently drifting
down a river in the
woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. As Drifting
opens, soft pizzicato
strings are uttered in
the lower string voices,
while the upper voices
slowly swell into the
appearance of the main
motive in m. 9. This
theme develops and passes
through several voices
until being replaced by a
new motive in m. 36,
accompanied by driving
rhythms and frequent
modulations. A powerful
resurgence of the
original motive occurs in
m. 60. Melodic remnants
of the previous sections
are presented in a new
fashion as the piece
comes to a dramatic close
with all voices playing
in rhythmic unison in the
closing measures.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Drifting [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3
SKU: CF.CAS113F
Composed by Bruce W.
Tippette. Concert String
Orchestra (CAS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #CAS113F.
Published by Carl Fischer
Music (CF.CAS113F).
ISBN 9781491151693.
UPC: 680160909193. 9 x 12
inches. Composed by
Bruce W. Tippette,
Drifting?utilizes musical
passages to allude to the
image of something
drifting down a river in
the woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. The musical
passages in this piece
for string orchestra
conjure images of
something, perhaps a
leaf, gently drifting
down a river in the
woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. As
Drifting<
/em>
opens, soft pizzicato
strings are uttered in
the lower string voices,
while the upper voices
slowly swell into the
appearance of the main
motive in m. 9. This
theme develops and passes
through several voices
until being replaced by a
new motive in m. 36,
accompanied by driving
rhythms and frequent
modulations. A powerful
resurgence of the
original motive occurs in
m. 60. Melodic remnants
of the previous sections
are presented in a new
fashion as the piece
comes to a dramatic close
with all voices playing
in rhythmic unison in the
closing
measures.. The musical
passages in this piece
for string orchestra
conjure images of
something, perhaps a
leaf, gently drifting
down a river in the
woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. As
Drifting<
/em>
opens, soft pizzicato
strings are uttered in
the lower string voices,
while the upper voices
slowly swell into the
appearance of the main
motive in m. 9. This
theme develops and passes
through several voices
until being replaced by a
new motive in m. 36,
accompanied by driving
rhythms and frequent
modulations. A powerful
resurgence of the
original motive occurs in
m. 60. Melodic remnants
of the previous sections
are presented in a new
fashion as the piece
comes to a dramatic close
with all voices playing
in rhythmic unison in the
closing
measures.. The
musical passages in this
piece for string
orchestra conjure images
of something, perhaps a
leaf, gently drifting
down a river in the
woods. It journeys
through twists and turns,
placid streams and
roaring rapids,
eventually making a grand
entrance into open
waters. As Drifting
opens, soft pizzicato
strings are uttered in
the lower string voices,
while the upper voices
slowly swell into the
appearance of the main
motive in m. 9. This
theme develops and passes
through several voices
until being replaced by a
new motive in m. 36,
accompanied by driving
rhythms and frequent
modulations. A powerful
resurgence of the
original motive occurs in
m. 60. Melodic remnants
of the previous sections
are presented in a new
fashion as the piece
comes to a dramatic close
with all voices playing
in rhythmic unison in the
closing measures.
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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