PARTITIONS GRATUITES : CHOEUR SATB
- The Feeding

Performed by Coheed & Cambria. Guitar Recorded Versions (Authentic note-for-note transcriptions). With notes and tablature. Size 9x12 inches. 173 pages. Published by Hal Leonard.

SKU: M7.MV-8525

A Bavarian Comedy. Composed by Carl Orff. DVD. MusicAvision. Duration 105'. MDS (Music Distribution Services) #MV 8525. Published by MDS (Music Distribution Services) (M7.MV-8525).

ISBN 9783795778316.

'Ast utuli' are the cheeky super-bright people who get taken all too easily by a clever con-man. Nobody wants to be the dumb one; thus, the audience first lose a healthy sense of truth, then they lose their clothes and their purses and eventually all their dignity. 'Everything is make-believe!' shouts the entertainer before disappearing with his accomplice and the loot. It's a rascal's tale, a story of deception, which is both fascinating and amusing. But behind all that - and unnoticeable until the very end - we find deceit, spoon-feeding and theft. All this is presented in Carl Orff's 'rootsy' and powerful Bavarian style - both linguistically and musically. - This recent DVD edition 'Carl Orff' presents a new view of the significant 20th-century composer Carl Orff (1895-1982). Conductor: Mark Mast Stage Director: Hellmuth Matiasek Assistant director: Theo G. Kobler Stage and costumes: Thomas Pekny Lights: Georg Boeshenz Assistant choreographers: Günter Pick, Carlos Carasquilla Choir production: Gernot Schwickert, Mark Mast starring: Michael Schanze (as The Entertainer), Winfried Hübner, Christoph Gehr, Michael Schlenger... Ensemble of the World Theatre Choirs Andechs Young Munich Philharmonic Orchestra Performance: Florian-Stadl (Florian Barn), Kloster Andechs (Andechs Monastery), Orff in Andechs Festival A B.O.A. VIDEOFILMKUNST Munich production, Regie/Director: Peider A. Defilla German with English subtitles Dolby Digital 5.1 DVD-9 / 105 min. regional code: 0 (PAL, colour) frame size: 16 : 9.

SKU: GI.G-10494

Composed by Sandy Goldie. Music Education. 104 pages. GIA Publications #10494. Published by GIA Publications (GI.G-10494).

ISBN 9781574635195.

This book contains collective insights from some of the most inspirational high school orchestra directors in the United States. They reveal their ideas on rehearsal philosophy, rehearsal preparation, warm-up strategies, favorite repertoire, tone/bow control, intonation, articulation, expression, online instruction, recruiting and building community. Each of their stories is as unique as the individual strategies and approaches they share. You will surely be inspired by their ideas, approaches, and strategies presented in Rehearsing the High School Orchestra. I know the most joy in my life has come from my violin. (Albert Einstein) —Gail Barnes, University of South Carolina, Columbia, South Carolina Success is not final, failure is not fatal, it is the courage to continue that counts. (Winston Churchill) —David Eccles, The Lovett School, Atlanta, Georgia I want every student who comes through my door to enjoy and see the value of music. —Creston Herron, Klein High School, Klein, Texas Without music, life would be a mistake. (Friedrich Nietzsche) —Cathie Hudnall, Norcross High School, Norcross, Georgia To make a resolution and act accordingly is to live with hope. There may be difficulties and hardships, but not disappointment or despair if you follow the path steadily. Do not rest in your efforts, without stopping, without haste, carefully taking a step at a time forward will surely get you there. (Shinichi Suzuki) —Scott Laird, North Carolina School of Science and Mathematics, Durham, North Carolina Orchestra class teaches so much more than how to play a stringed instrument. We learn valuable life skills in ‘O.R.C.H.E.S.T.R.A� �€™â€”Opportunit y, Responsibility, Concentration, Honesty, Effort, Self-Discipline, Trust, Respect, and Attitude. —Charles Laux, Alpharetta High School, Alpharetta, Georgia I teach excellence and the commitment it takes to be excellent. Music is the discipline that I use to teach this. While music is a beautiful artform, the subject matter is never more important than the subject itself. —Kirt Mosier, Youth Symphony of Kansas City, Kansas City, Missouri You are the music while the music lasts. (T. S. Eliot) —Kirk Moss, University of Northwestern—St. Paul, Roseville, Minnesota The job of teaching is less about feeding information to students, and more about making them hungry. —Christopher Selby, School of the Arts, Charleston, South Carolina High achievement always takes place within the framework of high expectations. (Charles Kettering) —Laura Mulligan Thomas, Charlottesville High School, Charlottesville, Virginia.

Band Bass Clarinet, Bass Drum, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Snare Drum, Suspended Cymbal, Tambourine and more. - Grade 2.5

SKU: CF.YPS260

Composed by Patrick Glenn Harper. Set of Score and Parts. Carl Fischer Music #YPS260. Published by Carl Fischer Music (CF.YPS260).

ISBN 9781491163603. UPC: 680160922390.

A bird is considered to have fledged at the time when its wing muscles and feathers are sufficiently developed for flight. When young birds have reached this stage, but are still dependent on their parents for care and feeding, they are referred to as fledglings. This piece musically follows a fledgling as it begins the long process of learning to fly. It starts out tentatively, gains ability, struggles, and then eventually soars.In all instances where a longer note is tied to an eighth note, players should release, stopping the sound, on the eighth note. For example, a dotted half note tied to an eighth note should have a definite stop at the beginning of beat 4.Measures 20–26: The sudden changes in dynamics should be exaggerated to produce a somewhat pronounced awkward effect.Measures 52–57: The flute, oboe, and clarinet parts should produce a constant flowing sound in the slurred eighth notes, breathing on the eighth-note rests.Measures 66–67: Make sure the staccatos are very short and pronounced, but do not cover the melody in the low brass and reeds.Measures 72–86: Emphasize the accents on the upbeats in the percussion instruments.Measure 83: Emphasize the crescendo to forte and then immediately drop to mezzo-forte.

Band Bass Clarinet, Bass Drum, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Snare Drum, Suspended Cymbal, Tambourine and more.

SKU: CF.YPS260F

Composed by Patrick Glenn Harper. Full score. 24 pages. Carl Fischer Music #YPS260F. Published by Carl Fischer Music (CF.YPS260F).

ISBN 9781491164006. UPC: 680160922796.

A bird is considered to have fledged at the time when its wing muscles and feathers are sufficiently developed for flight. When young birds have reached this stage, but are still dependent on their parents for care and feeding, they are referred to as fledglings. This piece musically follows a fledgling as it begins the long process of learning to fly. It starts out tentatively, gains ability, struggles, and then eventually soars.In all instances where a longer note is tied to an eighth note, players should release, stopping the sound, on the eighth note. For example, a dotted half note tied to an eighth note should have a definite stop at the beginning of beat 4.Measures 20–26: The sudden changes in dynamics should be exaggerated to produce a somewhat pronounced awkward effect.Measures 52–57: The flute, oboe, and clarinet parts should produce a constant flowing sound in the slurred eighth notes, breathing on the eighth-note rests.Measures 66–67: Make sure the staccatos are very short and pronounced, but do not cover the melody in the low brass and reeds.Measures 72–86: Emphasize the accents on the upbeats in the percussion instruments.Measure 83: Emphasize the crescendo to forte and then immediately drop to mezzo-forte.

Choral TBB choir, piano accompaniment

SKU: CF.CM9590

Composed by Philip E. Silvey. Sws. OCTAVO. 16 pages. Duration 3 minutes, 38 seconds. Carl Fischer Music #CM9590. Published by Carl Fischer Music (CF.CM9590).

ISBN 9781491154120. UPC: 680160912629. 6.875 x 10.5 inches. Key: F major. English. Philip E. Silvey. Original.

Early one spring a robin nested in the bend of the downspout under my neighbors roof. Through an upstairs window, I could easily observe her feeding the newly hatched birds. A couple weeks passed before I spotted one of the babies perched on the edge of the nest. To my surprise, I witnessed it suddenly take flight for the first time, with a rustle of wings and a rocky descent to the ground. Feeling worried, I hurried outside to see what would happen. Part of me wanted its mother to come to the rescue, but deep down I knew this tiny creature would have to fend for itself. I wrote this composition for those who face such seminal moments as they muster the courage to leap from one stage of life into the next.
Early one spring a robin nested in the bend of the downspout under my neighboras roof. Through an upstairs window, I could easily observe her feeding the newly hatched birds. A couple weeks passed before I spotted one of the babies perched on the edge of the nest. To my surprise, I witnessed it suddenly take flight for the first time, with a rustle of wings and a rocky descent to the ground. Feeling worried, I hurried outside to see what would happen. Part of me wanted its mother to come to the rescue, but deep down I knew this tiny creature would have to fend for itself. I wrote this composition for those who face such seminal moments as they muster the courage to leap from one stage of life into the next.
Early one spring a robin nested in the bend of the downspout under my neighbor's roof. Through an upstairs window, I could easily observe her feeding the newly hatched birds. A couple weeks passed before I spotted one of the babies perched on the edge of the nest. To my surprise, I witnessed it suddenly take flight for the first time, with a rustle of wings and a rocky descent to the ground. Feeling worried, I hurried outside to see what would happen. Part of me wanted its mother to come to the rescue, but deep down I knew this tiny creature would have to fend for itself. I wrote this composition for those who face such seminal moments as they muster the courage to leap from one stage of life into the next.
Early one spring a robin nested in the bend of the downspout under my neighbor’s roof. Through an upstairs window, I could easily observe her feeding the newly hatched birds. A couple weeks passed before I spotted one of the babies perched on the edge of the nest. To my surprise, I witnessed it suddenly take flight for the first time, with a rustle of wings and a rocky descent to the ground. Feeling worried, I hurried outside to see what would happen. Part of me wanted its mother to come to the rescue, but deep down I knew this tiny creature would have to fend for itself. I wrote this composition for those who face such seminal moments as they muster the courage to leap from one stage of life into the next.

By Kosnik. For organ. General, sacred. Published by Concordia Publishing House.
Level: Moderately Easy.

SKU: GI.G-003500

Sacred. GIA Publications #003500. Published by GIA Publications (GI.G-003500).

UPC: 641151035000. English.

The Care and Feeding of Singers is an exciting approach to building the choral instrument. Written by the internationally acclaimed composer/choral conductor William Ferris, it is based on over thirty years of experience working with all types of choirs. This resource provides a proven method for healthy prayer, choral singing and for creating a rich, sonorous choral ensemble. It is filled with practical step-by-step rehearsal techniques and with unique vocalises that are fun to sing. A treasure trove of valuable information for conductors and choristers alike. You'll hear immediate results when you use William Ferris‚ highly successful choral methods with your choir.