PARTITIONS GRATUITES :
Niveau Intermédiaire: Grade 3-5 - HARP

By Star Edwards. For Harp (Folk/Celtic). Solos. Bill's Music Shelf. Celtic/Irish. Intermediate. Book. 56 pages

(Arranged for Harp by Sylvia Woods). By Michael Bubl�©. Arranged by Sylvia Woods. For Harp. Harp. Softcover. Published by Hal Leonard

Christmas Carols and Tunes for Solo Harp. Composed by Stephanie Claussen. Saddle- stitched. Christmas. Book. 48 pages. Published by Mel Bay Publications, Inc

Composed by Alex Usher. For autoharp. Folded. Methods. Intermediate. Chart. 4 pages. Published by Mel Bay Publications, Inc

By Anne-Louise Brillon de Jouy. Edited by Barbara Jackson. Harp and piano. For Harp and Piano. Duet for harp and piano. Duet for harp and piano. Classic. Medium. Sheet music. 60 pages

Celtic harp - Intermediate

SKU: MB.97226M

By Kim Robertson. Harp: Folk and Pedal, Saddle-stitched, Celtic / Irish, Solos. Style. Book and online video. 64 pages. Mel Bay Publications, Inc #97226M. Published by Mel Bay Publications, Inc (MB.97226M).

ISBN 9780786695225. 8.75 x 11.75 inches.

Kim Robertson is one of Americas premier Celtic harp soloists. Her technique and range of expression are extraordinary as illustrated in this book containing the selections from her highly acclaimed CD Treasures of the Celtic Harp. The book contains all of the selections from Kim Robertsons Treasures of the Celtic Harp video except Sailors Hornpipe. Includes access to the online performance video.

By Wolfgang Amadeus Mozart (1756-1791). Arranged by J. Jongen. For harp. Harp. Grade 4

Harp - intermediate

SKU: ST.Y259

Composed by Rhian Samuel. String music. [Standard: Intermediate]. Score. Stainer & Bell Ltd. #Y259. Published by Stainer & Bell Ltd. (ST.Y259).

ISBN 9790220222559.

Far Across the Sea' (Ymhell dros y mor) is the latest instrumental work from a composer noted for her original and sensitive writing for harp and harp ensemble.

In this gentle solo, what sounds like a folksong - and a very fine one - is in fact a newly composed tune, crafted with artful simplicity. But as the music journeys further from its characteristically Welsh opening, teasing out new suggestions from the material, the sense of nostalgia becomes definitely more contemporary than traditional, though the uplifting conclusion restores the tone of bardic rhetoric.

This work would be a rewarding item for players of intermediate standard, and was recommended for the under 18 category of the 2009 Wales International Harp Festival.