| The Banquet of Light Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1063947-140 Concert March<...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1063947-140
Concert March.
Composed by Takamasa
Sakai. Inspiration
Series. Score Only.
Composed 2006. 44 pages.
De Haske Publications
#DHP 1063947-140.
Published by De Haske
Publications
(BT.DHP-1063947-140).
9x12 inches.
English-German-French-Dut
ch. The Banquet of
Light is an easily
accessible piece which
takes itsinspiration from
?light? both in terms of
it representing good news
andjoy together with
scenes inspired by light,
such as a sunset over
water,fireworks lighting
up the sky and sunlight
as it streams through a
thickforest. Banquet of
Light will bring a ray of
light to any concert.
De componist werd
voor deze concertmars ge
nspireerd door het woord
‘licht’, dat
staat voor het goede. Ook
een bron van inspiratie
vormde het gegeven
‘licht’ op
zich: het schijnen van de
zon op het water, het
licht van vuurwerk
enzonlicht door de bomen.
The Banquet of
Light begint
briljant, waarna
krachtige passages door
trombones en trompetten
volgen - deze thematiek
wordt overgenomen door
houtblazers. De melodie
van het trio is gebaseerd
op de notene, a, b en d.
Na een aantal herhalingen
komt de fanfare van het
begin terug en leidt naar
een stralend
slot.
Das
brillante und leicht
zugängliche
Eröffnungsstück
weckt verschiedenste
Assoziationen zum Thema
Licht“. Nach der
Fanfare ähnlichen
Einleitung folgen
Passagen in den Posaunen
und Trompeten und deren
Variationen in den
Holzbläsern, die
schließlich in einem
strahlenden Finale enden.
Lassen Sie sich
inspirieren und entdecken
Sie in The Banquet of
Light ein Feuerwerk
aus Sonnenlicht und purer
Freude!
akamasa
Sakai s’est
laissé inspiré la
fois par la lumière
comme source de joie et
de bien-être, et par
une déclinaison de
scènes de lumière :
les reflets de la
lumière sur
l’eau, les jeux de
lumière d’un
feu d’artifice, la
lumière du soleil qui
filtre travers les arbres
et les illuminations des
parcs thèmes.The
Banquet of Light
s’ouvre dans une
atmosphère
éclatante. Les
trombones et les
trompettes exposent une
ligne puissante, reprise
par les bois sous la
forme d’une
variation. La mélodie
du trio développe un
motif répété,
basé sur les notes Mi,
La, Si et Ré avant de
se fondre dans la fanfare
initiale qui clôt
l’œuvre dans
un brillant élan de
lumière. $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Banquet of Light Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1063947-010 Concert March<...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1063947-010
Concert March.
Composed by Takamasa
Sakai. Inspiration
Series. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1063947-010. Published by
De Haske Publications
(BT.DHP-1063947-010).
9x12 inches.
English-German-French-Dut
ch. The Banquet of
Light is an easily
accessible piece which
takes itsinspiration from
?light? both in terms of
it representing good news
andjoy together with
scenes inspired by light,
such as a sunset over
water,fireworks lighting
up the sky and sunlight
as it streams through a
thickforest. Banquet of
Light will bring a ray of
light to any concert.
De componist werd
voor deze concertmars ge
nspireerd door het woord
‘licht’, dat
staat voor het goede. Ook
een bron van inspiratie
vormde het gegeven
‘licht’ op
zich: het schijnen van de
zon op het water, het
licht van vuurwerk
enzonlicht door de bomen.
The Banquet of
Light begint
briljant, waarna
krachtige passages door
trombones en trompetten
volgen - deze thematiek
wordt overgenomen door
houtblazers. De melodie
van het trio is gebaseerd
op de notene, a, b en d.
Na een aantal herhalingen
komt de fanfare van het
begin terug en leidt naar
een stralend
slot.
Das
brillante und leicht
zugängliche
Eröffnungsstück
weckt verschiedenste
Assoziationen zum Thema
Licht“. Nach der
Fanfare ähnlichen
Einleitung folgen
Passagen in den Posaunen
und Trompeten und deren
Variationen in den
Holzbläsern, die
schließlich in einem
strahlenden Finale enden.
Lassen Sie sich
inspirieren und entdecken
Sie in The Banquet of
Light ein Feuerwerk
aus Sonnenlicht und purer
Freude!
Takamasa
Sakai s’est
laissé inspiré la
fois par la lumière
comme source de joie et
de bien-être, et par
une déclinaison de
scènes de lumière :
les reflets de la
lumière sur
l’eau, les jeux de
lumière d’un
feu d’artifice, la
lumière du soleil qui
filtre travers les arbres
et les illuminations des
parcs thèmes.The
Banquet of Light
s’ouvre dans une
atmosphère
éclatante. Les
trombones et les
trompettes exposent une
ligne puissante, reprise
par les bois sous la
forme d’une
variation. La mélodie
du trio développe un
motif répété,
basé sur les notes Mi,
La, Si et Ré avant de
se fondre dans la fanfare
initiale qui clôt
l’œuvre dans
un brillant élan de
lumière. $155.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sag Harbor Sunset Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Alfred Publishing
By Robert Sheldon. Concert Band. Concert Band; Score. Alfred Concert Band. Form:...(+)
By Robert Sheldon.
Concert Band. Concert
Band; Score. Alfred
Concert Band. Form:
Ballade. Grade 4. 16
pages. Published by
Alfred Music Publishing
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sag Harbor Sunset Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Alfred Publishing
By Robert Sheldon. Concert Band. Concert Band; Part(s); Score. Alfred Concert Ba...(+)
By Robert Sheldon.
Concert Band. Concert
Band; Part(s); Score.
Alfred Concert Band.
Form: Ballade. Grade 4.
132 pages. Published by
Alfred Music Publishing
$62.00 $58.9 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Light Cavalry Overture Ensemble de Percussions [Conducteur et Parties séparées] - Intermédiaire/avancé Kendor Music Inc.
By Franz von Suppe (1819-1895). Arranged by Murray Houllif. For percussion septe...(+)
By Franz von Suppe
(1819-1895). Arranged by
Murray Houllif. For
percussion septet (bells,
xylophone, vibes,
marimba, timpani,
tambourine/snare drum,
bass drum/cymbals). Grade
4. Score and parts.
Published by Kendor Music
Inc
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christmas The Joy & Spirit - Book 3 - Chimes & Bells - Intermédiaire/avancé Kendor Music Inc.
(chimes & bells) - Grade 4 SKU: KN.19570 Composed by Traditional. Ensembl...(+)
(chimes & bells) - Grade
4 SKU: KN.19570
Composed by Traditional.
Ensemble Book. Kendor
Ensemble Series.
Christmas. Partbook.
Kendor Music Inc #19570.
Published by Kendor Music
Inc (KN.19570). UPC:
822795195705. Prese
nting a variety of
beloved Christmas songs
for an array of
programming options, the
settings in this
collection merge the
traditional eloquence of
the season with fresh
harmonic concepts. This
makes the music as
interesting to performers
as it is to listeners.
Parts may be doubled if a
larger brass choir is
desired. $3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Overture to a Small Town - Intermédiaire/avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarine...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crotales, English Horn,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Horn 3, Horn 4,
Mallet Percussion 1 and
more. - Grade 4 SKU:
CF.SPS94 Composed by
Cooper Minnis. Sps. Set
of Score and Parts.
1+8+8+4+1+8+8+8+2+2+2+2+2
+2+2+3+3+3+2+2+2+2+3+3+3+
3+2+3+1+2+2+1+2+2+24
pages. Duration 7:48.
Carl Fischer Music
#SPS94. Published by Carl
Fischer Music (CF.SPS94).
ISBN 9781491161449.
UPC:
680160920037. On
November 5th, 2017, a
mass shooting took place
at the First Baptist
Church in Sutherland
Springs, Texas.
Twenty-six innocent
people lost their lives
that day, including an
unborn child. Overture to
a Small Town is dedicated
to these victims and the
loved ones they left
behind. From the biggest
cities to the smallest
towns, the senseless
bloodshed must end.
Despite the darkness of
this tragedy, it is my
intent through this music
to portray a sense of
hope, dignity, and
innocence deserved by all
America's cities and
towns. The opening
moments of this piece
should be treated
delicately, ensuring that
the brass section moves
together in one unified
voice, and that the
crotales evoke distant
flickers of light.
Similarly, in mm.
120-127, articulations in
the flutes, trumpets and
mallets should be strong
enough to be heard, but
without being aggressive.
The textural layering in
mm. 48-53 should be
executed with
machine-like precision of
both rhythm and
articulation. This
passage should evoke the
sound of many voices
rising together. There
should be a great
contrast between the
opening Piano dynamic and
the final Forte dynamic.
In mm. 65-69, both mallet
percussionists may play
the indicated notes in
any octave they choose.
Both players should move
rapidly between notes in
any order. This passage
should sound fluid and
ethereal. In mm. 69-73:
If there is no English
Horn available to the
ensemble, the Trumpet
should play this passage
solo. If there is an
English Horn, both
instruments should play
the passage together.
This impressionistic
composition about these
vanished structures,
although written for more
advanced ensembles, has
only one flute, clarinet,
trumpet, horn and
trombone part. As a
result, smaller bands can
play this composition
without having to look
for a flex-band
arrangement. Use this to
develop the essential
skills of syncopation and
counting while also
offering the security of
only having one part for
each instrument voice. An
exciting contrasting
selection for bands
looking for a
harmonically interesting
composition, this also
works well as a contest
selection.  . On
November 5th, 2017, a
mass shooting took place
at the First Baptist
Church in Sutherland
Springs, Texas.
Twenty-six innocent
people lost their lives
that day, including an
unborn child. Overture to
a Small Town is dedicated
to these victims and the
loved ones they left
behind. From the biggest
cities to the smallest
towns, the senseless
bloodshed must end.
Despite the darkness of
this tragedy, it is my
intent through this music
to portray a sense of
hope, dignity, and
innocence deserved by all
America’s cities
and towns.  The
opening moments of this
piece should be treated
delicately, ensuring that
the brass section moves
together in one unified
voice, and that the
crotales evoke distant
flickers of light.
Similarly, in mm.
120-127, articulations in
the flutes, trumpets and
mallets should be strong
enough to be heard, but
without being
aggressive.  The
textural layering in mm.
48-53 should be executed
with machine-like
precision of both rhythm
and articulation. This
passage should evoke the
sound of many voices
rising together. There
should be a great
contrast between the
opening Piano dynamic and
the final Forte
dynamic.  In mm.
65-69, both mallet
percussionists may play
the indicated notes in
any octave they choose.
Both players should move
rapidly between notes in
any order. This passage
should sound fluid and
ethereal.  In mm.
69-73: If there is no
English Horn available to
the ensemble, the Trumpet
should play this passage
solo. If there is an
English Horn, both
instruments should play
the passage together.This
impressionistic
composition about these
vanished structures,
although written for more
advanced ensembles, has
only one flute, clarinet,
trumpet, horn and
trombone part. As a
result, smaller bands can
play this composition
without having to look
for a flex-band
arrangement. Use this to
develop the essential
skills of syncopation and
counting while also
offering the security of
only having one part for
each instrument voice. An
exciting contrasting
selection for bands
looking for a
harmonically interesting
composition, this also
works well as a contest
selection. . $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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