| In All Keys -- Sharp Keys, Book 1 Piano seul - Intermédiaire Alfred Publishing
(Intermediate to Late Intermediate Piano Solos in All Major and Minor Sharp ...(+)
(Intermediate to Late
Intermediate Piano Solos
in
All Major and Minor Sharp
Keys). Composed by Melody
Bober. For Piano. Book;
Graded Standard
Repertoire;
Piano Collection; Piano
Supplemental. In All
Keys.
Recital. Intermediate;
Late
Intermediate. 52 pages.
Published by Alfred Music
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| In All Keys -- Flat Keys, Book 2 Piano seul - Intermédiaire Alfred Publishing
(Intermediate to Late Intermediate Piano Solos in All Major and Minor Flat ...(+)
(Intermediate to Late
Intermediate Piano Solos
in
All Major and Minor Flat
Keys). Composed by Melody
Bober. For Piano. Book;
Graded Standard
Repertoire;
Piano Collection; Piano
Supplemental. In All
Keys.
Recital. Intermediate;
Late
Intermediate. 52 pages.
Published by Alfred Music
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata XXIII (Dresden nr.48) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6761EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6761EM.
Published by Metropolis
Music Publishers
(IS.G6761EM). ISBN
9790365067619. This
sonata (WeissSW No. 48,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIII comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIII
is a large and mature
piece. It probably dates
to the last period of the
life of Weiss. The Sonata
has seven movements:
Prelude, Allemande
(andante), Courante,
Bourée, Sarabande
(andante), Menuet, and it
ends with a Presto. The
use of tempo indications
for French dance
movements is
characteristic for the
later work of Weiss. The
purpose of beginning a
lute sonata with a
Prelude is to introduce
the specific key and the
harmonic design of the
sonata. However, not
every sonata in the
Dresden manuscripts has a
Prelude. About one third
of the 34 Dresden Sonatas
opens with a Prelude, but
only six of them may be
considered truly integral
to the sonata. The other
Preludes are composed in
a rather
â??rudimentaryâ??
style, as a model for the
less experienced lute
player to improvise on
the central key and
theme. They may have been
added later in the
copying process. The
Prelude of this
particular Sonata is
regarded as spurious, in
respect to composition, a
rather weak addition. I
have included the Prelude
in this Edition, leaving
it to the guitar player
to judge whether it fits
with the musical style
and idiom of the Sonata
or not. Originally, the
Sonata is written in F
sharp minor, a key often
used by Weiss as it is
appropriate for playing
the lute, but rather
awkward with the guitar.
For ease and
effectiveness of playing,
I have transposed the
Sonata a major second
lower to E minor. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
2nd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 1st
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Guitar Chord Resource Guitare [Partition + CD] Alfred Publishing
(The Supreme Resource for Chords and How to Use Them). For Guitar. Book; CD;...(+)
(The Supreme Resource for
Chords and How to Use
Them).
For Guitar. Book; CD;
Guitar
Method or Supplement;
Method/Instruction. 424
pages.
Published by Alfred Music
Publishing
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata XXIX (Dresden nr.25) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6763EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6763EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6763EM.
Published by Metropolis
Music Publishers
(IS.G6763EM). ISBN
9790365067633. This
sonata (WeissSW No. 25,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIX comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIX
comes from Weissâ??s
middle â??productiveâ??
period, around 1720. The
Sonata has seven
movements: Prelude,
Allemande (andante),
Passepied, Bourée,
Sarabande, Menuet, and it
ends with a Gigue. There
is another copy of this
Sonata, known as Suite
XIX, in a London
Manuscript (British
Library Ms. Add. 30387).
The London version does
not include a Prelude,
and the Sarabande is
completely different. The
other movements are
similar to those in the
Dresden Manuscript. The
Sonata in this Edition is
based on the Dresden
Manuscript. The purpose
of beginning a lute
sonata with a Prelude is
to introduce the specific
key and the harmonic
design of the sonata.
However, not every sonata
in the Dresden and London
manuscripts has a
Prelude. About one third
of the 34 Dresden Sonatas
opens with a Prelude, but
only six of them may be
considered truly integral
to the sonata. The other
preludes are composed in
a rather
â??rudimentaryâ??
style, as a model for the
less experienced lute
player to improvise on
the central key and
theme. The Prelude in
this particular Sonata
cannot be regarded as
integral. It has been
added later, either by
the compiler of the
volumes or perhaps by
Weiss himself.
Originally, the Sonata is
written in G minor, a key
not often used by Weiss,
but considered
appropriate for playing
the lute. With the
guitar, however, the key
is rather awkward. For
ease and effectiveness of
playing, I have
transposed the Sonata a
minor third lower to E
minor. To create more
concordance with the
baroque tuning of the
lute, the G string is
lowered by a semitone to
F sharp. I suggest using
a capodastro to achieve
the original pitch. Based
on the present standard
of A at 440 Hertz, the
capo should be placed at
the 3rd fret. However,
during Weissâ??s
lifetime, it was more
common in many parts of
Germany to use a standard
of A at 415 Hertz -â?
a semitone lower. So, to
hear the pitch heard by
Weiss and his
contemporaries, the capo
should then be positioned
at the 2nd fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata XXVII (Dresden nr.50) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6760EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6760EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6760EM.
Published by Metropolis
Music Publishers
(IS.G6760EM). ISBN
9790365067602. This
sonata (WeissSW No. 50,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXVII comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXVII
is a large and mature
piece, composed in
Weissâ??s late period,
around 1730. The Sonata
has six movements:
Introduzzione (an opening
movement in Italian style
with elements of an
Allemande and Prelude),
Courante, Bourrée,
Sarabande, Menuet, and it
ends with a Presto. The
use of tempo indications
for French dance
movements is
characteristic for the
later work of Weiss.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata XXIV (Dresden nr.4) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6765EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6765EM.
Published by Metropolis
Music Publishers
(IS.G6765EM). ISBN
9790365067657. This
sonata (WeissSW No. 4,
Dresden) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata XXIV comes
from a set of tablature
manuscript volumes in the
Sächsisches
Landesbibliothek in
Dresden (Ms. Mus.
2841-â?V-â?1).
There are five volumes
with a total of 34
sonatas of Weiss for solo
lute. The sonatas are
ordered by key and
further sorted by size or
complexity. Sonata XXIV
comes from Weissâ??s
late â??productiveâ??
period, after 1730. The
Sonata has six movements:
Prelude, Ouverture
(including allegro and
largo), Courante,
Bourée, Menuet and
Gavotte. There is another
copy of this Sonata,
known as Parte (or
Partita) no. 11, in a
London Manuscript
(British Library Ms. Add.
30387). The London
Manuscript seems to be
incomplete. It does not
include a Menuet and a
Gavotte. The Sonata in
this Edition is based on
the Dresden Manuscript.
However, both the Prelude
and the Bourée are
coming from the London
copy. The Dresden Prelude
is regarded as spurious,
and the London Bourée
is more lively and in
balance with the other
movements. In a few
passages of the Ouverture
and the Courante I have
made some adaptions on
the basis of the London
manuscript, to create the
best of the two versions.
In the Ouverture I have
omitted the repeat
indications. There are
two Menuets in the
Dresden Sonata. One has
been crossed in the
original manuscript with
the accompanying note:
ist nicht von Mr Weis.
The other one has been
added later, probably by
the compiler of the
volumes. The original
London Prelude of this
particular Sonata is
composed in a
â??simplifiedâ?? style;
a common practice for
adding preludes to lute
sonatas in the 18th
century. I have added the
original example to my
transcribed version.
Perhaps it invites others
to make their own
arrangement. Originally,
the Sonata is written in
B flat major, a key often
used by Weiss as it is
appropriate for playing
the lute. With the
guitar, however, the key
is rather awkward. For
ease and effectiveness of
playing, I have
transposed the Sonata a
minor third lower to G
major. To create more
concordance with the
baroque tuning of the
lute, the G string is
lowered by a semitone to
F sharp. I suggest using
a capodastro to achieve
the original pitch. Based
on the present standard
of A at 440 Hertz, the
capo should be placed at
the 3rd fret. However,
during Weissâ??s
lifetime, it was more
common in many parts of
Germany to use a standard
of A at 415 Hertz -â?
a semitone lower. So, to
hear the pitch heard by
Weiss and his
contemporaries, the capo
should then be positioned
at the 2nd fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonata X (London nr.15) for Solo Guitar Guitare Metropolis Music Publishers
Guitar Solo SKU: IS.G6767EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU:
IS.G6767EM Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6767EM.
Published by Metropolis
Music Publishers
(IS.G6767EM). ISBN
9790365067671. This
sonata (WeissSW No. 15,
London) is one of a new
series of eight sonatas
by Silvius Leopold Weiss
arranged for the first
time for guitar and
published by Metropolis
Music. Sonata X comes
from Weissâ??s middle
â??productiveâ??
period, thought to have
taken place between 1719
and 1725. The original
tablature manuscript is
in the British Library
(London Ms. Add. 30387).
The Sonata has six
movements: Allemande,
Courante, Paisane,
Sarabande, Menuet, and it
ends with a Gigue. There
is a another copy of this
Sonata in the Warszawa
Biblioteka Uniwersytecka
Poland (in its entirety),
and a copy in the
Sächsisches
Landesbibliothek in
Dresden (Suite XXVI),
which contains three
concordant movements:
Allemande, Courante, and
the Gigue. The Dresden
manuscript displays some
differences from the
London manuscript. This
Edition has taken those
differences into account
in certain details.
Originally, the Sonata is
written in B flat major,
a key often used by Weiss
as it is appropriate for
playing the lute, but
rather awkward with the
guitar. For ease and
effectiveness of playing,
I have transposed the
Sonata a minor third
lower to G major. To
create more concordance
with the baroque tuning
of the lute, the G string
is lowered by a semitone
to F sharp. I suggest
using a capodastro to
achieve the original
pitch. Based on the
present standard of A at
440 Hertz, the capo
should be placed at the
3rd fret. However, during
Weissâ??s lifetime, it
was more common in many
parts of Germany to use a
standard of A at 415
Hertz -â? a semitone
lower. So, to hear the
pitch heard by Weiss and
his contemporaries, the
capo should then be
positioned at the 2nd
fret. $22.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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