PARTITIONS GRATUITES :
- Analogue - Oboe Solo

Flute, Percussion, Violin and Cello

SKU: BT.MUSM570366231

Composed by Patrick John Jones. Set of Parts. 15 pages. University of York Music Press #MUSM570366231. Published by University of York Music Press (BT.MUSM570366231).

English.

Uhtcear e for Flute, Percussion, Violin and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 8'30. Uhtceare is an Old English word meaning ‘anxiety before dawn’ surely a familiar experience to many, not just the Anglo-Saxons. I particularly associate it with the half-awake, early-morning asthma attacks that I had as a child. The piece starts in a nocturnal, dreamlike state with chords that pulse gently, like the rise and fall of breaths. These swelling patterns become increasingly fraught, while soloists sporadically emerge with a sense of urgency, and culminate in a loud, chaoticpassage where the percussionist moves from tuned Percussion to Drums. Following this, the Flute plays agile, looping figures that are soon mimicked by the Violin and then the Vibraphone. These figures are frenetic but harmonically static, so that when all three instruments are playing them simultaneously, there is a whirlwind of activity that paradoxically seems to remain stationary. I thought this was a fitting musical analogue for the fruitless but insistent circling of anxious early-morning thoughts. A dramatic Cello solo interrupts these imitative cycles and leads the ensemble in a cacophonous final crescendo. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester.

Flute, Percussion, Violin and Cello

SKU: BT.MUSM570366224

Composed by Patrick John Jones. Score Only. 11 pages. University of York Music Press #MUSM570366224. Published by University of York Music Press (BT.MUSM570366224).

English.

Uhtcear e for Flute, Percussion, Violin and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 8'30. Uhtceare is an Old English word meaning ‘anxiety before dawn’ surely a familiar experience to many, not just the Anglo-Saxons. I particularly associate it with the half-awake, early-morning asthma attacks that I had as a child. The piece starts in a nocturnal, dreamlike state with chords that pulse gently, like the rise and fall of breaths. These swelling patterns become increasingly fraught, while soloists sporadically emerge with a sense of urgency, and culminate in a loud, chaoticpassage where the percussionist moves from tuned Percussion to Drums. Following this, the Flute plays agile, looping figures that are soon mimicked by the Violin and then the Vibraphone. These figures are frenetic but harmonically static, so that when all three instruments are playing them simultaneously, there is a whirlwind of activity that paradoxically seems to remain stationary. I thought this was a fitting musical analogue for the fruitless but insistent circling of anxious early-morning thoughts. A dramatic Cello solo interrupts these imitative cycles and leads the ensemble in a cacophonous final crescendo. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House, Manchester.

Violin

SKU: PE.EP73465

For Solo Violin, Tape & Live Electronics. Composed by James Dillon. Solo; Solo Small Ensembles. Score. 48 pages. Edition Peters #98-EP73465. Published by Edition Peters (PE.EP73465).

ISBN 9790577019635.

The Freiburg Diptych by James Dillon is a contemporary work for Solo Violin, Tape and Live Electronics. The two parts of the diptych are balanced around certain polarities between reality and illusion such as analogue/digital or live/recorded. The work was commissioned by Musik des Jahrhunderte, Stuttgart and Huddersfield Contemporary Music Festival and was first performed by Irvine Arditti and the SWR Experimental Studio at the Eclat Festival, Stuttgart on 9 February 2020. This product is printed on demand and may take several weeks to fulfill. Please order from your favorite retailer.

SKU: HL.438839

EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0000. Published by Hal Leonard (HL.438839).

UPC: 852940000929. 5.25x19.5x2.5 inches.

With the Carl Martin Quattro being so popular throughout the years, Carl thought to himself, “I could really use that same sort of high quality, straight forward, simple to use package for my acoustics as well”. The Acoustic GiG begins with Carl Martin's award winning Compressor/Limiter circuit. Individual controls for compression and level allow for simple and easy operation. Next, is the well known and highly respected Vintage Style Echo with controls for level, tone, repeat and tap-tempo, plus the 'Dotted 8th Note' switch for the most beautiful musical echo. The Reverb is a new Analogue/Digital Hybrid, tailored after the vintage-style spring reverbs so suitable for guitar. A beautiful, shimmering, yet warm reverb with the added bonus of becoming a more modulation/chorus/reverb texture at higher settings. The Boost simply allows you to cut though the mix with a crystal clean volume increase of up to 15dB for your solos. No change in your tone, and no increased 'quackiness' from your piezo pickups! To gain maximum EQ shaping, we found it necessary to include a high quality semi parametric EQ. We incorporated this section directly from Carl Martin's famous 3 Band Parametric Pre-Amp which allows for the specific shaping of tone from your guitar and pickup. To avoid potential feedback, practice has show the use of a phase inverter circuitry to be very efficient... so of course the Acoustic GiG has a Phase Shift switch. To complete the Acoustic GiG, we have incorporated a tuner and a overall mute switch. On the back panel are all the needed connections, 1/4″ input, unbalanced 1/4″ output, high quality balanced XLR out with ground lift, an insert section placed right after the boost and before the EQ section, and 9V DC input with a direct DC output if you find the need for an extra pedal.