PARTITIONS GRATUITES :
- Ca balance pas mal à Paris

Voice, piano or guitar (tab)

SKU: LM.BOOK054

Composed by Barbara. Best of 50 titres. Pop, jazz. Score. Bookmakers International #BOOK054. Published by Bookmakers International (LM.BOOK054).

ISBN 9790231308228.

A chaque fois - A mourir pour mourir - Amours incestueuses - Attendez que ma joie revienne - Au bois de Saint-Amand - Bref - Ce matin-la - Chapeau bas - Dis - Quand renviendras-tu ? - Drouot - Du bout des levres - Femme piano - Gare de Lyon - Gottingen - Je ne sais pas dire - Joyeux Noel - L'aigle noir - L'amour magicien - L'amoureuse - L'enfant laboureur - L'homme en habit rouge - La colere - La dame brune - La musique - La solitude - Le bel age - Le mal de vivre - Le soleil noir - Les insomnies - Les mignons - Les rapaces - Ma plus belle histoire d'amour - Marienbad - Mes hommes - Moi, je me balance - Mon enfance - Monsieur Victor - Nantes - Parce que (je t'aime) - Paris 15 aout - Perlimpinpin - Pierre - Quand ceux qui vont - Remusat - Si la photo est bonne - Sid'Amour a mort - Toi - Une petite cantate - Vienne - Y aura du monde (L'enterrement).

Harp

SKU: UT.MAG-265

Composed by Wilhelm Posse. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 265. Published by Ut Orpheus (UT.MAG-265).

ISBN 9790215326422. 9 x 12 inches.

Posseâ€⠄¢s compositions for harp are rich and varied, and range from the easy pieces dedicated to his students to the virtuoso concert pieces; we must also remember his didactic works, in particular the ‘Six Small Studies’ and the universally known ‘Eight Great Concert Studies’.
It is not easy to draw a balance of his legacy in the harp world. On one hand his technical vision of virtuosity combined with a great stability of the hand and rigor of the fingerings certainly contributed to the development of the 20th Century harp technique; on the other hand, his use of the pedals, often driven by two together with the same foot (a very old French technique), has gradually become more and more difficult on modern harps. From the point of view of his contribution to the harp repertoire, the constant run-up to the piano has heavily influenced his compositional production, making him often completely miss the idiomatic effects of 19th Century harp music (except for the use of harmonic sounds), which were so loved by his friend Liszt in the compositions of Parish Alvars.

Harp

SKU: UT.MAG-266

Composed by Wilhelm Posse. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 266. Published by Ut Orpheus (UT.MAG-266).

ISBN 9790215326439. 9 x 12 inches.

Posseâ€⠄¢s compositions for harp are rich and varied, and range from the easy pieces dedicated to his students to the virtuoso concert pieces; we must also remember his didactic works, in particular the ‘Six Small Studies’ and the universally known ‘Eight Great Concert Studies’.
It is not easy to draw a balance of his legacy in the harp world. On one hand his technical vision of virtuosity combined with a great stability of the hand and rigor of the fingerings certainly contributed to the development of the 20th Century harp technique; on the other hand, his use of the pedals, often driven by two together with the same foot (a very old French technique), has gradually become more and more difficult on modern harps. From the point of view of his contribution to the harp repertoire, the constant run-up to the piano has heavily influenced his compositional production, making him often completely miss the idiomatic effects of 19th Century harp music (except for the use of harmonic sounds), which were so loved by his friend Liszt in the compositions of Parish Alvars.