| Odd Moments Violon et Piano [Conducteur] Carl Fischer
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: CF.MXE272 For...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin SKU:
CF.MXE272 For
Flute, Clarinet in Bb,
violin, Violoncello And
Piano. Composed by
Paul Lansky. Sws. Score.
44+8+8+8+8 pages.
Duration 13:15. Carl
Fischer Music #MXE272.
Published by Carl Fischer
Music (CF.MXE272).
ISBN 9781491159064.
UPC: 680160917600. 9 x 12
inches. Odd Moments
was written for the Da
Capo Chamber Players in
1999 in celebration of
George Perleas 85th
birthday. The piece was
revised in 2009,
resulting in a version
that is a few minutes
shorter. The title of the
piece obliquely refers to
Perleas late piece
Critical Moments, and
also to an aspect of
Perleas system of 12-tone
tonality, which
distinguishes between odd
and even harmonies. The
piece is in six short
sections, each with its
own tempo. A slight pause
should be taken before
each section. A A A The
score is in C.
Accidentals apply only
within the measure, and
cautionary accidentals
have been added, as
needed. A A. Odd
Moments was written for
the Da Capo Chamber
Players in 1999 in
celebration of George
Perle's 85th birthday.
The piece was revised in
2009, resulting in a
version that is a few
minutes shorter. The
title of the piece
obliquely refers to
Perle's late piece
Critical Moments, and
also to an aspect of
Perle's system of 12-tone
tonality, which
distinguishes between odd
and even harmonies. The
piece is in six short
sections, each with its
own tempo. A slight pause
should be taken before
each section. The score
is in C. Accidentals
apply only within the
measure, and cautionary
accidentals have been
added, as needed. Odd
Moments was written for
the Da Capo Chamber
Players in 1999 in
celebration of George
Perle’s 85th
birthday. The piece was
revised in 2009,
resulting in a version
that is a few minutes
shorter. The title of the
piece obliquely refers to
Perle’s late piece
Critical Moments, and
also to an aspect of
Perle’s system of
12-tone tonality, which
distinguishes between odd
and even harmonies.The
piece is in six short
sections, each with its
own tempo. A slight pause
should be taken before
each section. Â Â
 The score is in C.
Accidentals apply only
within the measure, and
cautionary accidentals
have been added, as
needed. Â Â . $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 36 Celebrated Studies for the Cornet Carl Fischer
Chamber Music Cornet SKU: CF.O88X Composed by Narcisse Bousquet. Edited b...(+)
Chamber Music Cornet
SKU: CF.O88X
Composed by Narcisse
Bousquet. Edited by Joey
Tartell Edwin Franko
Goldman. SWS. Softcover.
With Standard notation.
44 pages. Carl Fischer
Music #O88X. Published by
Carl Fischer Music
(CF.O88X). ISBN
9781491153406. UPC:
680160910908. 9 X 12
inches. These
studies are a staple of
the advanced trumpet
method repertoire. Each
etude is an exploration
of a wide variety of
registers, articulations
and tonalities. While
going through these 36
etudes the trumpeter will
develop an even sound in
all registers while
tackling the musical and
melodic challenges that
lie
within. IntroductionTi
ps on Musical
PracticeStarting a new
study can be
overwhelming. Using Etude
No. 1, here’s an
example of how to
approach working on these
etudes with both
musicality and technique
in mind.Bousquet’s
first study can be broken
down into three large
musical sections:Section
1: from the beginning to
the downbeat of m.
26.Section 2: from the
upbeat of 2 in m. 26 to
the downbeat of m.
51.Section 3: from the
downbeat of m. 51 to the
end.Each one of those
sections can be broken
down into two smaller
sections:Section 1a: from
the beginning to the
downbeat of m. 16.Section
1b: from the downbeat of
m. 16 to the downbeat of
m. 26.Section 2a: from
the upbeat of 2 in m. 26
to the end of m.
35.Section 2b: from m. 36
to the downbeat of m.
51.Section 3a: from the
downbeat of m. 51 to the
downbeat of m. 59.Section
3b: from the downbeat of
m. 59 to the end.To get
started playing, choose a
slow tempo that allows
you to play Section 1 all
the way through without
stopping. If that is
problematic, just play
through 1a.Remember to
focus on the music.
Section 1a is light,
moving in four-measure
phrases to the ninth
measure, where it
cadences in G. From
there, retain the
lightness through the
arpeggiation that
concludes with the trill
that brings an arrival
point at Section 1b. Here
the style changes
completely, alternating
two measures of fluid,
connected sixteenth notes
with two measures of
scalar staccato
sixteenths before finally
cadencing on the downbeat
of m. 26.Section 2 begins
with a melodic line of
eighth notes, punctuated
by sixteenths in the
third full measure before
returning to the original
line for only a measure
before driving forward
with a flourish to finish
Section 2a. Section 2b
starts back in C with
four-measure phrases in
which the line moves up
for two measures, then
down for two measures,
ending in G. The last
seven measures of Section
2 stay light as they work
their way back to
C.Section 3 is very
exciting, starting with a
fiery cornet solo-like
passage in 3a. 3b brings
the piece to a dramatic
conclusion outlining C
major for the first four
measures before
arpeggiating C major and
G dominant for two
measures, finally
finishing with the
C-major scale.The next
step is to isolate any of
the parts that proved
troublesome. Examples
could include missed
notes or figuring out
where to breathe. Once
you have practiced the
troublesome sections in
isolation, play the
section all the way
through without stopping
again. Even if there are
still problems, you are
now practicing in a way
that is preparing you to
perform musically.The
next day, play through
Section 1 again, at a
tempo that allows you to
do this without stopping.
Now go on to Section 2,
and follow the same three
steps:Play all the way
through, at a tempo that
allows you to do so
without stopping,Isolate
and practice the
troublesome passages,
thenPlay all the way
through, at a tempo that
allows you to do so
without stopping.Now play
from the beginning to the
end of Section 2.The next
day, play Section 1. Now
play Section 2. Then play
Section 3 and apply the
same three steps outlined
above.Now play the whole
study. At this point you
have spent time on each
section, making musical
decisions and correcting
mistakes. Increase the
tempo as you gain
confidence and control of
the material. As you work
towards performing the
entire study as a piece
of music, record yourself
playing the entire study
as a performance each
day. Review the
recordings to reveal what
still needs work. Be
honest with yourself!
When you are happy with
the recording of your
performance, it’s
time to move on to the
next study.About the
Goldman PrefaceThese
studies will be an
excellent practice,
especially for the lower
register of the Cornet,
which is somewhat
neglected in other
instruction books. It is
recommended that the
pupil should practice one
of this series of Studies
now and then to repose
his lips, and acquire
facility in difficult
fingering.— Edwin
Franko GoldmanIn his
original preface, Edwin
Franko Goldman is
absolutely correct that
these studies are
excellent practice and
will help with the
dexterity demanded of
today’s player.
Although the low register
is certainly explored
throughout the book, it
does not appear to be the
focus of these studies.
There are many books
available now that
concentrate on the low
register. The suggested
fingerings have been
removed. Using alternate
fingerings was more
common to cornet players
to aid in the fluidity of
a passage. This practice
is not nearly as common
today, especially with
trumpet players, as the
difference in timbre
caused by the alternate
fingerings is disruptive
to the musical line.
Published for cornet, as
it was the solo
instrument of choice in
the 1920s, these etudes
are just as useful to
today’s trumpet
player. When playing
these studies on trumpet,
the performer should
strive for a fluid line
while maintaining a full
and clear sound. Because
of the musicianship and
technique demanded, this
book remains as useful
today as it has ever
been.— Joey
TartellAbout Narcisse
Bousquet and the 36
EtudesNarcisse Bousquet
(c. 1800–1869) was
French by birth, active
as a composer, editor and
arranger in both France
and England in the early
nineteenth century.
Bousquet was respected as
an accomplished performer
of the French flageolet,
a high-pitched woodwind
instrument much like a
recorder, although later
outfitted with the Boehm
key system like the
modern flute. Although
obsolete in modern times,
the instrument once
enjoyed great popularity
with a variety of
composers and performers,
both amateur and
professional. Purcell and
Handel composed for the
instrument, and Berlioz
was purportedly an
accomplished amateur
performer of the
flageolet. The Scottish
author Robert Louis
Stevenson, likewise, was
a proficient performer of
the instrument and
composed a number of
pieces for it.Little is
known today of
Bousquet’s life.
He composed a large
variety of music,
including works
specifically for the
flageolet, which were
widely appreciated in
their day. The 36 Etudes
for flageolet are
undoubtedly the most well
known of his works.
Published in 1851, the
Etudes explore a variety
of techniques, such as
scales, arpeggios,
ornamentation, breath
control and expressive
playing, and their
technically demanding
writing confirms
Bousquet’s prowess
as a flageolet performer.
However, the date of the
arrangement of the etudes
for cornet and their
arranger remain
speculative. Edwin Franko
Goldman is credited as
the arranger of the 1890
publication by Carl
Fischer, although Goldman
would have been only
twelve years old at the
time; his work on these
pieces surely came at a
later time. Bousquet
himself may have arranged
these pieces for cornet
at the request of an
accomplished cornet
player at some point
after their
publication. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Prayer Theodore Presser Co.
Chamber Music 4 Timpani, Bass Clarinet in Bb, Bassoon, Clarinet in Bb, Horn S...(+)
Chamber Music 4 Timpani,
Bass Clarinet in Bb,
Bassoon, Clarinet in Bb,
Horn SKU:
PR.114406380 For
Horn and Instruments.
Composed by Shulamit Ran.
Set of Score and Parts.
With Standard notation.
9+3+4+4+3+2 pages.
Duration 6 minutes.
Theodore Presser Company
#114-40638. Published by
Theodore Presser Company
(PR.114406380). UPC:
680160010110.  
; Prayer is a short work
written in honor of Paul
Fromm's seventy-fifth
birthday as part of a
bouquet of compositions
especially composed for
the occasion and
presented in a concert
commemorating the event
on January 22, 1982, by
the Contemporary Chamber
Players of the University
of Chicago, Ralph Shapey,
music director. My
notes for that evening
read: I asked myself--how
shall I celebrate this
special day? The
answer--compose a prayer.
A wordless one... the
horn is my voice. Bass
clarinet, bassoon, and
timpani form a low choir
supporting, commenting,
punctuating. From their
midst the clarinet takes
flight. In my mind, it
assumes the role of the
innocent village boy
whose whistle, according
to an old Jewish tale,
opened the gates of
heaven.  . $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Birthday piece for Flute, Clarinet, Violin and Cello [Conducteur et Parties séparées] Periferia Music
Flute, Clarinet, Violin and Cello SKU: AY.CM3185PM Composed by Jorge Camp...(+)
Flute, Clarinet, Violin
and Cello SKU:
AY.CM3185PM Composed
by Jorge Campos.
Ensembles - Chamber
Music. Score & Parts.
Duration 3'30. Periferia
Publishing #CM3185PM.
Published by Periferia
Publishing (AY.CM3185PM).
ISBN
9790543574717. Birt
hday Piece has clearly a
minimalist character, a
little rhythmic obsessive
formula that from time to
time changes allowing
little melodic
silhouettes in constant
expansion to appear. The
piece was commissioned by
the ensemble Seattle
Chamber Players in 2004
on the occasion of the
anniversary-concert to
celebrate the 15th
Anniversary of the
ensemble. $27.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Spirit Theodore Presser Co.
Chamber Music Clarinet SKU: PR.114419200 For solo Bb Clarinet. Com...(+)
Chamber Music Clarinet
SKU: PR.114419200
For solo Bb
Clarinet. Composed by
Shulamit Ran. Solo part.
With Standard notation. 8
pages. Duration 7
minutes. Theodore Presser
Company #114-41920.
Published by Theodore
Presser Company
(PR.114419200). ISBN
9781491114223. UPC:
680160671731. 9 x 12
inches. Spirit was
composed in memory of the
renowned clarinetist
Laura Flax. Laura
commissioned Ran’s
first solo clarinet work,
For an Actor: Monologue
for Clarinet, to premiere
with the Da Capo Chamber
Players in 1978. Ran
returned to the clarinet
in many compositions over
the years, sometimes as a
lead instrument and at
other times as an
important voice, yet
always inspired by
Laura’s rich
sound, blazing technique,
and the “brain and
guts†that she
brought to her playing.
As a memorial, Spirit is
not about absence, but
rather a celebration
displaying a wide range
of emotions, with at
least a tiny glimpse of
Laura’s brilliant
spirit and spiritedness.
Only in the work’s
final stretch does the
sense of parting and loss
take over. SPIRIT was
composed in memory of
Laura Flax (1952-2017),
the renowned New
York-based clarinetist
and my cherished friend.
Our musical and personal
association began in 1977
when Laura invited me to
compose a solo clarinet
work, For an Actor:
Monologue for Clarinet,
in memory of her mother,
Hazel Flax, whom I had
known.After composing For
an Actor for Laura I came
back to the clarinet in
many of my compositions
over the years, sometimes
as a lead instrument and
at other times as an
important voice. In all
of my clarinet music
Laura is present. The
rich sound, blazing
technique, the
“brain and
guts†that she
brought to her playing,
and her remarkable
person, have inspired me
in so many ways during
the four decades of our
friendship, and beyond.I
did not want Spirit to be
about absence, though. I
wanted the piece to
exhibit a wider range of
emotions, as well as
capture at least a tiny
glimpse of Laura’s
brilliant spirit and
spiritedness. Only in the
work’s final
stretch does the sense of
“parting,â€
and of loss, take
over.Upon completing
Spirit on October 21,
2017 I found myself
compelled to add at the
bottom of the score the
words “To Laura,
always in my
heart,†as though
in an effort to reach
out, for a brief moment,
and touch the
unreachable.—Shula
mit Ran. $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Airs Celebres D'operas Vol.1 (flute & Piano) Avec Cd Al29443 Flûte traversière et Piano Leduc, Alphonse
Flute (Flute) SKU: HL.48185495 Leduc. Classical. Softcover. Alphonse Ledu...(+)
Flute (Flute) SKU:
HL.48185495 Leduc.
Classical. Softcover.
Alphonse Leduc #AL29091.
Published by Alphonse
Leduc (HL.48185495).
Favourite
Operatic Arias ? Vol. 1
for Flute or Oboe and
Piano is an anthology of
famous pieces arranged by
Armando Ghidoni. Written
for intermediate players,
this first volume
features five pieces
which can be played along
with the CD which
includes the Piano part
for each song. The five
pieces are: - ?Habanera?,
from Carmen by Bizet -
?Che faro senza Euridice?
from Orfeo Ed Euridice by
Gluck - ?E lucevan le
stelle? from Tosca by
Puccini - ?Questa o
quella per me pari sono?
from Rigoletto by Verdi -
?Brindisi? from La
Traviatta by Verdi
Armando Ghidoni is an
Italian musician who is
very famous in France. He
composed and arranged a
large variety of pieces,
influenced by the
impressionism a la
francaise and
incorporating jazz
rhythms to his music. He
composed religious
pieces, operas and
numerous pieces of
chamber music among
others.. $29.70 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Every purpose under the heaven: The King James Bible Oratorio (Choral Score) - Intermédiaire MorningStar Music Publishers
Soprano voice solo, tenor voice solo, SATB choir and chamber orchestra or piano ...(+)
Soprano voice solo, tenor
voice solo, SATB choir
and chamber orchestra or
piano (Orchestra: B-flat
Cornet, Harp, Acoustic
guitar (1-2 players if
gently amplified,
otherwise 3-5 players),
Piano, opt. Organ,
Timpani, Percussion (2
players), Strings (min
6-4-4-4-2)) -
Intermediate SKU:
MN.56-0003 Composed
by Howard Goodall.
Multi-Movement/Large
Choral Work. 21st
Century, Word of God.
Choral score. MorningStar
Music Publishers
#56-0003. Published by
MorningStar Music
Publishers (MN.56-0003).
UPC: 688670220029.
English. Every
purpose under the heaven,
arranged for an
accompanied mixed voices
choir with soprano and
tenor solos, is a musical
tribute to one of the
most important cultural
landmarks of Western
civilization - the 1611
King James Bible. Written
in celebration of the
Bible's 400-year
anniversary, Goodall has
brought together ten of
the most expressive
passages, from Genesis to
Revelation, to create an
oratorio that is at once
steeped in historic
grandeur and utterly
relevant in today's
society. Musically, it
displays all the
hallmarks of Goodall's
well-loved style -
soaring melodies,
rhythmic vitality and
perfectly crafted lines.
However, this work offers
singers and audiences
something more: an
opportunity to introduce
new generations to the
expressive power and
ancient truths of this
historic
text.
Commissioned
as a gift to the United
Learning Trust, Every
purpose under the heaven
is suitable for young
singers, choral societies
and church choirs of all
abilities. It may be
accompanied by piano,
using the reduction
provided, or chamber
orchestra.
Contents: 1.
In the beginning 2.
There is a season 3. I
will lift up mine
eyes 4. Thee and
me 5. Fulfilled in one
word 6. I was a
stranger 7.
Blessed 8. Nover
faileth 9. The light
of the world 10. A new
heaven, a new
earth
John 1:1,
4-5, 14; Genesis 1:1-2,
14, 16, 20; Ecclesiastes
3:1-2, 4-8; Psalms
121:1-3, 5-8; Ruth
1:16-17; John 15:12-13;
Galatians 5:15; Matthew
16:26; Matthew 25:35-40;
Matthew 5:3-11; 1
Corinthians 13:1-8; John
8:12; Timorthy 1:7;
Hebrews 11:1; 2
Corint. $12.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Compatible String Ensembles: Easy Holiday Duets (Violin) Violon Carl Fischer
Chamber Music Violin SKU: CF.BF150 30 Easy Level Arrangements for Any ...(+)
Chamber Music Violin
SKU: CF.BF150
30 Easy Level
Arrangements for Any
Combination of String
Instruments. Composed
by Benjamin Hanby,
Bernard de la Monnoye,
Felix Bartholdy
Mendelssohn, Franz Xaver
Gruber, French carol,
James Murray, James
Pierpont, John Henry
Hopkins, John Neale, John
Wade, John Wesley Work,
III, Lowell Mason,
Melchior Franck, Mykola
Leontovich, S. Goldfarb,
Spanish Carol, and etc.
Arranged by Kathryn
Griesinger. Collection -
Part. 28 pages. Carl
Fischer Music #BF150.
Published by Carl Fischer
Music (CF.BF150). ISBN
9781491162101. UPC:
680160920846. Learn
ing to play chamber music
is an important milestone
in the music
student’s journey.
Playing with a teacher or
friend helps develop
rhythmic independence,
intonation, listening
skills, and sense of
pulse that are vital to
playing in an ensemble.
These progressive duets
offer beginning and
developing players the
opportunity to play along
with others, or with the
helpful support of the
teacher in a lesson. Each
duet adds new techniques
and challenges that align
with the natural
advancement of lessons,
moving from easy rhythms
and keys to staccato bow
strokes, slurs,
accidentals (low or
extended finger
patterns), and more
complex or independent
rhythms. While the melody
remains in the top line,
musicians can alternate
playing the melody as all
efforts have been made to
keep both parts at a
similar difficulty level.
This book features
familiar melodies for the
holidays, including
sacred and secular
Christmas songs, music
for Hanukkah, and folk
tunes from many
countries. Appropriate
for caroling, recitals,
or chamber holiday
concerts, there are 30
festive selections of
different tempi, styles,
and keys for variety,
while remaining in
string-friendly ranges.
Each duet is one page or
less in length, ensuring
an immediate sense of
success for young
players. Put new skills
into practice while
celebrating the
season. $12.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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