PARTITIONS GRATUITES :
- Darkness Rises

Orchestra

SKU: SU.27170070

For Orchestra. Composed by Chelsea Komschlies. Orchestra. Full Score. Subito Music Corporation #27170070. Published by Subito Music Corporation (SU.27170070).

Full size score (11x17)The piece is in the form of a perpetual increasing of intensity from beginning to end (the image of a sunrise), The music begins dark, violet, and glittering, and eventually builds to a spinning, red-golden vision that is both beautiful and terrifying. Thick, roaring microtonal harmonies augment brassy chorales inspired by fantasy film score in this powerful spiritual vision. Recording available upon request from the composer.2(1) 222; 4331; timp, 3perc, hp, cel; stgs Duration: 5'30 Composed: 2019 Published by: Nauticus Publishing Performance materials available on rental:.

SKU: LO.30-2880L

Composed by Mary McDonald. Arranged by Larry Shackley. Choral. Sacred Anthem. Chamber orchestra score and CD with printable parts. Lorenz Publishing Company #30/2880L. Published by Lorenz Publishing Company (LO.30-2880L).

UPC: 000308132724.

This powerful anthem starts slowly and insistently as we consider Jesus, born to a world covered in the darkness of sin. This powerful anthem starts slowly and insistently as we consider Jesus, born to a world covered in the darkness of sin. Steadily rising through swelling dynamics, it builds in intensity as Jesus rises from the tomb and ascends to His glorious home in a triumphant finale. Chamber Orchestration by Larry Shackley for 2 FL, 2 Cl, HN, 2 Tpt, Tbn, Tuba, Perc, Pno, 2 Vln, Vla, Cello, Bass, Digital String Reduction.

By Michael Giacchino. For Piano/Keyboard. Piano Solo Songbook. Softcover. 40 pages. Published by Hal Leonard

Composed by Tom Cipullo. One Act/Chamber. 21st Century. Score. Published by E.C. Schirmer Publishing

Cello and Orchestra

SKU: BT.EMBZ14893

Composed by László Dubrovay. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2016. 68 pages. Editio Musica Budapest #EMBZ14893. Published by Editio Musica Budapest (BT.EMBZ14893).

The concerto was inspired by István Várdai's play and is dedicated to him. The triple movement structure and the character of the movements follow the patterns of classical concertos, while the thematic connections spanning the movements rather reflect the structural principles of Romantic symphonies. In the first movement, which resembles the form of a sonata, the characters of the themes are spectacularly separated. The motif of the main theme, constructed with glissandos, is supplemented by a theme the composer refers to as a motif of fate, and the two together form a significant contrast with the minor theme with its lyrical tone and the playful, ending themeresembling a children's song. The contrasts between depth and height, as well as darkness and light, have a significant role in all three movements. The music of the first movement gradually rises to increasingly bright and higher regions, the gloomy atmosphere of the marginal parts in the second movement is offset by the tune's transcendental light in its central part, while the rondo theme of the third movement with its 6/8 metre dance-like character is supplemented with motifs of a contrasting nature from the earlier movements.

By Mary Mcdonald. For SAB choir and piano (with optional instrumental accompaniment). Sacred Anthem, Ascension, Christ the King, General, Holy Week. Octavo. Published by Lorenz Publishing Company

By Mary Mcdonald. For SATB choir, piano (with optional instrumental accompaniment). Sacred Anthem, Ascension, Christ the King, General, Holy Week. Octavo. Published by Lorenz Publishing Company