PARTITIONS GRATUITES :
- Echoes II

Concert Band - Grade 2

SKU: AP.24735S

Composed by Kevin Mixon. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Programmatic. Score. 32 pages. Belwin Music #00-24735S. Published by Belwin Music (AP.24735S).

UPC: 038081268668. English.

This substantive four-movement suite encompasses several musical styles: legato, swing, march, and more, with a spirited bravura conclusion that students and audiences will love. The contrasting movements include the lyrical River Echoes, the jazzy Railroads, the hard-driving Machines section, and the climactic Traditions finale. Though written to represent central Illinois, each movement references significant events encompassing several periods in U.S. history. Kevin Mixon's River Valley Legacy offers abundant opportunities for cross-curricular instruction with a piece that is sure to be a favorite at your next concert.

Chamber Music harp

SKU: PR.114408600

For Harp Solo. Composed by William Mayer. Classical. Solo part. With Standard notation. Duration 5 minutes. Theodore Presser Company #114-40860. Published by Theodore Presser Company (PR.114408600).

UPC: 680160013098.

Concert Band Alto Clarinet, Alto Saxophone I, Alto Saxophone II, Baritone Saxophone, Bass Clarinet in Bb, Bassoon, Clarinet I, Clarinet II, Clarinet III, Flute, Horn I, Horn II, Oboe, Piccolo I, Piccolo II, T, Tenor Saxophone, Trumpet I, Trumpet II, Trumpet III - Grade 3-3.5

SKU: CF.CPS19F

Composed by Elliot Del Borgo. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. Carl Fischer Music #CPS19F. Published by Carl Fischer Music (CF.CPS19F).

ISBN 9780825844652. UPC: 798408044657. 9 X 12 inches. Key: D minor.

By Anonymous. Arranged by James Swearingen. Concert Band. For Flute, Oboe, Clarinet I, Clarinet II, Alto Clarinet, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor I, Bassoon, Tuba, Percussion I, Percussion II, Percussion III. Carl Fischer Young Band Series. The Premiere performance of this piece was presented on February 25, 1999 by the Thomas Ewing 8th Grade Band Sandra Mccoy Director. Classical. Grade 2-2.5. Full Score. Standard notation. 24 pages. Published by Carl Fischer

Chamber Music Clarinet, Piano, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.11440558S

Composed by Shulamit Ran. Score. With Standard notation. 45 pages. Duration 17 minutes. Theodore Presser Company #114-40558S. Published by Theodore Presser Company (PR.11440558S).

UPC: 680160008971.

Conce rto da Camera II is a work for six instruments which may be further grouped into three separate entities - clarinet, string quartet, piano. In this combination, chosen by the work's commissioning organizations (the Chamber Music Society of Lincoln Center in conjunction with Mount Holyoke College), lies the work's first challenge. While pairings of any two of these three sound types abound in the concert literature, the three together form a far less common soundscape. The main difficulty appears in the necessity to reconcile the potential of both the clarinet and the piano of acting in a soloistic capacity when pitted against the string quartet. Indeed, the three movements of the Concerto deal with this problem in various ways, with the balance of power between the six instruments' potential for unity and contrast, solo and ensemble playing, continually shifting and changing.   Yet another, more delicate, balance of power is at play here, namely, the relationship between the external, foreground level of the piece and a subtler background level. What, at first, appear like small, gentle melodic strands, mere echoes or residues of the main events, gradually assume an inner life of their own. Never actually taking over yet always there, a salient, if quiet, factor within the work's compositional fabric and evolving organism.   Though each movement includes numerous tempo fluctuations, the overall thrust of the work clearly suggests a fast-slow-fast framework, with the last movement being a loosely structured, occasionally tempestuous Rondo.

Bass clarinet

SKU: FG.55011-822-5

Composed by Olli Koskelin. Classical, contemporary. Score. Fennica Gehrman #55011-822-5. Published by Fennica Gehrman (FG.55011-822-5).

ISBN 9790550118225.

Ener getic and bouncy, Olli Koskelin's Animal II for bass clarinet (2019/2020) is a nine-minute non-stoppable ride.

This product is a B4 sized folder, sheet music (performance score) enclosed as loose pages.

Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings.

Chamber Music Clarinet, Piano, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.114405580

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 45+12+10+11+10+10 pages. Duration 17 minutes. Theodore Presser Company #114-40558. Published by Theodore Presser Company (PR.114405580).

UPC: 680160008964.

Conce rto da Camera II is a work for six instruments which may be further grouped into three separate entities - clarinet, string quartet, piano. In this combination, chosen by the work's commissioning organizations (the Chamber Music Society of Lincoln Center in conjunction with Mount Holyoke College), lies the work's first challenge. While pairings of any two of these three sound types abound in the concert literature, the three together form a far less common soundscape. The main difficulty appears in the necessity to reconcile the potential of both the clarinet and the piano of acting in a soloistic capacity when pitted against the string quartet. Indeed, the three movements of the Concerto deal with this problem in various ways, with the balance of power between the six instruments' potential for unity and contrast, solo and ensemble playing, continually shifting and changing.   Yet another, more delicate, balance of power is at play here, namely, the relationship between the external, foreground level of the piece and a subtler background level. What, at first, appear like small, gentle melodic strands, mere echoes or residues of the main events, gradually assume an inner life of their own. Never actually taking over yet always there, a salient, if quiet, factor within the work's compositional fabric and evolving organism.   Though each movement includes numerous tempo fluctuations, the overall thrust of the work clearly suggests a fast-slow-fast framework, with the last movement being a loosely structured, occasionally tempestuous Rondo.

Flute

SKU: FG.55011-886-7

Composed by Olli Koskelin. Classical, contemporary. Folder (loose pages). Fennica Gehrman #55011-886-7. Published by Fennica Gehrman (FG.55011-886-7).

Olli Koskelin's high-spirited Tintinnio II for flute (2022) gives a new definition to virtuoso piece!

This product is a B4 sized folder, sheet music (performance score) enclosed as loose pages.

Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings.