PARTITIONS GRATUITES :
- Ghosts Again

Chamber Music Clarinet

SKU: PR.114422950

Composed by Amanda Harberg. Full score. 4 pages. Duration 4:15. Theodore Presser Company #114-42295. Published by Theodore Presser Company (PR.114422950).

ISBN 9781491134870. UPC: 680160685370.

HALL OF GHOSTS was composed in 2020 during the Covidlockdown period. Evocative of imagined spirits in an empty concert hall, the music pits dramatic silences, amid searching and plaintive phrases of the clarinet, against a lively middle section — a dialogue between the ticking of time and an instrument striving to make itself heard. The work was inspired by piccoloist Gudrun Hinze’s video for Harberg’s Prayer Project, filmed in the hauntingly empty Gewandhaus Chamber Music Hall.
Hall of Ghosts was composed in April 2020 as a “thank you” gift dedicated to the wonderful community of flutists who participated in my Prayer Project – a virtual flute orchestra project that I produced during the Covid-19 lockdown period. In July 2021, I arranged Hall of Ghosts for clarinetist Christopher Pell, who premiered the new version at the Interlochen Center for the Arts.Hall of Ghosts was inspired by piccoloist Gudrun Hinze, who recorded her part for the Prayer Project in the empty Gewandhaus Chamber Music Hall. This hall would normally be full of musicians rehearsing and performing, but now, due to Covid-19, the hall lay empty and filled only with echoes and memories. The image of Gudrun’s solitary piccolo inspired in me a musical invocation, imploring the spirits to let the music return.In the first section, the silence of rests and pauses creates an expressive background for the searching and plaintive phrases of the solo piccolo. The lively middle section is a contrapuntal dialogue between the ticking of time and an instrument striving to make itself heard. These materials trade off throughout the piece. You can decide through your interpretation on who wins. The music? Or the ghosts?

Chamber Music Piccolo

SKU: PR.114422230

Composed by Amanda Harberg. Sws. Score. 4 pages. Duration 4:30. Theodore Presser Company #114-42223. Published by Theodore Presser Company (PR.114422230).

ISBN 9781491133910. UPC: 680160683383. 9 x 12 inches.

HALL OF GHOSTS was composed in 2020 during the Covid-19 lockdown period; it was inspired by piccoloist Gudrun Hinze’s video for Harberg’s Prayer Project filmed in the hauntingly empty Gewandhaus Chamber Music Hall. Evocative of imagined spirits in the empty hall, the music pitsdramatic silences, amid searching and plaintive phrases of the piccolo, against a lively middle section – a dialogue between the ticking of time and an instrument striving to make itself heard.
HALL OF GHOSTS was composed in April 2020 as a “thank you” giftdedicated to the wonderful community of flutists who participated inmy Prayer Project – a virtual flute orchestra project that I producedduring the Covid-19 lockdown period.HALL OF GHOSTS was inspired by piccoloist Gudrun Hinze, whorecorded her part for the Prayer Project in the empty GewandhausChamber Music Hall. This hall would normally be full of musiciansrehearsing and performing, but now, due to Covid-19, the hall layempty and filled only with echoes and memories. The image of Gudrun’ssolitary piccolo inspired in me a musical invocation, imploring thespirits to let the music return.In the first section, the silence of rests and pauses creates an expressivebackground for the searching and plaintive phrases of the solo piccolo.The lively middle section is a contrapuntal dialogue between theticking of time and an instrument striving to make itself heard. Thesematerials trade off throughout the piece. You can decide through yourinterpretation on who wins. The music? Or the ghosts?— Amanda Harberg.

C/Eb/Bb-instrument - very easy to easy

SKU: M7.MF-3614

Arranged by Uwe Bye. This edition: Saddle-wire stitching. Score with online audio files. Music Factory #MF 3614. Published by Music Factory (M7.MF-3614).

ISBN 9783795731359. German English.

Mit Easy Charts 14 erscheint eine Sammlung aktueller Hits, die Anfänger an verschiedenen Instrumenten wie Flöte, Klarinette, Saxophon oder Trompete schon nach dem ersten Unterrichtsjahr spielen können. Dabei dürfen die großen Hits angesagter Popstars natürlich nicht fehlen: Der einfühlsame Titelsong Eyes Closed von Ed Sheeran, der Ohrwurm-Hit Anti-Hero von Superstar Taylor Swift, der Chartstürmer Number 1 von Nico Santos und viele Hits mehr warten nur darauf, gekonnt in Szene gesetzt zu werden. So machen das Üben und Spielen zuhause und vor Publikum gleich noch mehr Spaß!

Mit Easy Charts 14 erscheint eine Sammlung aktueller Hits, die Anfänger an verschiedenen Instrumenten wie Flöte, Klarinette, Saxophon oder Trompete schon nach dem ersten Unterrichtsjahr spielen können - wie etwa den einfühlsame Pop-Hit Eyes Closed von Ed Sheeran.

By Kevin Olson. For Piano. The FJH Piano Teaching Library. Technique, improvisation, transposition, ear training, sightreading, and original repertoire are once again integrated into the study of each key. Level: Teaching Material. Book. Published by The FJH Music Company Inc.

Chamber Music Organ, Trumpet

SKU: PR.114419810

Composed by Stacy Garrop. Set of Score and Parts. 33+12 pages. Duration 21 minutes. Theodore Presser Company #114-41981. Published by Theodore Presser Company (PR.114419810).

ISBN 9781491136638. UPC: 680160681921.

Stacy Garrop’s ROAD WARRIOR is music of real-life tragedy, expressed through the power of a trumpet/organ duo. Drawing inspiration from Neil Peart’s autobiographical book, “Ghost Rider: Travels on the Healing Road,” Garrop’s work grieves the loss of a friend’s young son and the journey to healing. ROAD WARRIOR’s evocative movement titles are drawn from passages in Peart’s book:1. I Am the Ghost Rider2. My Little Baby Soul3. Are You With Me Here?.
When Clarion members Keith Benjamin (trumpet), Melody Steed (organ), and I initially discussed possible topics for a new piece, Keith brought up his son Cameron, who had passed away at the age of seven from leukemia. While Cameron’s life ended too soon, he left an indelible and lasting mark on his those surrounding him. Keith asked if I could commemorate Cameron musically.In talking over possible ways to do this, Keith mentioned the book Ghost Rider: Travels on the Healing Road. The book was written by Neil Peart, who is well-known as the longtime drummer and lyricist of the band Rush. Peart suffered the heartbreaking loss of his daughter in 1997, followed by his wife 10 months later. In an effort to work through the grieving process, Peart did what his wife suggested before she passed: he got onto his motorcycle and hit the open road. Ghost Rider chronicles a year of Peart’s life in which he drove for 55,000 miles, zigzagging his way across Canada, the western portion of the United States, Mexico, and Belize. Peart’s powerful story illustrates how he coped with immense loss and eventually emerged on the other side to once again embrace life. Keith had found Peart’s book helpful in dealing with Cameron’s death; moreover, Mr. Peart sent Cameron a signed cymbal while he was in the hospital undergoing treatment. This unexpected gesture of compassion and generosity meant the world to both Cameron and Keith.I chose three phrases from Peart’s book to serve as the inspiration for the movements in Road Warrior. In the first movement, I am the ghost rider, I imagined the performers to be howling phantoms that are haunting drivers on a nearly deserted highway. Peart often mentioned that he felt haunted by ghosts from the past while on his journey, and sometimes felt like a ghost himself, moving through an immaterial world as he rode from town to town. The second movement, My little baby soul, references Peart’s wording to define his own inner essence that he was trying to protect and nurture while on his journey. In this gentle movement, I capture the innocence and simplicity of a newborn soul. The piece concludes with Are you with me here? In this movement, I depict the performers as they search to find connections to those they have lost, and to those still living.Over the course of his travels, Peart kept up a steady letter correspondence with his close friend Brutus. In one of his first letters, he repeatedly asks Brutus if he is with him in spirit. I found it to be very poignant that while in his self-imposed exile, Peart discovered that he still needed connections to humanity.I wish to thank Mr. Peart for granting me permission to use his phrases as the movement titles, and for serving as the inspiration for Road Warrior. Rarely do any of us make it through our lives without being touched by the loss of someone dear to us. I found Peart’s insights into his grieving and recovery process to be insightful, eloquent, and surprisingly comforting. His journey is a touching reminder that with enough fortitude and time, we can work through what fate deals us and continue down our own road of life.

Opera, Lyrics Only

SKU: HL.14020975

Composed by Sir Peter Maxwell Davies. Music Sales America. Opera or Operetta. Book [Softcover]. Composed 1999. 24 pages. Chester Music #CH55304. Published by Chester Music (HL.14020975).

UPC: 884088860066. 8.75x8.25 inches.

Chamber opera in a prologue and one act. A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as a court of enquiry into the unexplained disappearance of the three keepers from a lighthouse. Questions are posed by a solo horn, which may sound from among the audience, and three officers give answer. Gradually, they move from straight testimony into fantastical imaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together for months, long enough to be fully aware of each other's weaknesses; petty bickerings suggest a relationship which is stable, but liable to become highly unstable at any moment. They sing songs to reduce the tension, Blazes beginning with a rough ballad of street violence, accompanied by violin and banjo. Sandy's song, with cello and out-of-tune upright piano, is a thinly disguised description of sexual bliss, and Arthur's with brass and clarinet, is a tub-thumping hymn. But the songs serve only to resurrect in their minds ghosts from the past, and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzling eyes, which become the lights of the relief vessel, and the three men reappear as officers, met at the lighthouse only by an infestation of rats. They leave, and at the end the last hours of Blazes, Sandy and Arthur begin to play over again. Libretto only. Duration c. 1h 25mins.

For Voice, Piano, Guitar (with chord symbols). Folk, Scottish. Sheet Music. 78 pages. Published by Music Sales.