| Sirina Sc/pts Orchestre d'harmonie - Avancé Hal Leonard
Concert Band/Harmonie and Violin (Score & Parts) - Grade 5 SKU: HL.44011351(+)
Concert Band/Harmonie and
Violin (Score & Parts) -
Grade 5 SKU:
HL.44011351 For
Violin and Concert
Band. Composed by
Thomas Doss. Mitropa
Music Concert Band. Solo
& Concerto. Score Only.
Composed 2007. Hal
Leonard #148107M.
Published by Hal Leonard
(HL.44011351). UPC:
884088892395. 9x12
inches.
English(US)/Deutsch/Franc
ais/Nederlands. Sir
enen (griechisch
‚Sirenes') sind in
der griechischen Sage die
Tochter des Achelos (oder
Phorkys). Sie waren
Schadensdamonen,
Mischgestalten aus Mensch
und Vogel (meist mit
Frauenkopf) mit
ubermenschlichem Wissen
und der Gabe, das Wetter
zu andern. Mit ihrem
lieblichen Gesang
betorten sie die
vorbeifahrenden Seeleute,
die dadurch an den
Klippen Schiffbruch
erlitten und umkamen.
Odysseus verstopfte auf
den Rat der Zauberin
Kirke seinen Gefahrten
die Ohren mit Wachs und
liess sich selbst am
Mastbaum festbinden. So
entging er dem Verderben.
Orpheus ubertonte ihren
Gesang mit dem seinen.
Die Musen besiegten die
Sirenen im Gesang und
beraubten sie dann ihrer
Federn, um sie
alsKopfschmuck zu tragen.
Dans la
mythologie grecque, les
Sirenes etaient des
demi-deesses. Selon la
legende, ces creatures
demoniaques, mi-femme
(tete), mi-oiseau
(corps), vivaient sur
trois petites peninsules
situees entre Sorrente et
Capri. Les Sirenes
chantaient au-dessus des
mers pour attirer les
navigateurs et les faire
perir. Certains ont,
toutefois, reussi a leur
echapper. Ainsi, Ulysse
reussit a passer sans
dommage en suivant les
conseils de la magicienne
Circe : il se fit
attacher au grand mat de
son navire pour pouvoir
ecouter le chant des
sirenes, tandis que ses
compagnons ramaient, les
oreilles bouchees par la
cire. Orphee, triompha de
ces creatures malefiques
en etouffant leurs
chantsensorcelants du son
de sa lyre. On raconte
aussi que les Sirenes
auraient un jour defie
les Muses au chant.
Victorieuses, les Muses
exigerent une couronne
faite des plumes des
Sirenes, ce qui les priva
du don de voler. $178.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Songs of Harriet Tubman Theodore Presser Co.
Chamber Music Piano, soprano voice SKU: PR.411411690 Composed by Nkeiru O...(+)
Chamber Music Piano,
soprano voice SKU:
PR.411411690 Composed
by Nkeiru Okoye. 32
pages. Duration 25
minutes. Theodore Presser
Company #411-41169.
Published by Theodore
Presser Company
(PR.411411690). UPC:
680160686032. The
four name arias in
HARRIET TUBMAN: When I
crossed that Line To
Freedom, portray stages
in the title character's
transformation from slave
to freedom-fighter.
First, as a child, she
introduces herself as
Araminta, who is often
called, Minty. Her naive
prattlings establish a
dramatic contrast between
childhood's contentment
and the harsh realities
of slave existence. My
name is Harriet, now.
Don't call me Minty any
more, declares the
teenaged heroine. Having
survived a series of
abusive masters and a
debilitating injury, she
asserts her rites of
womanhood through the
shedding of her childhood
moniker. The grown
Harriet Tubman
reintroduces herself as a
free woman, recounting
the harrowing tale of
escape from slavery.
Confronted by bittersweet
poignancy at having
crossed the line to
freedom without family to
welcome her, she is
inspired towards a new
goal: returning home to
rescue loved ones. In the
final aria, Tubman, a
seasoned conductor on the
Underground Railroad,
embraces the folkloric
title given to her by
escapees and aspiring
runaways. I am 'Moses,
the Liberator,' she
proclaims. Her
transformation is
complete. The four
“name†arias
in HARRIET TUBMAN: When I
crossed thatLine To
Freedom, portray stages
in the title character's
transformationfrom slave
to freedom-fighter.First,
as a child, she
introduces herself as
“Araminta,â€
who is oftencalled,
“Minty.†Her
naïve prattlings
establish a dramatic
contrastbetween
childhood's contentment
and the harsh realities
of
slaveexistence.“My
name is Harriet, now.
Don't call me Minty any
more,†declares
theteenaged heroine.
Having survived a series
of abusive masters and
adebilitating injury, she
asserts her rites of
womanhood through
theshedding of her
childhood moniker.The
grown Harriet Tubman
reintroduces herself as a
free woman,recounting the
harrowing tale of escape
from slavery. Confronted
bybittersweet poignancy
at having crossed the
line to freedom
withoutfamily to welcome
her, she is inspired
towards a new goal:
returninghome to rescue
loved ones.In the final
aria, Tubman, a seasoned
conductor on the
UndergroundRailroad,
embraces the folkloric
title given to her by
escapees andaspiring
runaways. “I am
'Moses, the
Liberator,'†she
proclaims.
Hertransformation is
complete. $27.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| More Than Just A Man (Director's Edition) Chorale SATB Lillenas Publishing Co.
SATB choir SKU: LP.ME-62A A Dramatic Easter Musical. Composed by C...(+)
SATB choir SKU:
LP.ME-62A A
Dramatic Easter
Musical. Composed by
Chris Machen & Kim
Messer. Arranged by
Richard Kingsmore. This
edition: Paperback.
Musical. Multicultural,
Easter and Sacred.
Director's Edition.
Published by Lillenas
Publishing Company
(LP.ME-62A). ISBN
9780834174726. An
inspiring dramatic
musical for the Easter
season from the team that
brought us Bow the Knee
creators Chris Machen and
Kim Messer with arranger
and orchestrator Richard
Kingsmore. The ministry
life death and
resurrection of Jesus -
as seen through the eyes
of Nicodemus and Joseph
of Arimathea - are the
focus of this touching
work. More than Just a
Man provides a compelling
glimpse into the
controversy surrounding
the Messiah and his
triumphant resurrection.
A powerful evangelistic
tool for churches of all
traditions and perfect
for the Easter
season. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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