PARTITIONS GRATUITES :
- High Five Oboe

Oboe and Piano - Easy

SKU: FT.FM248

Composed by Karen Gourlay. Score and Part. Forton Music #FM248. Published by Forton Music (FT.FM248).

ISBN 9790570481477.

Oboe and Piano. Each piece uses just five notes to create ten pieces in a wide range of styles including tango, folk, country and reggae. Delightful repertoire for young players.

(Parts). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Felix Loy. For Bassoon, Oboe, Chamber Ensemble, Horn (Parts). Henle Music Folios. G. Henle #HN1191. Published by G. Henle

Oboe and piano

SKU: ST.H498

Composed by Edmund Jolliffe. Wind & brass music. Eight pieces for oboe and piano. Standard: Grades 3 to 5. . CONTENTS. Aiming High. Spooky Tune. A Farewell. A Tall Tale. Jack-in-the-Box. Time for Bed. On the Beach. Victory. Score and part. Stainer & Bell Ltd. #H498. Published by Stainer & Bell Ltd. (ST.H498).

ISBN 9790220225468.

From the composer of My Family and Other Animals for clarinet, here is a new collection of engaging and beautifully imagined oboe pieces by Edmund Jolliffe. Each one is not only a picturesque or playful study, but also a reflection of the anthology's title, addressing aspects of technique and interpretation through shapely melodies crafted around an aspiring phrase or phrases in the instrument's upper register. For oboists of between grades three and five standard, these pieces offer eight unique opportunities for thoroughly enjoyable and rewarding playing.

Oboe

SKU: OT.23127

Composed by Daniel Akiva. 4 miniatures for oboe solo. Classical, Jewish. Score. OR-TAV Music Publications #23127. Published by OR-TAV Music Publications (OT.23127).

ISBN 9789655050721. 8.27 x 11.69 inches.

Bakashot are piyyutim (relig ious poems) which are sung late at night mostly on Sabbaths and holidays. These poems have many spiritual and mystical influences, and their origin is among the Sephardic Jews before the Expulsion from Spain. The singing of the bakashot was expanded during the 16th Century, particularly by the mystics in Safed, and appears also in the singing of the the maftirim among Turkish Jews.
These four miniatures for oboe solo are personal prayers written in the inspiration of the bakashot.
Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school.
Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014.
A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz.

Woodwind quintet

SKU: P2.10008

Composed by Lon W. Chaffin. Chamber music, 20th century. Published by Potenza Music (P2.10008).

Lon W. Chaffin says, To the Middle and Back has five movements, each featuring different instruments. The first and fifth movements feature the flute and horn. The second and fourth movements highlight the oboe and bassoon, while the third movement stands alone, giving the clarinet the spotlight. The piece demonstrates a typical arch form... Thus, the title of the piece alludes to the formal structure... The melodic and harmonic vocabulary explore pentatonic and modal scale structures within both quartal/quintal and tertian vertical sonorities. The metrical forms are very traditional in the first two and last two movements, but the third demostrates oscillation between symmetrical and asymmetrical meters as well as an interweaving of the two..

(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications