| GanJam Ensemble Jazz [Set de Parties séparées] Peters
By Ferdinand Jelly Roll Morton. Edited by James Dapogny. For 2 Alto Saxophones...(+)
By Ferdinand Jelly Roll
Morton. Edited by James
Dapogny. For 2 Alto
Saxophones, 2 Tenor
Saxophones, 3 Trumpets, 2
Trombones, Piano, Guitar,
Doublebass, Drum. Modern,
Jazz, Orchestral. Set of
Parts. Duration circa 4-7
minutes. Published by
Edition Peters
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Early Jazz Dances, Songs, Instrumentals for Fingerstyle Guitar Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.31060M Perfect binding. Jazz. Book and onli...(+)
Guitar - Intermediate
SKU: MB.31060M
Perfect binding. Jazz.
Book and online audio.
180 pages. Mel Bay
Publications, Inc
#31060M. Published by Mel
Bay Publications, Inc
(MB.31060M). ISBN
9781513468051. 8.75x11.75
inches. As aspiring
fingerpicking guitarists
started expanding their
horizons from folk,
blues, and ragtime in the
1970s, it was only
logical to look towards
early jazz tunes as a
vast source for new
possibilities. For one
thing, they could follow
the same evolutionary
path from ragtime to jazz
that had been taken by
pianists such as Jelly
Roll Morton and Harlem
stride players like James
P. Johnson and Fats
Waller. These musicians
all composed in a variety
of styles, but their most
ambitious piano solos
expanded on the classic
ragtime format developed
by the likes of Scott
Joplin, James Scott, and
Joseph Lamb, using
several strains that
usually changed keys at
least once. Morton, the
self-proclaimed inventor
of jazz, would record
versions of tunes like
King Porter
Stomp and The
Original Jelly Roll
Blues that are
similar to straight
ragtime performances, and
others where there is
lots of room left for
embellishment and jazz
improvisation.
The present
collection is a bonanza
for guitarists who want
to tackle advanced
arrangements along the
lines of ragtime but
featuring jazz age
harmonies from the
playing of Jelly Roll
Morton, Louis Armstrong,
Bix Beiderbecke, WC
Handy, the Original
Dixieland Jazz Band and
other early jazz legends.
The 32 arrangements
included are by a wide
assortment of guitarists
including Ernie Hawkins,
Pat Donohue, Lasse
Johansson, Duck Baker,
Ton Van Bergeyk, Sandy
Shalk, Steve McWilliam,
and Dorian Henry.
Titles
include: Oh, You
Beautiful Doll,
I’ve Got The
Blues, High Society, St.
Louis Blues, Davenport
Blues, Poor Butterfly,
Dixie Jass Band One-Step,
Memphis Blues, Big Foot
Ham, Grandpa’s
Spells, The Original
Jelly Roll Blues,
Midnight Mama, Milenberg
Joys, Fizz Water, Back
Home in Indiana, Sweet
Georgia Brown, Red Wing
(An Indian Intermezzo),
There’ll Be Some
Changes Made, Way Down
Yonder In New Orleans,
Charleston, Where The
Morning Glories Grow,
Limehouse Blues, Susie
(of the Islands), I Need
Some Pettin’,
Weather Bird, Cornet Chop
Suey, Kansas City Stomps,
King Porter Stomp,
Jubilee Stomp, Take It
Easy, If I Had You,
Moonlight
Serenade $24.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stop and Go Peters
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, pia...(+)
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr SKU:
PE.EP68488A Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Part(s). 60
pages. Edition Peters
#98-EP68488A. Published
by Edition Peters
(PE.EP68488A). ISBN
9790300758909.
English. At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor) As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?
--Martin Litton, for JUST
JAZZ (Feb 2011) $39.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stop and Go Peters
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, pia...(+)
Jazz Ensemble 2 Alto
saxophones, 2 Tenor
saxophones, 3 trumpet, 2
trombonne, piano, guitar,
double bass, Dr SKU:
PE.EP68488 Composed
by Jelly Roll Morton.
Jazz Ensembles. Edition
Peters. Score. 36 pages.
Edition Peters
#98-EP68488. Published by
Edition Peters
(PE.EP68488). ISBN
9790300758893.
English. At the
end of 1938, Jelly Roll
Morton (1890-1941)
returned to New York from
his years in Washington,
D.C. Recent publicity had
made a comeback seem
possible, and he hoped to
recapture the prominent
place in the jazz world
that he had held in the
1920s. Still well known,
though mainly as a New
Orleans music pioneer, he
understood that in order
to be taken seriously as
a contemporary artist, he
needed to form a big band
like those of his
competition, such as Duke
Ellington, Count Basie,
Benny Goodman, and Tommy
and Jimmy Dorsey. In the
1920s Morton's recordings
and tours featured a
ten-piece band following
the first-generation
big-band format. But in
the late 1930s, larger
groups were popular, so
Morton assembled a
conventional '30s band
consisting of four
saxophones, six brass,
and four rhythm. The band
was to open at the Golden
Gate Ballroom in Harlem
on April 17th, 1939, but
on opening night Morton
collapsed before going
onstage. During his
recuperation from the
asthma and heart problems
that dogged him, the band
broke up, never to
reassemble. Only six
items written for that
band's instrumentation
are known to exist:
Morton's arrangements of
his own compositions --
Finger Breaker, GanJam,
Good Old New York, Mister
Joe, and Stop and Go --
and an arrangement,
Mamies' Blues, by another
artist. -- James Dapogny
(Editor) As an
editor, Dapogny shows his
customary sound musical
scholarship and deep
knowledge of Morton's
style....The publishers
are to be congratulated
for bringing this
fascinating work into the
public domain, which
throws a totally new
light on 'Mister Jelly
Lord.' Who knows what he
would have achieved had
he lived beyond his
alleged 51 years?--Martin
Litton, for JUST JAZZ
(Feb 2011) $18.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Jazz Fake Book - Bb edition Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 ...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 448 pages.
Published by Hal Leonard.
(3)$49.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Jazz Fake Book - C edition
Instruments en Do [Fake Book] Hal Leonard
For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...(+)
For C instrument and
voice. Format: fakebook
(spiral bound). With
chord names, vocal melody
and lyrics. Jazz. Series:
Hal Leonard Fake Books.
448 pages. 9x12 inches.
Published by Hal Leonard.
(7)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Jazz Fake Book - Eb Edition Instruments en Mib [Fake Book] Hal Leonard
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet no...(+)
Fakebook for Eb
instrument and voice.
With vocal melody, lyrics
and leadsheet notation.
Series: Hal Leonard Fake
Books. 448 pages.
Published by Hal Leonard.
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz & Blues(250) All Time Hits Piano seul Music Sales
| | |
Plus de résultats boutique >> |