PARTITIONS GRATUITES :
- L.352

By Scarlatti Haydn. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 2500 pages. Published by Subito Music.

SATB Choir

SKU: CA.335260

Composed by Guillaume Bouzignac. Edited by Denis Rouger. Separate edition with choral collection. Secular choral music. Full score. 8 pages. Carus Verlag #CV 03.352/60. Published by Carus Verlag (CA.335260).

ISBN 9790007240301. Language: French.

Score available separately - see item CA.335200.

Grade 2

SKU: CL.011-2923-00

March. Composed by K. Harris. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR187). March. Score and set of parts. Composed 1998. Duration 2 minutes, 13 seconds. C.L. Barnhouse #011-2923-00. Published by C.L. Barnhouse (CL.011-2923-00).

American Dream is one of Ken’s his nicest. Tuneful and playable with modest technical requirements, you simply can’t go wrong with this quality march. Perfect for contest or concert.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Piano

SKU: CJ.A135400014

Composed by Philippe Maze. Score. Editions a Coeur Joie #A135400014. Published by Editions a Coeur Joie (CJ.A135400014).

Discover l' initiation a l'intonation de Philippe Mazé

 :

Although it is not necessarily an end in itself, the introduction to intonation must be done in a methodical way, as soon and as seriously as possible.
Many singers often find themselves unprepared for even modest numbers. One of the ways to overcome this lack is of course to practice an instrument in conjunction with vocal studies, to practice ensemble music (vocal ensembles, choirs, one per voice etc...).
This should not prevent a constant and personal work in order to progress, to allow the discovery of new repertoires, to work better and faster, in short, to be indecisive in front of a score.

Philippe MAZÉ explain  

:

This Introduction to intonation does not claim to be exhaustive. It is only meant to be a concrete, pragmatic help to sensitize the student to the work of the interval. I sincerely hope that this modest method will be liberating for all those who will study it.

• Intonation sur les secondes
• Intonation sur les tierces
• Vocalises sur des accords
• Mélange sur les secondes et les tierces
• Intonation sur les quartes
• Mélange sur les secondes, tierces et quartes
• Intonation sur les quintes
• Valse des intervalles (de la seconde a la quinte)
• Intonation sur les sixtes
• Intonation sur les septiemes et les octaves
• Intervalse de la seconde a l'octave

Piano

SKU: BT.EMBZ7817

Parte prima (No. 1-50). By György Balla. By Domenico Scarlatti. EMB Urtext. Exam Material. Book Only. Composed 1977. 184 pages. Editio Musica Budapest #EMBZ7817. Published by Editio Musica Budapest (BT.EMBZ7817).

English-German-Hungari an.

The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) An ABRSM syllabus title, 2013-14, Grade 6.

Die Sonaten bringen wir nicht nach Schwierigkeitsgraden geordnet, sondern in der Reihenfolge von Kirkpatricks Verzeichnis. Diese Anordnung entspricht annähernd der Entstehungszeit der Stücke. Dadurch ist es möglich die paarweise zusammengehörenden Sonaten der Auswahl nebeneinander zu stellen. Unsere Ausgabe folgt, von kleineren, notwendigen Umstellungen abgesehen, genau dem Originaltext und dem ursprünglichen Zeichensystem. Dies bezieht sich jedoch nicht auf den Fingersatz, der durchweg ein Vorschlag des Herausgebers ist.