| Sideward Glance, A Ensemble Jazz - Intermédiaire Kendor Music Inc.
Jazz Ensemble standard jazz ensemble - Grade 3 SKU: KN.52809 Composed by ...(+)
Jazz Ensemble standard
jazz ensemble - Grade 3
SKU: KN.52809
Composed by Mike Tomaro.
Kendor Archive Editions.
Ballad. Kendor Music Inc
#52809. Published by
Kendor Music Inc
(KN.52809). UPC:
822795528091. A
gorgeous, introspective
ballad adapted from the
combo version recorded on
Mike's latest CD, this
solo feature for alto or
soprano sax presents all
member of medium-advanced
bands with sufficient
challenges. Two
fortissimo climaxes
punctuate the otherwise
delicate nature of this
piece, and short cadenzas
for three soloists
(piano, soprano sax,
drums) in the opening
bars give it a unique
start. In his score
notes, Mike emphasizes
the importance of playing
with rhythmic precision
in a chart that combines
a slow tempo with
16th-note figures. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sideward Glance, A (Full Score) Ensemble Jazz - Intermédiaire Kendor Music Inc.
Jazz Ensemble - Grade 3 SKU: KN.52809S Composed by Mike Tomaro. Kendor Ar...(+)
Jazz Ensemble - Grade 3
SKU: KN.52809S
Composed by Mike Tomaro.
Kendor Archive Editions.
Kendor Music Inc #52809S.
Published by Kendor Music
Inc (KN.52809S). UPC:
822795528091. A
gorgeous, introspective
ballad adapted from the
combo version recorded on
Mike's latest CD, this
solo feature for alto or
soprano sax presents all
member of medium-advanced
bands with sufficient
challenges. Two
fortissimo climaxes
punctuate the otherwise
delicate nature of this
piece, and short cadenzas
for three soloists
(piano, soprano sax,
drums) in the opening
bars give it a unique
start. In his score
notes, Mike emphasizes
the importance of playing
with rhythmic precision
in a chart that combines
a slow tempo with
16th-note figures. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Heartbreak Trail - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Tom-tom and
more. - Grade 2 SKU:
CF.YPS241F Composed
by David Bobrowitz. Full
score. 17 pages. Carl
Fischer Music #YPS241F.
Published by Carl Fischer
Music (CF.YPS241F).
ISBN 9781491159668.
UPC:
680160918256. PROGR
AM NOTES Heartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult trek.
Although there were many
obstacles, thousands did
survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom. PERFORMANCE
NOTES The opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the accents.
Measures 51 to 52 work a
strong quick crescendo to
fortissimo. This should
set up the tutti forte at
m. 53. In m. 61 start a
gradual diminuendo to the
return of the A-section
at m. 68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard
clearly. Â PROGRAM
NOTESHeartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult
trek.Although there were
many obstacles, thousands
did survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom.PERFORMANCE
NOTESThe opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the
accents. Measures 51
to 52 work a strong quick
crescendo to fortissimo.
This should set up the
tutti forte at m. 53. In
m. 61 start a gradual
diminuendo to the return
of the A-section at m.
68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard clearly. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| America Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS252 Composed by Michael J. Miller....(+)
Band Concert Band - Grade
3 SKU: CF.CPS252
Composed by Michael J.
Miller. Set of Score and
Parts.
12+4+4+2+4+4+4+2+2+2+2+2+
2+4+4+4+2+2+3+3+3+2+4+3+1
+2+3 pages. Duration
1:45. Carl Fischer Music
#CPS252. Published by
Carl Fischer Music
(CF.CPS252). ISBN
9781491159699. UPC:
680160918287. Ameri
ca is intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible. The
introduction, mm. 1-12,
should be approached in
the style of a fanfare,
with an emphasis on
syncopation and
exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm. 15-22 the
melody is carefully
hidden among counter
lines. This should be
carefully balanced to
highlight the melody,
while still shaping the
counter melodies
appropriately. A brief
return to the fanfare
style occurs in mm. 33-35
before melding back into
the chorale style. In
regards to dynamics,
performers should be
reminded that within any
single dynamic exists a
range of expressive
shades. No two notes
should be played at the
same volume, ensuring
direction in even the
simplest of phrases.
Generally speaking, the
fortissimo dynamic should
be approached
thoughtfully, with the
bulk of the sound coming
from the lowest voices,
and the least from the
highest
voices. America is
intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible.The
introduction, mm.
1–12, should be
approached in the style
of a fanfare, with an
emphasis on syncopation
and exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm.
15–22 the melody
is carefully hidden among
counter lines. This
should be carefully
balanced to highlight the
melody, while still
shaping the counter
melodies appropriately.A
brief return to the
fanfare style occurs in
mm. 33–35 before
melding back into the
chorale style.In regards
to dynamics, performers
should be reminded that
within any single dynamic
exists a range of
expressive shades. No two
notes should be played at
the same volume, ensuring
direction in even the
simplest of
phrases.Generally
speaking, the fortissimo
dynamic should be
approached thoughtfully,
with the bulk of the
sound coming from the
lowest voices, and the
least from the highest
voices. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Heartbreak Trail - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Tom-tom and
more. - Grade 2 SKU:
CF.YPS241 Composed by
David Bobrowitz. Set of
Score and Parts.
17+4+4+2+4+4+2+2+3+2+2+2+
4+4+4+4+3+3+3+2+3+2+1+3+3
pages. Duration 2
minutes, 53 seconds. Carl
Fischer Music #YPS241.
Published by Carl Fischer
Music (CF.YPS241).
ISBN 9781491159651.
UPC:
680160918249. PROGR
AM NOTES Heartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult trek.
Although there were many
obstacles, thousands did
survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom. PERFORMANCE
NOTES The opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the accents.
Measures 51 to 52 work a
strong quick crescendo to
fortissimo. This should
set up the tutti forte at
m. 53. In m. 61 start a
gradual diminuendo to the
return of the A-section
at m. 68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard
clearly. Â PROGRAM
NOTESHeartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult
trek.Although there were
many obstacles, thousands
did survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom.PERFORMANCE
NOTESThe opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the
accents. Measures 51
to 52 work a strong quick
crescendo to fortissimo.
This should set up the
tutti forte at m. 53. In
m. 61 start a gradual
diminuendo to the return
of the A-section at m.
68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard clearly. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| America Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS252F Composed by Michael J. Miller...(+)
Band Concert Band - Grade
3 SKU: CF.CPS252F
Composed by Michael J.
Miller. Full score. 9
pages. Carl Fischer Music
#CPS252F. Published by
Carl Fischer Music
(CF.CPS252F). ISBN
9781491159705. UPC:
680160918294. Ameri
ca is intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible. The
introduction, mm. 1-12,
should be approached in
the style of a fanfare,
with an emphasis on
syncopation and
exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm. 15-22 the
melody is carefully
hidden among counter
lines. This should be
carefully balanced to
highlight the melody,
while still shaping the
counter melodies
appropriately. A brief
return to the fanfare
style occurs in mm. 33-35
before melding back into
the chorale style. In
regards to dynamics,
performers should be
reminded that within any
single dynamic exists a
range of expressive
shades. No two notes
should be played at the
same volume, ensuring
direction in even the
simplest of phrases.
Generally speaking, the
fortissimo dynamic should
be approached
thoughtfully, with the
bulk of the sound coming
from the lowest voices,
and the least from the
highest
voices. America is
intended for any
intermediate to
professional concert band
looking to honor the
United States of America
and/or members of the
Armed Forces. It is
therefore ideal for
performance on or around
any patriotic holiday. It
is not a typical setting
of the tune, in that many
liberties are taken to
showcase each instrument
of the ensemble, with the
melodic focus constantly
shifting. The conductor
and performers should
seek out these moments,
and bring them to life
whenever possible.The
introduction, mm.
1–12, should be
approached in the style
of a fanfare, with an
emphasis on syncopation
and exaggerated nuance in
regards to articulation
style. Here, hidden
beneath woodwind
flourishes and triumphant
bugle calls, the low
voices play quotes of
familiar American tunes
such as The Star-Spangled
Banner (m. 1, beat 3) and
Simple Gifts (m. 3, beat
4). In mm.
15–22 the melody
is carefully hidden among
counter lines. This
should be carefully
balanced to highlight the
melody, while still
shaping the counter
melodies appropriately.A
brief return to the
fanfare style occurs in
mm. 33–35 before
melding back into the
chorale style.In regards
to dynamics, performers
should be reminded that
within any single dynamic
exists a range of
expressive shades. No two
notes should be played at
the same volume, ensuring
direction in even the
simplest of
phrases.Generally
speaking, the fortissimo
dynamic should be
approached thoughtfully,
with the bulk of the
sound coming from the
lowest voices, and the
least from the highest
voices. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Homeward Orchestre d'harmonie - Facile Carl Fischer
Band concert band - Grade 2 SKU: CF.YPS258 Composed by William Harbinson....(+)
Band concert band - Grade
2 SKU: CF.YPS258
Composed by William
Harbinson. Set of Score
and Parts. Carl Fischer
Music #YPS258. Published
by Carl Fischer Music
(CF.YPS258). ISBN
9781491163580. UPC:
680160922376. Homew
ard is a lyrical ballad
in ABA form. The
composition presents few
rhythmic challenges,
allowing the ensemble to
concentrate on beauty of
sound, balance, dynamic
nuance, phrasing, and
expressive performance.
The woodwind voices
present the melody at the
opening accompanied by a
flute countermelody. Care
should be taken to
balance the two parts.
The four-measure phrases
call for tapered dynamics
and freedom of the metric
pulse at cadence points.
A change of tempo and
key, with a lean toward
the minor mode, mark the
contrasting B section (m.
9). Heed the dynamic
markings that swell to a
climax (m. 16) and then
subside within this
section. Take liberty to
hold back the tempo at
the percussion link to
the forte restatement of
A (m. 27) and the arrival
of the fortissimo climax
(m. 33). The coda (m. 35)
should be presented
slowly and serenely as
the composition comes to
a quiet close. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Homeward Orchestre d'harmonie Carl Fischer
Band concert band SKU: CF.YPS258F Composed by William Harbinson. Full sco...(+)
Band concert band SKU:
CF.YPS258F Composed
by William Harbinson.
Full score. 12 pages.
Carl Fischer Music
#YPS258F. Published by
Carl Fischer Music
(CF.YPS258F). ISBN
9781491163986. UPC:
680160922772. Homew
ard is a lyrical ballad
in ABA form. The
composition presents few
rhythmic challenges,
allowing the ensemble to
concentrate on beauty of
sound, balance, dynamic
nuance, phrasing, and
expressive performance.
The woodwind voices
present the melody at the
opening accompanied by a
flute countermelody. Care
should be taken to
balance the two parts.
The four-measure phrases
call for tapered dynamics
and freedom of the metric
pulse at cadence points.
A change of tempo and
key, with a lean toward
the minor mode, mark the
contrasting B section (m.
9). Heed the dynamic
markings that swell to a
climax (m. 16) and then
subside within this
section. Take liberty to
hold back the tempo at
the percussion link to
the forte restatement of
A (m. 27) and the arrival
of the fortissimo climax
(m. 33). The coda (m. 35)
should be presented
slowly and serenely as
the composition comes to
a quiet close. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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