| Launch [Conducteur] University Of York Music Press
Bass Clarinet and String Quartet SKU: BT.MUSM570368310 Composed by George...(+)
Bass Clarinet and String
Quartet SKU:
BT.MUSM570368310
Composed by George
Nicholson. Classical.
Score Only. University of
York Music Press
#MUSM570368310. Published
by University of York
Music Press
(BT.MUSM570368310).
George
Nicholson's
Launch
for Bass Clarinet, String
Quartet and Piano.
Composed May 2018.
Duration: 1 minute
Premiered 26
April, 2018 by Sarah
Watts, Jonathan Ayerst
and the
LigetiQuartet.
Programme
Note:
This piece was
composed to mark the
inauguration of the
Centre for New Music at
Sheffield (CeNMaS). It
was one of several
'microcosmic' pieces
written by
postgraduatestudents and
staff composers of the
University of Sheffield
for that occasion, to be
presented as a continuous
sequence of very brief
instrumental and
electroacoustic
works. The
beginning of any new
venture
impliespotentialand
possibility; borne of
optimism it invokes hope
for the future. It was
with these thoughts in
mind that I set out in
Launch to fill a minute
of playing time with as
much activity as
possible. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Launch University Of York Music Press
Bass Clarinet and String Quartet SKU: BT.MUSM570368327 Composed by George...(+)
Bass Clarinet and String
Quartet SKU:
BT.MUSM570368327
Composed by George
Nicholson. Classical. Set
of Parts. University of
York Music Press
#MUSM570368327. Published
by University of York
Music Press
(BT.MUSM570368327).
George
Nicholson's
Launch
for Bass Clarinet, String
Quartet and Piano.
Composed May 2018.
Duration: 1 minute
Premiered 26
April, 2018 by Sarah
Watts, Jonathan Ayerst
and the
LigetiQuartet.
Programme
Note:
This piece was
composed to mark the
inauguration of the
Centre for New Music at
Sheffield (CeNMaS). It
was one of several
'microcosmic' pieces
written by
postgraduatestudents and
staff composers of the
University of Sheffield
for that occasion, to be
presented as a continuous
sequence of very brief
instrumental and
electroacoustic
works. The
beginning of any new
venture
impliespotentialand
possibility; borne of
optimism it invokes hope
for the future. It was
with these thoughts in
mind that I set out in
Launch to fill a minute
of playing time with as
much activity as
possible. $13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Le Voyage Dans La Lune Orchestre [Conducteur] University Of York Music Press
Orchestra SKU: BT.MUSM570366699 Composed by Ed Hughes. Score Only. 62 pag...(+)
Orchestra SKU:
BT.MUSM570366699
Composed by Ed Hughes.
Score Only. 62 pages.
University of York Music
Press #MUSM570366699.
Published by University
of York Music Press
(BT.MUSM570366699).
English. Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes. $29.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Le Voyage Dans La Lune Orchestre University Of York Music Press
Orchestra SKU: BT.MUSM570366712 Composed by Ed Hughes. Classical. Study S...(+)
Orchestra SKU:
BT.MUSM570366712
Composed by Ed Hughes.
Classical. Study Score.
62 pages. University of
York Music Press
#MUSM570366712. Published
by University of York
Music Press
(BT.MUSM570366712).
English. Le
Voyage Dans La Lune is a
continuous orchestral
score of approximately 14
minutes comprising two
outer fast sections and a
slower inner section of a
dream-like character. The
work is directly inspired
by the film Le Voyage
Dans La Lune (1902),
written and directed by
the pioneering French
film-maker, Georges
Méliès. Méliès was
influenced by 19th
century interests in
science and discoveries,
as well as the science
fiction of Jules Verne.
At the same time his work
seems fantastic, surreal
and satirical. Some
critics point out an
underlying critique of
colonial adventuring. The
plot centres on a group
of astronomers who decide
to launch a rocket to the
moon containing a handful
of their number. They
reach the moon (famously
landing on the moon’s
face) and then encounter
a strange race of aliens,
whom they battle and
destroy. The return to
earth involves a dramatic
descent, a plunge into
the ocean and then
celebratory dancing. The
film inhabits a surreal
and dream-like space, and
uses an idiosyncratic
visual language which
transforms reality. This
inspired an active
musical response in my
own score, which is by
turns abrupt, smooth,
lyrical and violent, and
expresses something of
the strange shifting
surfaces and multiple and
layered tempos evident in
the film. The canons in
the horns in the first
scene reflect the intense
arguments of the
astronomers as they
consider the project. The
slower inner section is
inspired by the scenes of
the industrial City
viewed from its rooftops
by the astronomers. It
also expresses the wonder
of the astronomers as
they see the earth rise
from the perspective of
the moon after their
arrival there. The music
of the final section is
in places conflicted,
reflecting the violent
encounters with the
moon’s inhabitants. It
moves into a more
harmonious phase at the
close to match the
celebrations upon the
astronomers’ return
from their adventuring.
The music could be
considered to be a
surreal mini-opera
without voices, voicing
instead the characters of
the silent screen. - Ed
Hughes. $27.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jarba, Mare Jarba Chorale SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU:
CF.CM9700 Composed by
Hungarian Folk. Arranged
by Stacy Garrop. 20
pages. Duration 4:44.
Carl Fischer Music
#CM9700. Published by
Carl Fischer Music
(CF.CM9700). ISBN
9781491160008. UPC:
680160918607. Key: A
minor. Hungarian.
Hungarian Folk. In
2014, Chanticleer
commissioned me to make a
new arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one's homeland, a place
where the singer can
never return. Chanticleer
consists of twelve men
whose vocal ranges span
from low bass to high
soprano, equivalent to
the range of a mixed
choir of women and men. I
composed slow sections of
original material to
represent the singers'
longing to return home;
these are interspersed
with the folk song's
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer version.
PERFORMANCE NOTES All
spoken sounds (indicated
by x noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music. If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the end. TEXT
Transliteration Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa. Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat. O mers mama de pe
sat, O lasat coliba
goala, Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa. Jarba, mare
jarba mas duce a casa, da
nu pot ca am jurat.
Translation Green grass,
tall grass, I would like
to go home, but I cannot,
because I have sworn not
to. Tall grass, green
grass - oh, that I cannot
go home! My mother has
left the village; she
left the hut empty,
Adorned with leaves but
full of poverty. Tall
grass, green grass - oh,
that I cannot go home!
Tall grass, green grass -
I would like to go home.
but I cannot, because I
have sworn not to. Stacy
Garrop's music is
centered on dramatic and
lyrical storytelling. The
sharing of stories is a
defining element of our
humanity; we strive to
share with others the
experiences and concepts
that we find compelling.
She shares stories by
taking audiences on sonic
journeys - some simple
and beautiful, while
others are complicated
and dark - depending on
the needs and dramatic
shape of the story.
Garrop served as the
first Emerging Opera
Composer of Chicago Opera
Theater's Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received numerous
awards and grants
including an Arts and
Letters Award in Music
from the American Academy
of Arts and Letters,
Fromm Music Foundation
Grant, Barlow Prize, and
three Barlow Endowment
commissions, along with
prizes from competitions
sponsored by the Detroit
Symphony Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels. Her catalog
covers a wide range, with
works for orchestra,
opera, oratorio, wind
ensemble, choir, art
song, various sized
chamber ensembles, and
works for solo
instruments. Notable
commissions include My
Dearest Ruth for soprano
and piano with text by
Martin Ginsburg, the
husband of the late
Supreme Court Justice
Ruth Bader Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for the
Kronos Quartet, Give Me
Hunger for Chanticleer,
Rites for the Afterlife
for the Akropolis and
Calefax Reed Quintets,
and Terra Nostra: an
oratorio about our
planet, commissioned by
the San Francisco Choral
Society and Piedmont East
Bay Children's Chorus.
Garrop previously served
as composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.). In 2014,
Chanticleer commissioned
me to make a new
arrangement of the
Hungarian-Romani folk
song Jarba, Mare Jarba
for their 2014 touring
program. Passed down
orally through the Romani
communities, this
beautiful folk song, with
text in a language called
Beas (beh-osh), speaks of
a deep longing to visit
one’s homeland, a
place where the singer
can never return.
Chanticleer consists of
twelve men whose vocal
ranges span from low bass
to high soprano,
equivalent to the range
of a mixed choir of women
and men. I composed slow
sections of original
material to represent the
singers’ longing
to return home; these are
interspersed with the
folk song’s
traditional fast
sections. The
incorporated shouts and
calls in the score are
typically found in the
performance of Central
European folk songs. I
hope you enjoy singing
this new version of
Jarba, Mare Jarba that
contains all of the vigor
and excitement of the
Chanticleer
version.PERFORMANCE
NOTESAll spoken sounds
(indicated by x
noteheads) should be
performed by individuals.
Feel free to elaborate
with more sounds of your
own in the tradition of
Eastern European folk
music.If the piece is
memorized, feel free to
experiment with clapping
on the off-beats of m. 93
to the
end.TEXTTransliterationJa
rba, mare jarba mas duce
a casa, da nu pot ca am
jurat, Jarba, mare jarba
mas duce a casa, da nu
pot ca am jurat. Mare
jarba, verde jarba nu me
pot duce a casa.Jarba,
mare jarba mas duce a
casa, da nu pot ca am
jurat.O mers mama de pe
sat, O lasat coliba
goala,Infrunzitu,
ingurzitu da plina de
saracie, da plina de
saracie. Mare jarba,
verde jarba nu me pot
duce a casa.Jarba, mare
jarba mas duce a casa, da
nu pot ca am
jurat.TranslationGreen
grass, tall grass, I
would like to go home,
but I cannot, because I
have sworn not to.Tall
grass, green grass
– oh, that I
cannot go home!My mother
has left the village; she
left the hut empty,
Adorned with leaves but
full of poverty.Tall
grass, green grass
– oh, that I
cannot go home! Tall
grass, green grass
– I would like to
go home.but I cannot,
because I have sworn not
to.Stacy Garrop’s
music is centered on
dramatic and lyrical
storytelling. The sharing
of stories is a defining
element of our humanity;
we strive to share with
others the experiences
and concepts that we find
compelling. She shares
stories by taking
audiences on sonic
journeys – some
simple and beautiful,
while others are
complicated and dark
– depending on the
needs and dramatic shape
of the story.Garrop
served as the first
Emerging Opera Composer
of Chicago Opera
Theater’s Vanguard
Program. She also held a
3-year
composer-in-residence
position with the
Champaign-Urbana Symphony
Orchestra, funded by New
Music USA and the League
of American Orchestras.
She has received
numerous awards and
grants including an
Arts and Letters Award in
Music from the American
Academy of Arts and
Letters, Fromm Music
Foundation Grant, Barlow
Prize, and three Barlow
Endowment commissions,
along with prizes from
competitions sponsored by
the Detroit Symphony
Orchestra, Civic
Orchestra of Chicago,
Omaha Symphony, New
England Philharmonic,
Boston Choral Ensemble,
Utah Arts Festival, and
Pittsburgh New Music
Ensemble. She is a
Cedille Records artist;
her works are
commercially available on
more than ten additional
labels.Her catalog covers
a wide range, with works
for orchestra, opera,
oratorio, wind ensemble,
choir, art song, various
sized chamber ensembles,
and works for solo
instruments. Notable
commissions include My
Dearest Ruth for
soprano and piano with
text by Martin Ginsburg,
the husband of the late
Supreme Court Justice
Ruth Bader
Ginsburg, The
Transformation of Jane
Doe for Chicago Opera
Theater, The Battle for
the Ballot for the
Cabrillo Festival
Orchestra, Goddess
Triptych for the St.
Louis Symphony Orchestra,
Glorious Mahalia for
the Kronos Quartet, Give
Me Hunger for
Chanticleer, Rites for
the Afterlife for the
Akropolis and Calefax
Reed Quintets,
and Terra
Nostra:Â an oratorio
about our planet,
commissioned by the San
Francisco Choral Society
and Piedmont East Bay
Children’s
Chorus.Garrop previously
served as
composer-in-residence
with the Albany Symphony
and Skaneateles Festival,
and as well as on faculty
of the Fresh Inc Festival
(2012-2017). She taught
composition and
orchestration full-time
at Roosevelt University
2000-2016) before leaving
to launch her freelance
career. She earned
degrees in music
composition at the
University of
Michigan-Ann Arbor
(B.M.), University of
Chicago (M.A.), and
Indiana
University-Bloomington
(D.M.).ÂÂ. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Destination Moon Ensemble de cuivres [Conducteur] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1175838-130 Composed by Paul Raphael. Co...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1175838-130
Composed by Paul Raphael.
Concert and Contest
Collection Brass Band en
Fanfare. Concert Piece.
Score Only. Composed
2017. 79 pages. De Haske
Publications #DHP
1175838-130. Published by
De Haske Publications
(BT.DHP-1175838-130).
9x12 inches.
English-German-French-Dut
ch. Destination
Moon was first
performed by Cory Band at
the 2017 European
Championships in Ostend,
Belgium, and is inspired
by the Belgian comic-book
hero Tintin. The first
part is called
‘Science’
and describes the
development of the theory
of space travel. The
second part is
‘Humanity’
which addresses human
concerns and philosophies
about our place in the
universe. The third part
is ‘The
Launch’ which ends
with a repetition of the
words ‘Earth to
Moon Rocket are you
receiving me?’ as
the rocket vanishes into
a tiny speck in the
sky.
Destinatio
n Moon werd voor het
eerst vertolkt door de
Cory Band, tijdens de
Europese Brassband
Kampioenschappen van 2017
in Oostende, België.
Het werk is ge nspireerd
op de avonturen van de
Belgische stripheld
Kuifje. Het eerste deel,
‘Science’,
beschrijft de
ontwikkeling van de
theorie achter de
ruimtevaart. Het tweede
deel heet
‘Humanity’:
het verklankt
verschillende menselijke
overwegingen en
filosofieën rondom
onze plaats in het
universum; de titel van
het derde deel is
‘The
Launch’: dit
gedeelte eindigt met een
herhaling van de woorden
‘Earth to Moon
Rocket are you receiving
me?’ terwijl de
raket verdwijnt tot hij
nog slechts een stipje
aan de hemel
is.
Destination
Moon wurde 2017 im
Rahmen der 40. European
Brass Band Championships
in Ostende (Belgien) von
der Cory Band
uraufgeführt. Als
Inspiration für das
Stück diente der
belgische Comic-Held
Tintin (Tim und
Struppi“). Der
erste Teil,
Science“,
beschreibt die
Entwicklung der
Wissenschaftler im
Bereich der Raumfahrt.
Der zweite Teil,
Humanity“,
beschäftigt sich mit
den menschlichen Gedanken
und Philosophien über
unseren Platz im
Universum. Der dritte
Teil, The Launch“,
endet mit der
Wiederholung der Worte
Erde an Mondrakete
können Sie mich
hören?“,
während die Mondrakete
als winziger Fleck im
Himmel
verschwindet.
Inte
rprété pour la
première fois par le
Cory Band aux
Championnats
d’Europe en 2017
Ostende, Belgique,
Destination Moon
s’inspire du
héros belge de BD
Tintin, dans Objectif
Lune. La première
partie au sous-titre
‘Science’
décrit la mise au
point de la théorie de
navigation spatiale par
les scientifiques ; la
deuxième partie,
‘Humanity’,
aborde les inquiétudes
et philosophies humaines
au sujet de notre place
dans l’univers ;
et la troisième partie
‘The Launch’
finit par une
répétition des mots
‘Earth to Moon
Rocket are you receiving
me ?’ tandis que
la fusée disparaît
dans le ciel. $50.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Southland in Springtime Orchestre à Cordes [Conducteur et Parties séparées] - Facile Carl Fischer
By Alan Lee Silva. For string orchestra. Carl Fischer Young String Orchestra Ser...(+)
By Alan Lee Silva. For
string orchestra. Carl
Fischer Young String
Orchestra Series. Grade
2-2.5. Score and parts.
Published by Carl Fischer
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Open Space Orchestre d'harmonie [Conducteur] - Intermédiaire FJH
Concert Band Concert Band - Grade 3.5 SKU: FJ.B1617S Score Only. C...(+)
Concert Band Concert Band
- Grade 3.5 SKU:
FJ.B1617S Score
Only. Composed by
Brian Balmages. Concert
Band. FJH Concert Band.
Programmatic. Score.
Duration 8:45. The FJH
Music Company Inc
#98-B1617S. Published by
The FJH Music Company Inc
(FJ.B1617S).
English. Experie
nce the International
Space Station through the
power of music. This epic
three-movement work
musically depicts several
astronauts' first-hand
accounts of launch, first
experiences of floating,
and a breathtaking
spacewalk. Movements
include Launch; Floating,
yet Falling; and
Spacewalk. A powerful and
substantial centerpiece
for any program.
About FJH
Concert
Band Desig
ned for high school
groups and upper-level
middle school groups.
Independence is
encouraged, but many
lines are cross-cued.
Usually includes an
expanded percussion
section. Grades 3 -
3.5 $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |