| Avalon Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS204
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Set of Score and
Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+3+1+1+4+16+2+4 pages.
Duration 2 minutes, 24
seconds. Carl Fischer
Music #YPS204. Published
by Carl Fischer Music
(CF.YPS204). ISBN
9781491152249. UPC:
680160909742. Key: D
minor. Avalonâ€â
€œLong Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King! $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Avalon Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, China Cymbal, Clarinet 1, Clarinet 2, Cr...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, China
Cymbal, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS204F
Long Live the
King. Composed by
Tyler Arcari. Young Band
(YPS). Full score. With
Standard notation. 16
pages. Carl Fischer Music
#YPS204F. Published by
Carl Fischer Music
(CF.YPS204F). ISBN
9781491152928. UPC:
680160910427. Avalo
n–Long Live the
King is a medieval
fantasy piece depicting
the Isle of Avalon where
the mystical sword
Excalibur of King Arthur
was forged. Composer
Tyler Arcari unearths a
solid piece for young
bands that is both bold
and dramatic. This piece
is sure to spark the
imagination of students
and give them strong
musical content with
which they can develop
their
musicianship. Program
Notes:Avalon–Long
live the King began its
journey as a commission
in honor of a dear friend
and mentor. David Riggs
is one of those band
directors that just seems
timeless. He is a
powerhouse with such a
stacked resume that it is
easy to forget that at
the end of the day he
enjoys taking long bike
rides with his lovely
wife and whittling a
piece of wood just as
much as being a band
director. He has touched
so many lives and
inspired so many people
in our field and beyond.
I was humbled, and
honored, when I was
contacted for the
commission. To David, I
hope that you one day
know how much you mean to
so many people, including
myself.About the
piece:The piece is
written with a little
homage to David’s
long tenure at Avalon
Middle school in Pace,
Florida. He was certainly
treated like a king as
the band director and
rightly so. It seemed
only fitting to add a
little medieval fantasy.
Avalon is a mystical
island in the world of
King Arthur where the
great sword Excalibur was
forged.The piece begins
lyrically with a slow
introduction with melodic
material. This melodic
motive is used throughout
with slight variations
depending on the
instrument voicing etc.
Care should be taken at
m. 10 that the Timpani
roll helps to bridge our
transition from an
exposed section to full
tutti. Care should be
taken so that the tempo
change at m. 19 is brisk
and avoids the low brass
turning into stomping.
Accessories like the
China cymbal and
tambourine can become
overpowering. I recommend
having students think of
these effects as
background in order to
make sure they
don’t POP out. The
dynamic changes at mm.
27-35 should be subito
similar to orchestral
dynamic changes. Avoid
unwritten crescendos in
this section. Measures
60–64 are a great
opportunity to teach
those unwritten dynamics
that make music so
enjoyable as we lead up
to the finale. It was
originally left blank for
some theatrics in the
premiere at
David’s retirement
concert so I know he
would enjoy adding some
Cholesterol as David
would say.Long Live the
King! $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ankh of Eternity - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Congas, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
Clarinet 1, Clarinet 2,
Congas, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mark Tree,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Tam-tam, Tambourine,
Trombone 1, Trombone 2,
Trumpet 1 and more. -
Grade 2.5 SKU:
CF.YPS240 Composed by
Kelly Dugger. Set of
Score and Parts.
24+8+8+4+8+8+4+4+6+4+4+4+
8+8+8+6+6+6+4+6+2+4+6
pages. Duration 5
minutes, 20 seconds. Carl
Fischer Music #YPS240.
Published by Carl Fischer
Music (CF.YPS240).
ISBN 9781491159637.
UPC:
680160918225. An
Ankh is an ancient
Egyptian hieroglyphic
representing the word
Life. The Ankh of
Eternity depicts an epic
journey through ancient
lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed? The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of Eternity
offers cultural and
historical inclusion
opportunities,
improvisation, unique
scales, rhythmic
challenges, and a
thrilling story.
Conductor Notes: Measures
45-61: Kaff is the
ancient Arabic art of
hand clapping over
improvised poetry. The
Kaff Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64-73: Experiment with
different cymbal noises,
such as scrapes with a
nail or coin, taps with
triangle beaters, bowed
cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners. An Ankh is an
ancient Egyptian
hieroglyphic representing
the word Life. The
Ankh of
Eternity depicts an
epic journey through
ancient lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed?The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of
Eternity offers
cultural and historical
inclusion opportunities,
improvisation, unique
scales,
rhythmic challenges,
and a thrilling
story.Conductor Notes:
Measures 45–61:
Kaff is the ancient
Arabic art of hand
clapping over improvised
poetry. The Kaff
Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64–73: Experiment
with different cymbal
noises, such as scrapes
with a nail or coin, taps
with triangle beaters,
bowed cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners. $75.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ankh of Eternity - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Congas, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Cabasa,
Clarinet 1, Clarinet 2,
Congas, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mark Tree,
Oboe, Percussion 1,
Percussion 2, Percussion
3, Tam-tam, Tambourine,
Timpani, Trombone 1,
Trombone 2 and more. -
Grade 2.5 SKU:
CF.YPS240F Composed
by Kelly Dugger. Full
score. 24 pages. Carl
Fischer Music #YPS240F.
Published by Carl Fischer
Music (CF.YPS240F).
ISBN 9781491159644.
UPC:
680160918232. An
Ankh is an ancient
Egyptian hieroglyphic
representing the word
Life. The Ankh of
Eternity depicts an epic
journey through ancient
lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed? The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of Eternity
offers cultural and
historical inclusion
opportunities,
improvisation, unique
scales, rhythmic
challenges, and a
thrilling story.
Conductor Notes: Measures
45-61: Kaff is the
ancient Arabic art of
hand clapping over
improvised poetry. The
Kaff Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64-73: Experiment with
different cymbal noises,
such as scrapes with a
nail or coin, taps with
triangle beaters, bowed
cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners. An Ankh is an
ancient Egyptian
hieroglyphic representing
the word Life. The
Ankh of
Eternity depicts an
epic journey through
ancient lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed?The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of
Eternity offers
cultural and historical
inclusion opportunities,
improvisation, unique
scales,
rhythmic challenges,
and a thrilling
story.Conductor Notes:
Measures 45–61:
Kaff is the ancient
Arabic art of hand
clapping over improvised
poetry. The Kaff
Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64–73: Experiment
with different cymbal
noises, such as scrapes
with a nail or coin, taps
with triangle beaters,
bowed cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Sound of Pipe and Drum Chorale 2 parties TB [Octavo] Heritage Music Press
(Je Ne Fus Jamais Si Aise). By Pierre Certon (1510-1572) and Linda Spevacek. For...(+)
(Je Ne Fus Jamais Si
Aise). By Pierre Certon
(1510-1572) and Linda
Spevacek. For TB choir (a
cappella) (with optional
recorder, continuo
(cello, digital
keyboard), hand drum,
tambourine, finger
cymbals). Christmas,
Concert. Octavo
$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bay Shore Park - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2 and
more. - Grade 3 SKU:
CF.CPS230
March. Composed by
Joseph Compello. Folio.
Cps. Set of Score and
Parts.
16+4+8+8+4+4+8+4+4+4+4+4+
12+6+4+8+1+1+4+1+16
pages. Duration 2
minutes, 51 seconds. Carl
Fischer Music #CPS230.
Published by Carl Fischer
Music (CF.CPS230).
ISBN 9781491156308.
UPC: 680160914845. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes Bay
Shore Park is intended
for a band with at least
one year's training. It
is also suitable for more
experienced bands. It
should be performed as a
traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake
Bay. Personal NoteMy
high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s
course on the path of
music.Performance
NotesBay Shore Park is
intended for a band with
at least one
year’s training.
It is also suitable for
more experienced bands.
It should be performed as
a traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake Bay. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Bay Shore Park - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2 and
more. - Grade 3 SKU:
CF.CPS230F
March. Composed by
Joseph Compello. Sws.
Cps. Full score. 16
pages. Duration 2
minutes, 51 seconds. Carl
Fischer Music #CPS230F.
Published by Carl Fischer
Music (CF.CPS230F).
ISBN 9781491156315.
UPC: 680160914852. 9 x 12
inches. Personal
Note My high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He was
my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life's course on
the path of music.
Performance Notes Bay
Shore Park is intended
for a band with at least
one year's training. It
is also suitable for more
experienced bands. It
should be performed as a
traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake
Bay. Personal NoteMy
high school band
director, Clarence F.
Wroblewski, died on
November 24, 2018. In the
1950s, he was a pioneer
in the field of public
school instrumental music
in Baltimore City. He
was my mentor and my dear
friend. It was his
guidance and
encouragement that set my
young life’s
course on the path of
music.Performance
NotesBay Shore Park is
intended for a band with
at least one
year’s training.
It is also suitable for
more experienced bands.
It should be performed as
a traditional American
style concert march. A
successful performance
will require careful
attention to balance in
the Trio at m. 55.
Additionally, balance
will also be crucial at
m. 103 where the Trio
melody and the melody
from m. 9 are heard
together. The overall
character of the music
should be lively and
carefree, much like a
summer day at Bay Shore
Park on the shores of the
Chesapeake Bay. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Troika - Avancé Kendor Music Inc.
Percussion Large 12 Players: orchestra bells, marimbas 2, vibraphone 2, xylophon...(+)
Percussion Large 12
Players: orchestra bells,
marimbas 2, vibraphone 2,
xylophone, finger cymbals
2, sleigh bells, small
and large triangles,
tambourine, double
jingles, snare drum,
crash cymbals, bass drum,
and timpani (12 Players:
orchestra bells, marimbas
(2), vibraphone (2),
xylophone, finger cymbals
(2), sleigh bells, small
and large triangles,
tambourine, double
jingles, snare drum,
crash cymbals, bass drum,
and timpani) - Grade 5
SKU: KN.20245
Composed by Sergei
Prokofiev. Arranged by
Sherrie Maricle.
Percussion Large. Kendor
Music Inc #20245.
Published by Kendor Music
Inc (KN.20245). UPC:
822795202458. Score
d for large mixed
percussion ensembles, the
mallet players will have
the greatest challenges
while the others provide
a light and lively
accompaniment. Since
audiences everywhere are
already familiar with the
theme, their response
will be overwhelmingly
positive. $23.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
Plus de résultats boutique >> |