| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sounds of the Season Orchestre d'harmonie - Intermédiaire Hal Leonard
Arranged by John Moss. Score and full set of parts. Young Band (Concert Band). G...(+)
Arranged by John Moss.
Score and full set of
parts. Young Band
(Concert Band). Grade 3.
Published by Hal Leonard.
$70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| German Carol Medley - Full Score Cloches [Conducteur] - Facile Choristers Guild
Arranged by Sandra Eithun. For handbells or handchimes (3-5 octaves) (with optio...(+)
Arranged by Sandra
Eithun. For handbells or
handchimes (3-5 octaves)
(with optional SATB
choir). Advent,
Christmas. Grade 2. Full
score, including
reproducible SATB parts.
Published by Chorister's
Guild
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| German Carol Medley - Choral Score Chorale SATB SATB, Cloches Choristers Guild
Arranged by Sandra Eithun. For handbells or handchimes (3-5 octaves), SATB choir...(+)
Arranged by Sandra
Eithun. For handbells or
handchimes (3-5 octaves),
SATB choir. Advent,
Christmas. Choral score.
Published by Chorister's
Guild
$1.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Santa's in the House! Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Belwin
(Featuring: Jolly Old Saint Nicholas / Up on the Housetop / Jingle Bells). ...(+)
(Featuring: Jolly Old
Saint
Nicholas / Up on the
Housetop / Jingle Bells).
Arranged by Douglas E.
Wagner. Concert Band.
Concert Band; Part(s);
Score. Belwin Very
Beginning
Band. Form: Medley.
Christmas; Secular;
Winter.
Grade .5. 132 pages.
Published by Belwin Music
$46.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hymn of Cittaslow Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1196181-120 Composed by Jacob De Haa...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1196181-120
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Hymns & Chorals.
Score Only. Composed
2020. 11 pages. De Haske
Publications #DHP
1196181-120. Published by
De Haske Publications
(BT.DHP-1196181-120).
English-German-French-
Dutch. Cittaslow is
an international network
of more than 220 towns in
30 countries. Its members
are towns where people
are still finding
themselves reminiscing
over the old times; towns
that are rich in
theatres, squares,
cafés, restaurants and
spiritual places; towns
with untouched landscapes
and charming craftsman
where people are still
able to recognize the
slow course of the
seasons, and respect
their authentic products,
true taste as well as
their health. The Hymn
of Cittaslow, which
was commissioned by the
organisation itself, is
entirely inspired by
their commitment to the
preservation of the
member towns. The tempo
is naturally
‘slow', and the
themes somehow
soundfamiliar. On the one
hand, the music emanates
peace and quiet, but it
also sounds grand in its
lyricism, thereby
reflecting the beauty of
the Cittaslow towns.
Cittaslow is een
internationaal netwerk
van meer dan 220
gemeenten verspreid over
30 landen. De aangesloten
plaatsen zijn gemeenten
waar mensen nieuwsgierig
zijn naar vroeger, waar
een rijke schakering aan
theaters, pleinen,
cafés, restaurants en
spirituele plekken te
vinden is, met een
ongerept landschap en
innemende ambachtslieden,
waar mensen de langzame
tred van de seizoenen nog
herkennen en hun
authentieke producten,
ware smaak en gezondheid
eerbiedigen. De Hymn
of Cittaslow, in
opdracht van deze
organisatie gecomponeerd,
is helemaal ge nspireerd
op deze gedachte. Het
tempo is uiteraard 'slow'
en de thema's zijn
herkenbaar. De muziek
ademt enerzijds rust,
maarklinkt ook groots in
haar lyriek, die de
schoonheid van de
Cittaslow-gemeenten
weerspiegelt.
Cittaslow ist ein
internationales Netzwerk,
dem mehr als 220
Städte in 30
Ländern angehören.
Zu den Mitgliedern
gehören Städte, in
denen die Vergangenheit
noch sehr lebendig und
spürbar ist:
Städte, die reich an
Theatern, Plätzen,
Cafés, Restaurants und
spirituellen Orten sind.
Städte mit
unberührten
Landschaften und
bezauberndem Handwerk, wo
man immer noch den
langsamen Lauf der
Jahreszeiten wahrnehmen
sowie authentische und
gesunde Produkte mit
ihrem ursprünglichen
Geschmack genießen
kann. Die Hymn of
Cittaslow wurde von
der Organisation selbst
in Auftrag gegeben und
ist ganz von dem
Engagement ihrer
Mitgliedsstädte
inspiriert, die sich
dafür einsetzen,
dieVergangenheit zu
bewahren. Das Tempo ist
natürlich
langsam“ und die
Themen klingen irgendwie
vertraut. Einerseits
strahlt die Musik Ruhe
und Frieden aus,
andererseits klingt sie
großartig lyrisch und
spiegelt damit die
Schönheit der
Cittaslow-Städte
wider.
Cittaslow
est un réseau
international de plus de
220 villes dans 30 pays.
Ses membres sont des
villes dont les habitants
se souviennent encore de
l’ancien temps ;
des villes qui jouissent
de nombreux thé tres,
cafés, restaurants,
esplanades et lieux
spirituels ; des villes
offrant des
environnements intacts et
des magasins
d’artisanat
attrayants, des villes
où les gens sont
encore conscients du lent
changement des saisons et
respectent des produits
authentiques, des saveurs
traditionnelles et
l’importance
d’une bonne
santé. Commande de
cette organisation,
Hymn de Cittaslow
s’inspire
entièrement de son
engagement préserver
ses villes membres. Le
tempo de cettepièce
est lent et les thèmes
ont un petit air
familier. La musique
dégage une sensation
de paix et de
tranquillité, mais son
lyrisme lui confère un
caractère grandiose
qui reflète la
beauté des villes de
Cittaslow. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hymn of Cittaslow Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1196181-020 Composed by Jacob De Haa...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1196181-020
Composed by Jacob De
Haan. Concert and Contest
Collection Brass Band en
Fanfare. Hymns & Chorals.
Set (Score & Parts).
Composed 2020. De Haske
Publications #DHP
1196181-020. Published by
De Haske Publications
(BT.DHP-1196181-020).
English-German-French-
Dutch. Cittaslow is
an international network
of more than 220 towns in
30 countries. Its members
are towns where people
are still finding
themselves reminiscing
over the old times; towns
that are rich in
theatres, squares,
cafés, restaurants and
spiritual places; towns
with untouched landscapes
and charming craftsman
where people are still
able to recognize the
slow course of the
seasons, and respect
their authentic products,
true taste as well as
their health. The Hymn
of Cittaslow, which
was commissioned by the
organisation itself, is
entirely inspired by
their commitment to the
preservation of the
member towns. The tempo
is naturally
‘slow', and the
themes somehow
soundfamiliar. On the one
hand, the music emanates
peace and quiet, but it
also sounds grand in its
lyricism, thereby
reflecting the beauty of
the Cittaslow towns.
Cittaslow is een
internationaal netwerk
van meer dan 220
gemeenten verspreid over
30 landen. De aangesloten
plaatsen zijn gemeenten
waar mensen nieuwsgierig
zijn naar vroeger, waar
een rijke schakering aan
theaters, pleinen,
cafés, restaurants en
spirituele plekken te
vinden is, met een
ongerept landschap en
innemende ambachtslieden,
waar mensen de langzame
tred van de seizoenen nog
herkennen en hun
authentieke producten,
ware smaak en gezondheid
eerbiedigen. De Hymn
of Cittaslow, in
opdracht van deze
organisatie gecomponeerd,
is helemaal ge nspireerd
op deze gedachte. Het
tempo is uiteraard 'slow'
en de thema's zijn
herkenbaar. De muziek
ademt enerzijds rust,
maarklinkt ook groots in
haar lyriek, die de
schoonheid van de
Cittaslow-gemeenten
weerspiegelt.
Cittaslow ist ein
internationales Netzwerk,
dem mehr als 220
Städte in 30
Ländern angehören.
Zu den Mitgliedern
gehören Städte, in
denen die Vergangenheit
noch sehr lebendig und
spürbar ist:
Städte, die reich an
Theatern, Plätzen,
Cafés, Restaurants und
spirituellen Orten sind.
Städte mit
unberührten
Landschaften und
bezauberndem Handwerk, wo
man immer noch den
langsamen Lauf der
Jahreszeiten wahrnehmen
sowie authentische und
gesunde Produkte mit
ihrem ursprünglichen
Geschmack genießen
kann. Die Hymn of
Cittaslow wurde von
der Organisation selbst
in Auftrag gegeben und
ist ganz von dem
Engagement ihrer
Mitgliedsstädte
inspiriert, die sich
dafür einsetzen,
dieVergangenheit zu
bewahren. Das Tempo ist
natürlich
langsam“ und die
Themen klingen irgendwie
vertraut. Einerseits
strahlt die Musik Ruhe
und Frieden aus,
andererseits klingt sie
großartig lyrisch und
spiegelt damit die
Schönheit der
Cittaslow-Städte
wider.
Cittaslow
est un réseau
international de plus de
220 villes dans 30 pays.
Ses membres sont des
villes dont les habitants
se souviennent encore de
l’ancien temps ;
des villes qui jouissent
de nombreux thé tres,
cafés, restaurants,
esplanades et lieux
spirituels ; des villes
offrant des
environnements intacts et
des magasins
d’artisanat
attrayants, des villes
où les gens sont
encore conscients du lent
changement des saisons et
respectent des produits
authentiques, des saveurs
traditionnelles et
l’importance
d’une bonne
santé. Commande de
cette organisation,
Hymn de Cittaslow
s’inspire
entièrement de son
engagement préserver
ses villes membres. Le
tempo de cettepièce
est lent et les thèmes
ont un petit air
familier. La musique
dégage une sensation
de paix et de
tranquillité, mais son
lyrisme lui confère un
caractère grandiose
qui reflète la
beauté des villes de
Cittaslow. $118.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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